... cables, audio boards, intercoms, microphones, routers, monitors, and related production systems ... • Support freelance staff and game day crew by helping with equipment preparation, setup ...
... cables, audio boards, intercoms, microphones, routers, monitors, and related production systems ... • Support freelance staff and game day crew by helping with equipment preparation, setup ...
... cables, audio boards, intercoms, microphones, routers, monitors, and related production systems ... · Support freelance staff and game day crew by helping with equipment preparation, setup ...
... cables, audio boards, intercoms, microphones, routers, monitors, and related production systems ... · Support freelance staff and game day crew by helping with equipment preparation, setup ...
Post-Production Manager
Indianapolis, IN · On-site
Partnering closely with the Directors of Audio and Video Editing, this person manages the editing pool across both staff and freelance editors, oversees workload balancing and capacity planning, and ...
Quick apply
Post-Production Manager
Indianapolis, IN · On-site
Partnering closely with the Directors of Audio and Video Editing, this person manages the editing pool across both staff and freelance editors, oversees workload balancing and capacity planning, and ...
... audio) to be shared with partners and stakeholders for news stories and publications, on social ... This individual will train staff, student workers, and freelancers as necessary, ensuring ...
... audio) to be shared with partners and stakeholders for news stories and publications, on social ... This individual will train staff, student workers, and freelancers as necessary, ensuring ...
Produce compelling video, audio, and motion graphics that deliver engaging content that drives ... Work with external vendors, agencies, and freelancers as needed to supplement in-house capabilities ...
Produce compelling video, audio, and motion graphics that deliver engaging content that drives ... Work with external vendors, agencies, and freelancers as needed to supplement in-house capabilities ...
... freelance, or professional accounts. * Strong short-form video creation skills, including filming, editing, pacing, captions, transitions, audio selection, and platform-specific formatting.
... freelance, or professional accounts. * Strong short-form video creation skills, including filming, editing, pacing, captions, transitions, audio selection, and platform-specific formatting.
... freelance, or professional accounts. * Strong short-form video creation skills, including filming, editing, pacing, captions, transitions, audio selection, and platform-specific formatting.
Quick apply
... freelance, or professional accounts. * Strong short-form video creation skills, including filming, editing, pacing, captions, transitions, audio selection, and platform-specific formatting.
... freelance, or professional accounts. * Strong short-form video creation skills, including filming, editing, pacing, captions, transitions, audio selection, and platform-specific formatting.
... freelance, or professional accounts. * Strong short-form video creation skills, including filming, editing, pacing, captions, transitions, audio selection, and platform-specific formatting.
Freelance Audio information
See Indiana salary details
$10.14 - $16.22
13% of jobs
$16.22 - $22.31
12% of jobs
$22.45 is the 25th percentile. Wages below this are outliers.
$22.31 - $28.39
23% of jobs
The median wage is $28.80 / hr.
$28.39 - $34.48
32% of jobs
$34.48 - $40.56
7% of jobs
$40.56 - $46.65
4% of jobs
$46.65 - $52.73
6% of jobs
$52.73 - $58.81
0% of jobs
$58.81 - $64.90
0% of jobs
$64.90 - $70.98
0% of jobs
$70.98 - $77.07
2% of jobs
$10
$32
$77
How much do freelance audio jobs pay per hour?
As of Jul 30, 2026, the average hourly pay for freelance audio in Indiana is $32.90, according to ZipRecruiter salary data. Most workers in this role earn between $23.44 and $36.05 per hour, depending on experience, location, and employer.
What is the difference between Freelance Audio vs Audio Engineer?
| Aspect | Freelance Audio | Audio Engineer |
|---|---|---|
| Credentials | Varies; often self-taught or with certifications | Typically formal education or certifications in audio engineering |
| Work Environment | Independent projects, remote or on-site | Studio, live events, broadcast facilities |
| Employer/Industry Usage | Clients, production companies, individuals | Recording studios, media companies, broadcasters |
| Work Scope | Mixing, editing, sound design for various media | Recording, mixing, mastering, live sound management |
Freelance Audio professionals typically work independently on diverse projects, often without formal employment, while Audio Engineers usually work within studios or organizations with specialized training. Both roles require technical skills, but the work environment and employment structure differ significantly.
