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Live Event Production Manager Jobs in Indiana (NOW HIRING)

Rehrig Pacific

Hiring Event-Whiteland, IN

Whiteland, IN · On-site

$25 - $28/hr

Whiteland Hiring Event Pallet Repair Techs, Forklift Operators, Warehouse Production Manager Location: 5888 N Graham Rd Suite 200 Whiteland Indiana 46184 Event Dates/Times: August 11th-13th 11:00 AM ...

CROSSMARK1

Event/Product Demonstrator

Plymouth, IN · On-site

... product / events demonstrator team is the place for you! Enjoy flexibility that enables you to have ... directed by management. Qualifications Friendly, respectful, willing and able to take direction ...

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All JobsLive Event Production JobsLive Event Production Manager JobsLive Event Production Manager Jobs in Indiana

Live Event Production Manager information

See Indiana salary details

$27.4K

$66.3K

$104.8K

How much do live event production manager jobs pay per year?

As of Aug 13, 2026, the average yearly pay for live event production manager in Indiana is $66,332.00, according to ZipRecruiter salary data. Most workers in this role earn between $52,900.00 and $76,500.00 per year, depending on experience, location, and employer.

What does a live event production manager do?

A Live Event Production Manager oversees all aspects of planning, organizing, and executing live events such as concerts, conferences, and festivals. Their responsibilities include coordinating with vendors, managing budgets, supervising technical crews, and ensuring that events run smoothly and safely. They work closely with clients, performers, and other stakeholders to ensure the event meets expectations and complies with regulations. Strong organizational, communication, and problem-solving skills are crucial for success in this role.

What are some common challenges faced by live event production managers during large-scale events?

Live Event Production Managers often encounter challenges such as last-minute changes in schedules, technical difficulties with sound or lighting, and coordinating large teams under tight deadlines. Effective communication and problem-solving skills are crucial, as you’ll need to quickly adapt to unexpected issues while keeping the event running smoothly. Collaborating closely with vendors, performers, and venue staff is essential to ensure seamless execution, especially when working with complex logistics or multiple stakeholders. Developing contingency plans and staying organized can help address these challenges and contribute to a successful event.

What is the difference between Live Event Production Manager vs Event Coordinator?

AspectLive Event Production ManagerEvent Coordinator
CredentialsExperience in AV, lighting, sound, and production management; certifications like CTS or PMP beneficialEvent planning experience; certifications vary, often no specialized credentials required
Work EnvironmentOn-site at venues, overseeing technical and production teams during eventsPre-event planning, vendor coordination, and on-site support
Industry UsagePrimarily in live entertainment, corporate events, festivalsWeddings, conferences, corporate meetings

The Live Event Production Manager focuses on technical execution and managing production teams during live events, ensuring smooth operation of AV and staging. In contrast, the Event Coordinator handles planning, logistics, and vendor coordination to organize the event from start to finish. Both roles are essential but differ in technical involvement and scope of responsibilities.

What are the key skills and qualifications needed to thrive as a live event production manager?

To thrive as a Live Event Production Manager, you need expertise in event planning, logistics, budgeting, and a background in technical production, often supported by a degree in event management or related field. Familiarity with production software (like Vectorworks or AutoCAD), audio-visual equipment, and safety regulations is typically required. Strong leadership, problem-solving abilities, and effective communication are crucial soft skills for coordinating teams and managing real-time challenges. These skills ensure seamless event execution, safety, and a high-quality audience experience.
What are the most commonly searched types of Live Event Production jobs in Indiana? The most popular types of Live Event Production jobs in Indiana are:
What are popular job titles related to Live Event Production Manager jobs in Indiana? For Live Event Production Manager jobs in Indiana, the most frequently searched job titles are:
What job categories do people searching Live Event Production Manager jobs in Indiana look for? The top searched job categories for Live Event Production Manager jobs in Indiana are:
What cities in Indiana are hiring for Live Event Production Manager jobs? Cities in Indiana with the most Live Event Production Manager job openings:
Live Event Production Manager jobs near you
Infographic showing various Live Event Production Manager job openings in Indiana as of August 2026, with employment types broken down into 100% Full Time. Highlights an 100% In-person job distribution, with an average salary of $66,332 per year, or $31.9 per hour.

Coliseum Part-time Video Crew

The Allen County

Fort Wayne, IN • On-site

$17.98/hr

Temporary

Posted 7 days ago

Job description

These positions feature event-based work schedules including nights and weekends, great as second jobs or for retirees and students.
Department: Coliseum FLSA Status: Non-exempt
Classification/Level: Part-Time Date: 12/2022
Under the Direction of the Technical Manager of Audio/Video Services, the part-time A/V Event Production staff will assist management and technical support with the arena scoreboard, electronic boards with Audio/Video production. This position is Not Covered (at-will) as defined by The Board of Commissioners of the County of Allen Employee Handbook.
ESSENTIAL FUNCTIONS:
  • Operates shoulder or fixed mounted cameras during events, including closely following the action, keeping the picture in focus to maintain a quality image for live and recorded videos.
  • Operates the switchers and control surfaces for video playback and camera shots. Calling camera shots and directions for camera operators in the event area.
  • Runs replay system for slow-motion playback of goals. Maintains focus and keeps pace with face-paced action for quick clip recalls.
  • Runs Scoreboard display software for games/events. Recall graphics and media playback for crowd engagement.
  • Sets up and takes down audio-visual camera equipment and cabling. This includes adjusting all necessary settings, including white and color balance, using vector scope on switchers.
  • Maintains, diagnoses and repair issues related to broadcast and production systems in live studio and broadcast environments.
  • All other duties as assigned by the Event Manager or other members of senior management.

REQUIREMENTS:
  • Working knowledge of camera systems and control functions, including operations and basic troubleshooting of video equipment required
  • At least two to three years of relevant or similar work experience in the operation of audio and video telecommunication/studio equipment
  • Experience using camera , audio boards, control switchers, audio-visual camera equipment and cabling
  • Ability to take direction as given by the director or producer
  • Work well in a team to complete tasks and goals given to the AV production team
  • Ability to work flexible shifts including nights, holidays, and weekends to work events
  • Requires good working knowledge and the ability to use basic computer knowledge of windows operating systems
  • Ability to stand, sit, crouch, and hold up to 30 lbs. for long periods of time

PERSONAL WORK RELATIONSHIPS:
The A/V Event Production staff maintains frequent contact with other employees, promoters, exhibitors, vendors, clients and guests of the Allen County War Memorial Coliseum.
WORKING CONDITIONS:
The A/V Event Production staff work in a standard office environment with the ability to move about freely with frequent sitting, typing, finger dexterity, color distinction, attention to detail, visual inspection, hand/eye coordination, and hearing. Some lifting up to thirty pounds, pushing, pulling, bending, squatting, crawling, climbing, reaching, grasping, holding, writing, and speaking are to be expected. The A/V Event Production staff have frequent exposure to extreme noise and some dangerous equipment, forklifts, heavy equipment, and confined spaces.
SUPERVISION:
None
LICENSING:
None
IMMEDIATE SUPERVISOR:
Technical Manager of Audio/Video Services
HOURS:
Ability to work flexible shifts including nights, holidays, and weekends to work events

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