... entry-level role that supports the AVP of Broadcast Engineering and Operations, broadcast ... cables, audio boards, intercoms, microphones, routers, monitors, and related production systems.
... entry-level role that supports the AVP of Broadcast Engineering and Operations, broadcast ... cables, audio boards, intercoms, microphones, routers, monitors, and related production systems.
... entry-level role that supports the AVP of Broadcast Engineering and Operations, broadcast ... cables, audio boards, intercoms, microphones, routers, monitors, and related production systems.
... entry-level role that supports the AVP of Broadcast Engineering and Operations, broadcast ... cables, audio boards, intercoms, microphones, routers, monitors, and related production systems.
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Legal Admin Assistant - Digital Reporter
Fort Wayne, IN · On-site
$40.50 - $54.60/hr
In this role, you will use high-quality digital audio equipment to capture the verbatim record of a ... ENTRY-LEVEL - No Experience Required. We provide you with all the support you need to be ...
Quick apply
Veteran-friendly
Urgent
Be Seen First
Legal Admin Assistant - Digital Reporter
Fort Wayne, IN · On-site
$40.50 - $54.60/hr
In this role, you will use high-quality digital audio equipment to capture the verbatim record of a ... ENTRY-LEVEL - No Experience Required. We provide you with all the support you need to be ...
Veteran-friendly
Urgent
Headquartered in Fishers, IN (just north of Indianapolis),UTG is a service-focused commercial audio ... entry-level peers. Required Qualifications & Experience * Experience: 1 to 4 years of B2B sales ...
Headquartered in Fishers, IN (just north of Indianapolis),UTG is a service-focused commercial audio ... entry-level peers. Required Qualifications & Experience * Experience: 1 to 4 years of B2B sales ...
Headquartered in Fishers, IN (just north of Indianapolis),UTG is a service-focused commercial audio ... entry-level peers. Required Qualifications & Experience * Experience:1to4years of B2B sales ...
Quick apply
Headquartered in Fishers, IN (just north of Indianapolis),UTG is a service-focused commercial audio ... entry-level peers. Required Qualifications & Experience * Experience:1to4years of B2B sales ...
Monitor basic in-space technology (e.g., displays and audio) and coordinate troubleshooting with ... preferred. * Entry-level experience supporting customer service, events, student services, or ...
Monitor basic in-space technology (e.g., displays and audio) and coordinate troubleshooting with ... preferred. * Entry-level experience supporting customer service, events, student services, or ...
Associate Student Engagement Services Specialist
West Lafayette, IN · On-site
$20.68 - $22.12/hr
Monitor basic in-space technology (e.g., displays and audio) and coordinate troubleshooting with ... preferred. * Entry-level experience supporting customer service, events, student services, or ...
Quick apply
Associate Student Engagement Services Specialist
West Lafayette, IN · On-site
$20.68 - $22.12/hr
Monitor basic in-space technology (e.g., displays and audio) and coordinate troubleshooting with ... preferred. * Entry-level experience supporting customer service, events, student services, or ...
IT Technician
Huntington, IN · On-site
$26.34/hr
Provide basic audio-visual support for AV equipment Knowledge * Familiar with computer hardware ... Proficient in PC operation and navigation * Entry-level network troubleshooting * Core proficiency ...
IT Technician
Huntington, IN · On-site
$26.34/hr
Provide basic audio-visual support for AV equipment Knowledge * Familiar with computer hardware ... Proficient in PC operation and navigation * Entry-level network troubleshooting * Core proficiency ...
Entry Level Audio information
What are Entry Level Audio jobs?
Entry Level Audio jobs are positions in the audio industry that require minimal prior experience or specialized training. These roles typically include assisting audio engineers, setting up and maintaining audio equipment, and helping with sound checks during live events or studio sessions. Common entry-level positions include audio technician assistants, production assistants, or junior sound editors. These jobs provide valuable hands-on training and often serve as a stepping stone to more advanced roles in audio engineering or production.
What are the key skills and qualifications needed to thrive as an Entry Level Audio Engineer, and why are they important?
