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Audio Engineer Jobs in Oregon (NOW HIRING)

Audio Lead, Games Studio

OR ยท On-site +1

$200K - $280K/yr

The Audio Lead will partner with cross-disciplinary teams to define and execute high-quality audio ... They are adept at working with dynamic sounds and understand how to collaborate with engineers to ...

Audio Lead, Games Studio

OR ยท On-site +1

$200K - $280K/yr

The Audio Lead will partner with cross-disciplinary teams to define and execute high-quality audio ... They are adept at working with dynamic sounds and understand how to collaborate with engineers to ...

Part Time Video/Audio Producer

Portland, OR ยท On-site

$16.30 - $22/hr

Programming Reporting To: Brand Manager Employment Type: Part Time Location(s): Portland, OR. Work ... The Video/Audio Producer helps bring the station's on-air brand to life online; creating, curating ...

Events and Venue Manager

Portland, OR ยท On-site

$27.80/hr

Schedule/supervise additional event team members as needed including audio engineers, contractors, colleagues, or volunteers, in collaboration with management, engineering, and volunteer coordinator.

$30/hr

A minimum of one year of professional experience in live audio engineering, lighting or stage workexperience is required . THIS IS A PART_TIME_POSITION WITH NO GUARANTEE OF A CERTAIN NUMBER OF HOURS ...

Programming Reporting To: Brand Manager Employment Type: Part Time Location(s): Portland, OR. Work ... The Video/Audio Producer helps bring the station's on-air brand to life online; creating, curating ...

Programming Reporting To: Brand Manager Employment Type: Part Time Location(s): Portland, OR. Work ... The Video/Audio Producer helps bring the station's on-air brand to life online; creating, curating ...

Description du poste VYSUAL cherche a agrandir son equipe redactoriale et est ainsi a la recherche d'un Redacteur Audio. Ce melomane passionne aura pour mission la redaction d'au moins 1 article par ...

Provide setup and operation of audio systems including music programing and speech reinforcement. * Secure signed work orders and approval on any added equipment. * Manage property storerooms by ...

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Showing results 1-20

Audio Engineer information

See Oregon salary details

$31.2K

$89.3K

$181.3K

How much do audio engineer jobs pay per year?

As of Jun 14, 2026, the average yearly pay for audio engineer in Oregon is $89,294.00, according to ZipRecruiter salary data. Most workers in this role earn between $52,900.00 and $119,500.00 per year, depending on experience, location, and employer.

What is the difference between Audio Engineer vs Sound Technician?

AspectAudio EngineerSound Technician
CredentialsAudio engineering degree or certification, technical trainingTechnical training, sometimes on-the-job experience
Work EnvironmentRecording studios, live events, post-productionLive events, concerts, theater productions
Industry UsageMusic, film, broadcasting, live soundConcerts, theater, events, live sound reinforcement

While both roles involve working with sound, Audio Engineers focus on recording, mixing, and mastering audio in studios or post-production, whereas Sound Technicians primarily handle live sound setup and operation during events. The roles often overlap but differ mainly in their work environment and specific responsibilities.

What jobs can a sound engineer do?

A sound engineer can work in various roles such as recording engineer, live sound technician, mixing engineer, broadcast engineer, or post-production engineer. They operate audio equipment, set up sound systems, and ensure high-quality sound for music, film, television, concerts, and events, often requiring knowledge of digital audio workstations and certifications in audio technology.

What engineers make $500,000?

Senior audio engineers working in high-profile industries such as film, television, or live event production can earn salaries approaching or exceeding $500,000 annually, especially with extensive experience, specialized skills, and leadership roles. Achieving this level often requires advanced certifications, a strong professional reputation, and working in large markets or for major companies.

What Is an Audio Engineer?

An Audio Engineer is involved in the recording and production of audio, sound, and music. Some Audio Engineers help record vocal or musical performances in a recording studio. Others manage sound output during live concerts. As an Audio Engineer, you might mix and edit tracks for studio albums, radio and television shows, movies, or video games. During recordings and performances, you may be responsible for setting up audio equipment, such as microphones, speakers, headphones, and mixers, and checking them to make sure they work correctly.

What do you do as an audio engineer?

An audio engineer is responsible for recording, mixing, and editing sound for music, film, television, or live events. They operate audio equipment, use digital audio workstations, and ensure sound quality meets production standards. The role often requires technical skills, attention to detail, and knowledge of acoustics and audio software.

What does an Audio Engineer do?

An Audio Engineer is responsible for recording, mixing, and mastering sound for various media, including music, film, television, and live events. They operate and maintain audio equipment, ensure high-quality sound production, and often collaborate with producers, musicians, and other technical staff. Their work can involve setting up microphones, adjusting sound levels, editing audio tracks, and troubleshooting technical issues. Audio Engineers play a crucial role in achieving the desired sound for a project.

How does an audio engineer typically collaborate with producers and artists during a recording session?

Audio engineers work closely with producers and artists to ensure the vision for each project is realized. During recording sessions, they set up and operate audio equipment, offer technical advice, and make real-time adjustments based on feedback. Communication is key, as engineers often interpret creative ideas into technical solutions, ensuring clarity and quality in every take. This collaborative environment requires flexibility, quick problem-solving, and a strong understanding of both the artistic and technical aspects of sound production.