How do Freelance Audio professionals typically manage client expectations and project deadlines?
Freelance Audio professionals often juggle multiple projects at once, so clear communication with clients about timelines, deliverables, and project scope is essential. Setting realistic deadlines and providing regular progress updates helps build trust and reduces the risk of misunderstandings. Additionally, many freelancers use project management tools and detailed contracts to keep projects on track, ensuring both parties are aligned on expectations from the start.
What is a freelance audio professional?
A freelance audio professional is an independent contractor who offers audio-related services such as recording, editing, mixing, sound design, or voiceover work to clients on a project basis. They typically work with musicians, filmmakers, podcasters, advertisers, or other media producers without being tied to a single employer. Freelance audio professionals may operate from their own studios or travel to client locations and often manage their own schedules, client communications, and business operations.
What are the key skills and qualifications needed to thrive as a Freelance Audio Engineer, and why are they important?
To thrive as a Freelance Audio Engineer, you need a strong understanding of sound design, audio editing, and mixing/mastering, often supported by relevant coursework or a degree in audio engineering or music production. Proficiency with digital audio workstations (DAWs) like Pro Tools, Logic Pro, and industry-standard plug-ins or hardware is typically required. Excellent communication, time management, and client collaboration skills help build lasting client relationships and manage multiple projects effectively. These skills ensure high-quality audio production, client satisfaction, and the ability to compete successfully in a dynamic freelance market.
What are the most commonly searched types of Audio jobs in Indiana? The most popular types of Audio jobs in Indiana are:
What are popular job titles related to Freelance Audio jobs in Indiana? For Freelance Audio jobs in Indiana, the most frequently searched job titles are:
What job categories do people searching Freelance Audio jobs in Indiana look for? The top searched job categories for Freelance Audio jobs in Indiana are:
What cities in Indiana are hiring for Freelance Audio jobs? Cities in Indiana with the most Freelance Audio job openings:
Full-time
Posted 20 days ago
Job description
Season Associate Start Date: September 2026
Season Associate End Date: June 2027
Location: on-site in Indianapolis, IN
Anticipated Time Commitment: approximately 25+ hours per week
Summary
The Broadcast Engineering Season Associate is an entry-level role that supports the AVP of Broadcast Engineering and Operations, broadcast engineering staff, and production teams with the setup, operation, and maintenance of television production equipment and event broadcast infrastructure. This position provides hands-on assistance for Indiana Pacers, Indiana Fever, and Noblesville Boom games, as well as other events at Gainbridge Fieldhouse that utilize PSE production services.
Evening and weekend availability is required. Under the direction of full-time broadcast engineering staff, the associate will help configure, install, operate, and maintain broadcast equipment such as cameras, cables, audio boards, intercoms, microphones, routers, monitors, and related production systems. This role is intended for someone seeking practical experience in live sports and event production while supporting smooth technical execution before, during, and after events.
Essential Duties and Responsibilities
• Maintain consistent evening and weekend availability for Pacers, Fever, Boom, and other events supported by PSE production services.
• Assist with setup, strike, and configuration of broadcast equipment for live games and events, including cameras, cables, audio boards, intercoms, microphones, routers, video monitors, audio monitors, and related production equipment.
• Support basic maintenance and organization of editing and production systems, including PC-based editors, servers, archive systems, and related equipment, under staff supervision.
• Help install, configure, label, test, and troubleshoot new or temporary equipment, including assisting with copper and fiber optic cabling for event needs.
• Collaborate with broadcast engineering staff, production teams, facility partners, and outside broadcast partners to support proper deployment of equipment and personnel for games and events.
• Assist with the operation, upkeep, and basic troubleshooting of video coaching facilities and related event production systems as needed.
• Support freelance staff and game day crew by helping with equipment preparation, setup instructions, and event-day technical needs under supervision.
• Serve as an entry-level technical support resource by helping answer basic equipment questions, escalating issues when needed, and relaying information to broadcast engineering staff.
• Help prepare, deploy, test, and collect in-arena production equipment on game days and assist with communicating equipment-use instructions to game day staff.