To thrive as an Entry Level Audio Engineer, you need a basic understanding of audio signal flow, recording techniques, and sound editing, usually supported by a relevant degree or coursework. Familiarity with digital audio workstations (DAWs) like Pro Tools or Logic Pro, as well as basic audio hardware, is typically required. Strong attention to detail, teamwork, and effective communication help you collaborate successfully on projects and adapt to client needs. These skills and qualities are essential for producing high-quality audio and meeting the demands of fast-paced studio environments.
What are some typical responsibilities for someone in an entry-level audio position, and how can I best prepare to succeed in this role?
In an entry-level audio role, you'll often be assisting with setting up and breaking down audio equipment, monitoring sound levels during live events or recordings, and troubleshooting basic technical issues. You'll likely work closely with audio engineers, event staff, and sometimes performers, so strong teamwork and communication skills are essential. To excel, familiarize yourself with fundamental audio concepts, common equipment, and industry-standard software. Being proactive, detail-oriented, and open to learning from more experienced colleagues will help you stand out and advance your career.
What is the difference between Entry Level Audio vs Entry Level Sound Technician?
| Aspect | Entry Level Audio | Entry Level Sound Technician |
|---|---|---|
| Credentials | Basic audio training, certifications like Avid or Pro Tools | Similar certifications, often includes audio engineering courses |
| Work Environment | Recording studios, live events, broadcasting | Concerts, theater productions, film sets |
| Industry Usage | Music, broadcasting, podcasting | Live events, entertainment, film |
Both roles involve working with audio equipment and require foundational audio knowledge. Entry Level Audio typically focuses on recording and production, while Entry Level Sound Technician often emphasizes live sound and event setup. The roles overlap in skills and certifications but differ mainly in work environment and specific tasks.
What are the most commonly searched types of Audio jobs in Indiana? The most popular types of Audio jobs in Indiana are:
What are popular job titles related to Entry Level Audio jobs in Indiana? For Entry Level Audio jobs in Indiana, the most frequently searched job titles are:
What job categories do people searching Entry Level Audio jobs in Indiana look for? The top searched job categories for Entry Level Audio jobs in Indiana are:
What cities in Indiana are hiring for Entry Level Audio jobs? Cities in Indiana with the most Entry Level Audio job openings:
Full-time
Posted 20 days ago
Job description
Season Associate Start Date: September 2026
Season Associate End Date: June 2027
Location: on-site in Indianapolis, IN
Anticipated Time Commitment: approximately 25+ hours per week
Summary
The Broadcast Engineering Season Associate is an entry-level role that supports the AVP of Broadcast Engineering and Operations, broadcast engineering staff, and production teams with the setup, operation, and maintenance of television production equipment and event broadcast infrastructure. This position provides hands-on assistance for Indiana Pacers, Indiana Fever, and Noblesville Boom games, as well as other events at Gainbridge Fieldhouse that utilize PSE production services.
Evening and weekend availability is required. Under the direction of full-time broadcast engineering staff, the associate will help configure, install, operate, and maintain broadcast equipment such as cameras, cables, audio boards, intercoms, microphones, routers, monitors, and related production systems. This role is intended for someone seeking practical experience in live sports and event production while supporting smooth technical execution before, during, and after events.
Essential Duties and Responsibilities
• Maintain consistent evening and weekend availability for Pacers, Fever, Boom, and other events supported by PSE production services.
• Assist with setup, strike, and configuration of broadcast equipment for live games and events, including cameras, cables, audio boards, intercoms, microphones, routers, video monitors, audio monitors, and related production equipment.
• Support basic maintenance and organization of editing and production systems, including PC-based editors, servers, archive systems, and related equipment, under staff supervision.
• Help install, configure, label, test, and troubleshoot new or temporary equipment, including assisting with copper and fiber optic cabling for event needs.
• Collaborate with broadcast engineering staff, production teams, facility partners, and outside broadcast partners to support proper deployment of equipment and personnel for games and events.
• Assist with the operation, upkeep, and basic troubleshooting of video coaching facilities and related event production systems as needed.
• Support freelance staff and game day crew by helping with equipment preparation, setup instructions, and event-day technical needs under supervision.
• Serve as an entry-level technical support resource by helping answer basic equipment questions, escalating issues when needed, and relaying information to broadcast engineering staff.
• Help prepare, deploy, test, and collect in-arena production equipment on game days and assist with communicating equipment-use instructions to game day staff.
