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Audio Production Engineer Jobs (NOW HIRING)

The AV/VTC Production Engineer designs, integrates, operates, maintains, and supports enterprise ... Troubleshoot complex audio, video, network, codec, connectivity, interoperability, and hardware ...

Position Overview The Production Engineer provides senior-level engineering and production support ... Configure, operate, and troubleshoot audio-mixing systems and digital signal processors (DSPs)

Position Overview The Production Engineer provides senior-level engineering and production support ... Configure, operate, and troubleshoot audio-mixing systems and digital signal processors (DSPs)

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While teaching experience is preferred, it is not required; we seek a seasoned Audio Engineer with ... Studio and live production experience with mixing consoles, microphones, and patchbays * Solid ...

Purpose: The AV/VTC Production Engineer provides advanced engineering, production, and technical ... Operate cameras, audio mixers, DSPs, control processors, projection systems, and LED displays.

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Audio Production Engineer information

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$11K

$48.3K

$126.5K

How much do audio production engineer jobs pay per year?

As of Sep 9, 2026, the average yearly pay for audio production engineer in the United States is $48,339.00, according to ZipRecruiter salary data. Most workers in this role earn between $26,500.00 and $61,000.00 per year, depending on experience, location, and employer.

What does an audio production engineer do?

An Audio Production Engineer is responsible for managing and manipulating sound during the recording, mixing, and mastering processes in music, television, film, or live events. They operate audio equipment, set up microphones, adjust sound levels, and use software to enhance audio quality. Their work ensures that the final product has clear, balanced, and professional sound. Audio Production Engineers often collaborate with artists, producers, and other technical staff to achieve the desired sound for a project.

What are the key skills and qualifications needed to thrive as an audio production engineer?

To thrive as an Audio Production Engineer, you need expertise in audio recording, mixing, editing, and a solid understanding of acoustics, often supported by a degree or certification in audio engineering or a related field. Proficiency with digital audio workstations (DAWs) such as Pro Tools, Logic Pro, or Ableton Live, as well as familiarity with audio interfaces and studio hardware, is typically required. Strong attention to detail, problem-solving abilities, and effective communication with artists and producers help set candidates apart. These skills and qualities are essential to ensure high-quality sound production and smooth collaboration throughout the audio project lifecycle.

What are some common challenges faced by audio production engineers when working on live events?

Audio Production Engineers working on live events often face challenges such as managing unexpected technical issues, adapting to different venue acoustics, and coordinating with performers and other technical teams under tight timelines. Ensuring clear communication and having contingency plans for equipment failure are essential parts of the role. Professionals in this field need to stay calm under pressure and be prepared to troubleshoot problems on the fly while maintaining high-quality sound standards throughout the event.

Do audio production engineers get paid well?

Audio production engineers can earn competitive salaries, especially with experience, specialized skills, and working in high-demand environments like recording studios or broadcasting. Entry-level positions typically pay less, but experienced engineers with proficiency in digital audio workstations and mixing can command higher wages. Overall, compensation varies based on location, industry, and individual expertise.

Is there a demand for audio production engineers?

Audio production engineers are in demand across various industries such as music, film, television, and live events. The growth of digital media and streaming platforms has increased the need for skilled professionals proficient in audio editing, mixing, and mastering using tools like Pro Tools and Logic Pro. Job opportunities often require technical skills, certifications, and the ability to work in fast-paced environments.

What is an audio production engineer?

An audio production engineer is a professional responsible for recording, mixing, and mastering audio for music, film, television, or other media. They operate equipment such as mixing consoles, digital audio workstations, and microphones, and often require technical skills and knowledge of acoustics and sound editing software.

What cities are hiring for Audio Production Engineer jobs?

Cities with the most Audio Production Engineer job openings:

Who are the top companies hiring for Audio Production Engineer jobs?

The top employers for Audio Production Engineer jobs are:

What states have the most Audio Production Engineer jobs?

States with the most job openings for Audio Production Engineer jobs include:

What are popular job titles related to Audio Production Engineer jobs?

For Audio Production Engineer jobs, the most frequently searched job titles are:

Infographic showing various Audio Production Engineer job openings in the United States as of August 2026, with employment types broken down into 87% Full Time, 9% Part Time, 2% Contract, and 2% Nights. Highlights an 93% Physical, 2% Hybrid, and 5% Remote job distribution, with an average salary of $48,339 per year, or $23.2 per hour.

