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Audio Production Engineer Jobs (NOW HIRING)

Head Audio Engineer

MA · On-site

$23.58 - $26/hr

Head Audio Engineer STATUS: Seasonal LOCATION: Becket, MA REPORTS TO ... Production Manager of assigned venue DEPARTMENT: Production SUPERVISES: - WORKS WITH: Artistic ...

Apply professional expertise in music production, audio engineering, sound mixing, songwriting, and musical theory when reviewing AI-generated content. * Evaluate lyrical content for quality ...

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Hotel Audio Visual Technician

Charlotte, NC · On-site

$20 - $25/hr

  • Medical

  • Dental

  • Vision

  • Life

  • Retirement

  • PTO

Summary: Crescent Events Production is seeking a passionate and highly skilled Audio / Video Production Engineer to help deliver outstanding live event experiences. This role is responsible for ...

As a Production Technician, Audio, you will build, operate, strike, and properly store all aspects of production including but not limited to: stage deck, truss, cables, consoles, speakers, and ...

As a Production Technician, Audio, you will build, operate, strike, and properly store all aspects of production including but not limited to: stage deck, truss, cables, consoles, speakers, and ...

Position Production Tech, Audio Description Join the immersive world of ART, MUSIC & AMUSEMENT at AREA15, where the boundaries between reality and limitless creativity blur. Welcome to the "What ...

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Audio Production Engineer information

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$11K

$48.3K

$126.5K

How much do audio production engineer jobs pay per year?

As of Aug 19, 2026, the average yearly pay for audio production engineer in the United States is $48,339.00, according to ZipRecruiter salary data. Most workers in this role earn between $26,500.00 and $61,000.00 per year, depending on experience, location, and employer.

What does an audio production engineer do?

An Audio Production Engineer is responsible for managing and manipulating sound during the recording, mixing, and mastering processes in music, television, film, or live events. They operate audio equipment, set up microphones, adjust sound levels, and use software to enhance audio quality. Their work ensures that the final product has clear, balanced, and professional sound. Audio Production Engineers often collaborate with artists, producers, and other technical staff to achieve the desired sound for a project.

What are the key skills and qualifications needed to thrive as an audio production engineer?

To thrive as an Audio Production Engineer, you need expertise in audio recording, mixing, editing, and a solid understanding of acoustics, often supported by a degree or certification in audio engineering or a related field. Proficiency with digital audio workstations (DAWs) such as Pro Tools, Logic Pro, or Ableton Live, as well as familiarity with audio interfaces and studio hardware, is typically required. Strong attention to detail, problem-solving abilities, and effective communication with artists and producers help set candidates apart. These skills and qualities are essential to ensure high-quality sound production and smooth collaboration throughout the audio project lifecycle.

What are some common challenges faced by audio production engineers when working on live events?

Audio Production Engineers working on live events often face challenges such as managing unexpected technical issues, adapting to different venue acoustics, and coordinating with performers and other technical teams under tight timelines. Ensuring clear communication and having contingency plans for equipment failure are essential parts of the role. Professionals in this field need to stay calm under pressure and be prepared to troubleshoot problems on the fly while maintaining high-quality sound standards throughout the event.

Do audio production engineers get paid well?

Audio production engineers can earn competitive salaries, especially with experience, specialized skills, and working in high-demand environments like recording studios or broadcasting. Entry-level positions typically pay less, but experienced engineers with proficiency in digital audio workstations and mixing can command higher wages. Overall, compensation varies based on location, industry, and individual expertise.

Is there a demand for audio production engineers?

Audio production engineers are in demand across various industries such as music, film, television, and live events. The growth of digital media and streaming platforms has increased the need for skilled professionals proficient in audio editing, mixing, and mastering using tools like Pro Tools and Logic Pro. Job opportunities often require technical skills, certifications, and the ability to work in fast-paced environments.

What is an audio production engineer?