• Identify and report production issues, equipment concerns, damaged gear, or operational needs to the AVP of Broadcast Engineering & Operations or designated broadcast engineering staff.
Note: This seasonal, entry-level role is designed for individuals seeking hands-on experience in broadcast engineering, live sports production, and event operations. Responsibilities may be adjusted based on event needs and may include Pacers, Fever, Boom, and other events at Gainbridge Fieldhouse or other PSE-supported venues.
PHYSICAL & ENVIRONMENTAL DEMANDS:
The physical demands described here are representative of those that must be met by an employee to successfully perform the essential functions of this job. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.
While performing the duties of this job, the employee is regularly required to sit, stand, walk, use a telephone, use a computer, speak, hear, and write.
The noise level in the office work environment is usually moderate. The noise level in the Fieldhouse / game environment is usually loud. The stress level may become high during certain times of the year.
We are an equal opportunity employer, and all qualified applicants will receive consideration for employment without regard to race, color, religion, national origin, sex, sexual orientation, age, gender identity, marital status, disability status, protected veteran status, or any other characteristic protected by law.
Season Associate End Date: June 2027
Location: on-site in Indianapolis, IN
Anticipated Time Commitment: approximately 25+ hours per week
Summary
The Broadcast Engineering Season Associate is an entry-level role that supports the AVP of Broadcast Engineering and Operations, broadcast engineering staff, and production teams with the setup, operation, and maintenance of television production equipment and event broadcast infrastructure. This position provides hands-on assistance for Indiana Pacers, Indiana Fever, and Noblesville Boom games, as well as other events at Gainbridge Fieldhouse that utilize PSE production services.
Evening and weekend availability is required. Under the direction of full-time broadcast engineering staff, the associate will help configure, install, operate, and maintain broadcast equipment such as cameras, cables, audio boards, intercoms, microphones, routers, monitors, and related production systems. This role is intended for someone seeking practical experience in live sports and event production while supporting smooth technical execution before, during, and after events.
Essential Duties and Responsibilities
• Maintain consistent evening and weekend availability for Pacers, Fever, Boom, and other events supported by PSE production services.
• Assist with setup, strike, and configuration of broadcast equipment for live games and events, including cameras, cables, audio boards, intercoms, microphones, routers, video monitors, audio monitors, and related production equipment.
• Support basic maintenance and organization of editing and production systems, including PC-based editors, servers, archive systems, and related equipment, under staff supervision.
• Help install, configure, label, test, and troubleshoot new or temporary equipment, including assisting with copper and fiber optic cabling for event needs.
• Collaborate with broadcast engineering staff, production teams, facility partners, and outside broadcast partners to support proper deployment of equipment and personnel for games and events.
• Assist with the operation, upkeep, and basic troubleshooting of video coaching facilities and related event production systems as needed.
• Support freelance staff and game day crew by helping with equipment preparation, setup instructions, and event-day technical needs under supervision.
• Serve as an entry-level technical support resource by helping answer basic equipment questions, escalating issues when needed, and relaying information to broadcast engineering staff.
• Help prepare, deploy, test, and collect in-arena production equipment on game days and assist with communicating equipment-use instructions to game day staff.
• Identify and report production issues, equipment concerns, damaged gear, or operational needs to the AVP of Broadcast Engineering & Operations or designated broadcast engineering staff.
Note: This seasonal, entry-level role is designed for individuals seeking hands-on experience in broadcast engineering, live sports production, and event operations. Responsibilities may be adjusted based on event needs and may include Pacers, Fever, Boom, and other events at Gainbridge Fieldhouse or other PSE-supported venues.
PHYSICAL & ENVIRONMENTAL DEMANDS:
The physical demands described here are representative of those that must be met by an employee to successfully perform the essential functions of this job. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.
While performing the duties of this job, the employee is regularly required to sit, stand, walk, use a telephone, use a computer, speak, hear, and write.
The noise level in the office work environment is usually moderate. The noise level in the Fieldhouse / game environment is usually loud. The stress level may become high during certain times of the year.
We are an equal opportunity employer, and all qualified applicants will receive consideration for employment without regard to race, color, religion, national origin, sex, sexual orientation, age, gender identity, marital status, disability status, protected veteran status, or any other characteristic protected by law.