• Identify and report production issues, equipment concerns, damaged gear, or operational needs to the AVP of Broadcast Engineering & Operations or designated broadcast engineering staff.
Note: This seasonal, entry-level role is designed for individuals seeking hands-on experience in broadcast engineering, live sports production, and event operations. Responsibilities may be adjusted based on event needs and may include Pacers, Fever, Boom, and other events at Gainbridge Fieldhouse or other PSE-supported venues.
PHYSICAL & ENVIRONMENTAL DEMANDS:
The physical demands described here are representative of those that must be met by an employee to successfully perform the essential functions of this job. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.
While performing the duties of this job, the employee is regularly required to sit, stand, walk, use a telephone, use a computer, speak, hear, and write.
The noise level in the office work environment is usually moderate. The noise level in the Fieldhouse / game environment is usually loud. The stress level may become high during certain times of the year.
We are an equal opportunity employer, and all qualified applicants will receive consideration for employment without regard to race, color, religion, national origin, sex, sexual orientation, age, gender identity, marital status, disability status, protected veteran status, or any other characteristic protected by law.
Season Associate End Date: June 2027
Location: on-site in Indianapolis, IN
Anticipated Time Commitment: approximately 25+ hours per week
Summary
The Broadcast Engineering Season Associate is an entry-level role that supports the AVP of Broadcast Engineering and Operations, broadcast engineering staff, and production teams with the setup, operation, and maintenance of television production equipment and event broadcast infrastructure. This position provides hands-on assistance for Indiana Pacers, Indiana Fever, and Noblesville Boom games, as well as other events at Gainbridge Fieldhouse that utilize PSE production services.
Evening and weekend availability is required. Under the direction of full-time broadcast engineering staff, the associate will help configure, install, operate, and maintain broadcast equipment such as cameras, cables, audio boards, intercoms, microphones, routers, monitors, and related production systems. This role is intended for someone seeking practical experience in live sports and event production while supporting smooth technical execution before, during, and after events.
Essential Duties and Responsibilities
• Maintain consistent evening and weekend availability for Pacers, Fever, Boom, and other events supported by PSE production services.
• Assist with setup, strike, and configuration of broadcast equipment for live games and events, including cameras, cables, audio boards, intercoms, microphones, routers, video monitors, audio monitors, and related production equipment.
• Support basic maintenance and organization of editing and production systems, including PC-based editors, servers, archive systems, and related equipment, under staff supervision.
• Help install, configure, label, test, and troubleshoot new or temporary equipment, including assisting with copper and fiber optic cabling for event needs.
• Collaborate with broadcast engineering staff, production teams, facility partners, and outside broadcast partners to support proper deployment of equipment and personnel for games and events.
• Assist with the operation, upkeep, and basic troubleshooting of video coaching facilities and related event production systems as needed.
• Support freelance staff and game day crew by helping with equipment preparation, setup instructions, and event-day technical needs under supervision.
• Serve as an entry-level technical support resource by helping answer basic equipment questions, escalating issues when needed, and relaying information to broadcast engineering staff.
• Help prepare, deploy, test, and collect in-arena production equipment on game days and assist with communicating equipment-use instructions to game day staff.
• Identify and report production issues, equipment concerns, damaged gear, or operational needs to the AVP of Broadcast Engineering & Operations or designated broadcast engineering staff.
Note: This seasonal, entry-level role is designed for individuals seeking hands-on experience in broadcast engineering, live sports production, and event operations. Responsibilities may be adjusted based on event needs and may include Pacers, Fever, Boom, and other events at Gainbridge Fieldhouse or other PSE-supported venues.
PHYSICAL & ENVIRONMENTAL DEMANDS:
The physical demands described here are representative of those that must be met by an employee to successfully perform the essential functions of this job. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.
While performing the duties of this job, the employee is regularly required to sit, stand, walk, use a telephone, use a computer, speak, hear, and write.
The noise level in the office work environment is usually moderate. The noise level in the Fieldhouse / game environment is usually loud. The stress level may become high during certain times of the year.
We are an equal opportunity employer, and all qualified applicants will receive consideration for employment without regard to race, color, religion, national origin, sex, sexual orientation, age, gender identity, marital status, disability status, protected veteran status, or any other characteristic protected by law.