An audio production engineer is a professional responsible for recording, mixing, and mastering audio for music, film, television, or other media. They operate equipment such as mixing consoles, digital audio workstations, and microphones, and often require technical skills and knowledge of acoustics and sound editing software.

What cities are hiring for Audio Production Engineer jobs?

Cities with the most Audio Production Engineer job openings:

Who are the top companies hiring for Audio Production Engineer jobs?

The top employers for Audio Production Engineer jobs are:

What states have the most Audio Production Engineer jobs?

States with the most job openings for Audio Production Engineer jobs include:

What are popular job titles related to Audio Production Engineer jobs?

For Audio Production Engineer jobs, the most frequently searched job titles are:

Infographic showing various Audio Production Engineer job openings in the United States as of August 2026, with employment types broken down into 87% Full Time, 9% Part Time, 2% Contract, and 2% Nights. Highlights an 93% Physical, 2% Hybrid, and 5% Remote job distribution, with an average salary of $48,339 per year, or $23.2 per hour.

Full-time

Re-posted yesterday


Job description

Summary: The Audio Production Tech will manage and coordinate all audio and sound reinforcement needs at Trinity as well as collaborate with the Technical Department on all Audio, Video and Lighting needs.
ESSENTIAL DUTIES AND RESPONSIBILITIES:
  • Manage AVL Production for Worship Services and Special Events:
  • Maintain all AVL equipment relating to Trinity.
  • Serve as the primary FOH Audio Engineer for weekend services, rehearsals, Midweek, and special events.
  • Schedule both staff and volunteer coverage for all Worship Services and Special Events.
  • Design, integrate, and operate various sound systems for special events.
  • Aid in the design, planning, and installation for system upgrades and enhancements in various venues.
  • Work with the Technical Director and the Worship amp; Creative Arts Department to produce all technical elements for service production to include stage layouts, microphone/instrument needs, etc.
  • Oversee the building of all weekend service elements (ProPresenter files, Video switcher configurations, Live Streaming Apps, etc.)
Recruit and Lead an Audio Volunteer Team:
  • Lead/train audio engineers on the FOH, Monitor, and A/V sound consoles and equipment.
  • Train, lead, and direct a volunteer team for maximum impact.
  • Provide coaching and feedback for team members for continuous improvement.
  • Create an atmosphere of community for the Technical Department.
General:
  • Attend all required meetings (Chapel, Technical Team, Ministry Teams, etc.)
  • Recruit and train volunteers to assist in the Technical Department.
  • Aid in planning and installing for system upgrades and enhancements.
  • Help maintain proper supplies.
  • Ensure multi-media delivered is of high technical quality.
  • Assist in coordinating work of technical personnel engaged in controlling and maintaining multi-media equipment.
  • Be willing to cover additional responsibilities deemed as necessary for fulfilling the requirements of this position.
QUALIFICATIONS: Some college preferred in related field such as Live Sound and/or Audio Engineering. Experience with Midas Pro series consoles and coordinating hardware equipment, Yamaha CL and LS series consoles, Shure PSM/UHF/UHFR/ULXD, Dante, Meyer Sound RMS, and BSS Soundweb London. Cutting edge knowledge of multimedia operations to include intelligent light programming, audio for video/broadcast, click tracks/loop track use, in ear monitors, and multi-campus audio/video systems engineering. Proven people, organizational and administrative skills. High level of interpersonal skills/communication. Ability to adjust and adapt quickly to a changing environment.
  • Affirms that Scripture defines the roles of male and female and Romans 1:21-27; Romans 1:24-32 condemns the homosexual lifestyle. (1 Cor. 6:9-20; Eph 4:1-11, 5:3-5)
  • Must be a Member of Trinity Church or willing to become a member
REQUIREMENTS:
  • 3-5 years of live audio production and crew management.
  • Expert knowledge of live event/broadcast audio systems.
  • Must be available to work weekends.
  • Week days worked may vary