AV Production Engineer/Project Manager (Atlanta Only)

Atlanta, GA • On-site

Other

Medical, Dental, Vision, Retirement, PTO

Re-posted 23 days ago


Job description

As an AV Production Engineer, you are the single threaded owner of AV for assigned events.


From first technical conversation with the client, through designing the AV plan, coordinating gear and local crews, to running the show on‑site, you are responsible for making the event look and sound exceptional and feel easy for the client.


You must be equally comfortable:



  • Deep in signal flow and troubleshooting

  • Mixing Audio

  • Talking to clients in plain English

  • Leading local crews on long show days


This is an Atlanta‑based role. Day‑to‑day when not traveling will be at our Atlanta facilities (warehouse, gear prep, testing, design).


What You’ll Do
Pre‑Production & Design

  • Own AV planning for assigned shows: room layouts, gear lists, signal routing plans, and staffing needs.

  • Work directly with clients to understand show flow, content needs, and constraints.

  • Coordinate with internal production, software, and logistics teams on gear prep, freight, and timelines.

  • Build and review run‑of‑show and cue sheets.


On‑Site Execution

  • Lead AV on site for conferences and events, typically multi‑room / multi‑track.

  • Manage and direct local crews (A1s, V1s, hands) to execute setups, rehearsals, and shows.

  • Operate or oversee:


    • Video: Blackmagic switching/routing, camera setups, projection, IMAG, confidence monitors.

    • Audio: Allen & Heath / Yamaha digital consoles, RF coordination, basic mixing for voice‑heavy shows.

    • Lighting: Basic stage lighting and room wash setups.


  • Deploy and operate our StreamCase systems for multi‑track recording/streaming.

  • Troubleshoot signal flow, RF, and networking issues quickly and calmly under show conditions.


Post‑Event & Ops

  • Ensure recordings, assets, and reports are delivered correctly to internal teams and clients.

  • Update checklists, diagrams, and playbooks based on lessons learned.

  • Help maintain warehouse standards: gear prep, labeling, testing, and safety.


What Makes You a Strong Fit
Experience

  • 3–5+ years in corporate / conference AV (other live production experience considered).

  • Hands‑on with:

    • Signal routing and basic networking in live environments

    • Live audio mixing and RF fundamentals

    • Video switching, camera, projection, and basic lighting setups

    • Breakout room operations and support




Mindset & Soft Skills

  • Solution‑oriented: you see problems early and bring options, not drama.

  • Comfortable owning shows end‑to‑end with light supervision.

  • Excellent client‑facing communication; you can explain technical tradeoffs simply.

  • Strong leadership with local crews; clear, calm, and safety‑first.


Travel & Physical Requirements

  • Willing and able to travel 15–20 weeks per year (domestic, occasional international).

  • Able to work long event days and non‑standard hours when on site.

  • Comfortable with physical labor: loading/unloading trucks, pushing cases, lifting gear, climbing ladders.

  • Works safely and enforces safety for the entire crew.


Nice to Have

  • Experience with Blackmagic Design ecosystems (ATEM, routers, converters).

  • Dante and Audio routing

  • Video Editing Capabilities

  • Experience with Allen & Heath and/or Yamaha digital mixers.

  • Hybrid / streaming event experience (multi‑track, remote viewers, redundancy).

  • Vector works diagramming

  • Woodworking, scenic / production design, or fabrication experience (building simple sets, lecterns, signage, stage elements).



  • Bachelor's degree in Audio-Visual Technology, Production Engineering, or related field.

  • Proven experience working as an AV Production Engineer or similar role.

  • Strong knowledge of audio, video, and lighting systems used in live productions.

  • Proficient with AV control systems and digital media production equipment.

  • Excellent troubleshooting skills and ability to think critically under pressure.

  • Strong communication and teamwork skills to collaborate effectively with various teams.

  • Flexibility to work evenings and weekends as needed for events.

  • Ability to travel domestically and internationally.



  • Health Care Plan (Medical, Dental & Vision)

  • Retirement Plan (401k, IRA)

  • Paid Time Off (Vacation, Sick & Public Holidays)

  • Family Leave (Maternity, Paternity)

  • Training & Development

  • Work From Home

  • Free Food & Snacks

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