What are the key skills and qualifications needed to thrive as an Audio Engineer, and why are they important?

To thrive as an Audio Engineer, you need strong knowledge of sound theory, audio mixing, and recording techniques, often supported by a degree or certification in audio engineering or a related field. Proficiency with digital audio workstations (DAWs) such as Pro Tools or Logic Pro, audio interfaces, and studio equipment is crucial. Excellent attention to detail, problem-solving abilities, and effective communication skills set top professionals apart. These capabilities ensure high-quality sound production, smooth collaboration, and the ability to address technical challenges in dynamic audio environments.

Is audio engineering in high demand?

Audio engineering is a specialized field with steady demand in industries such as music production, film, television, and live events. Job opportunities often require technical skills, familiarity with digital audio workstations, and certifications, with demand influenced by the growth of media and entertainment sectors.
What are the most commonly searched types of Audio Engineer jobs in Oregon? The most popular types of Audio Engineer jobs in Oregon are:
What cities in Oregon are hiring for Audio Engineer jobs? Cities in Oregon with the most Audio Engineer job openings:
Podcast Recording Engineer & Editor

Podcast Recording Engineer & Editor

Bible Project

Portland, OR โ€ข On-site

$31 - $45/hr

Part-time

Retirement

Posted 18 days ago


Job description

Podcast Audio Editor
Part-Time โ€ข 20 hours/week
About This Role
As our Podcast Recording Engineer & Editor, you will own the weekly audio post-production pipeline for the BibleProject Podcast-from recording intake through final review handoff. You will spend most of your time editing and restoring long-form spoken-word conversations inside Pro Tools, using iZotope RX to solve real-world audio problems and delivering episodes that feel natural, transparent, and emotionally intact.
To thrive here, you need professional-level Pro Tools fluency-not occasional familiarity-along with deep dialogue editing instincts drawn from broadcast, radio, film, post-production, documentary, or a comparable environment. You should be comfortable working independently inside a structured weekly cadence and an established AAF-to-Pro Tools workflow.
In all your work, you will bring your skills and experience to help further our mission of helping people experience the Bible as a unified story that leads to Jesus.
This is a part-time role with no guarantee of becoming a full-time role. It is a great fit if you genuinely want consistent, meaningful part-time production work.
What You'll Be Doing
Core Responsibilities
Leadership
  • Communicate proactively about episode status, blockers, restoration concerns, AAF/session issues, and handoff timing so the team can plan around deadlines.
  • Protect the established level of audio quality and advocate for workflow improvements that make weekly podcast production more sustainable.
  • Work within systems with consistency and reliability, flagging issues rather than improvising around them.
Responsibility
  • Edit and clean long-form podcast conversations with a high level of transparency-preserving natural speech, pacing, tone, breath, room tone, and intent.
  • Apply audio processing and restoration tools to repair real-world problems and achieve BibleProject's established podcast sound.
  • Build episode elements: main conversation body, intro/outro voiceovers, music breaks, and additional sound design.
  • Conduct recording sessions-microphone setup, gain staging, routing, headphone monitoring, and level monitoring.
  • Manage media files, AAF import/export, session structure, and file organization across Descript, Pro Tools, and Dropbox-maintaining the established system from intake through handoff.
Expertise
  • Perform difficult audio repairs cleanly and confidently-including light pacing edits and transcript-aligned assembly-while preserving the speakers' rhythm and conversational flow.
  • Produce mix-ready, loudness-compliant deliverables that meet broadcast and podcast standards.

What We're Looking For
  • 3+ years of professional Pro Tools experience as a primary dialogue-editing environment, with the ability to build, organize, and troubleshoot sessions independently.
  • 3+ years editing long-form, multi-speaker audio (45+ min) in at least one of the following: broadcast, radio, podcast, documentary, or film post-production.
  • Proficient in iZotope RX 9 or later, including Dialogue De-noise, De-hum, De-clip, De-mouth, Spectral Repair, and Ambience Match.
  • Able to execute AAF export/import, media relinking, and session handoff between Descript and Pro Tools without supervision.
  • Familiar with podcast loudness standards (-16 LUFS stereo / -19 LUFS mono) and able to deliver mix-ready files that meet those targets consistently.
  • Able to maintain consistent output within a recurring weekly deadline with limited flexibility.
  • Clear communicator who works well asynchronously and handles biblical and theological content with care.

About BibleProject
Portland, Oregon, Founded 2014
BibleProject is an educational technology and media studio whose mission is to help people experience the Bible as a unified story that leads to Jesus.
We have grown significantly in the area of multimedia technology. What began with two animated videos now encompasses multiple platforms and products-including over 200 videos. Our website and app serve as connection hubs to our ever-growing library of resources. Classroom, our online learning platform, offers accessible, graduate-level Bible classes.
These, and all of our supporting products, continue to be completely free to audiences around the world, thanks to the ongoing generosity of our patrons.
Location: Portland, Oregon
Reporting to: Cooper Peltz, Director of Production, Live Action and Audio
Compensation & Benefits
  • The hourly range for this position is $31.00 - $45.00.
    • Competitive wages that scales with experience directly related to this role. Top tier in non-profit market but will not match similar roles in for-profit companies.
  • State-regulated sick leave
  • 401k matching program (Eligible 6 months from start date)
  • Random employee perks (swag, meals and other surprises)

BibleProject is an equal opportunity employer.