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Remote 2D Environment Artist Jobs (NOW HIRING)

MediaLab 3D Solutions

Floorplan Artist

Tampa, FL · Remote

This position utilizes client-supplied CAD files and standards documents to create 2D interactive ... in a fully remote environment. Skills and Attributes: This position requires excellent ...

AGBO

Asset Artist (Remote)

Los Angeles, CA · Remote

Create high-quality real-time assets including characters, environments, vehicles, weapons, and ... Remote candidates may be considered; preference will be given to candidates based in or near Los ...

Prisms VR

3D Artist (Remote)

San Francisco, CA · Remote

$110K - $140K/yr

As a 3D Artist, you will craft characters, environments, and educational 3D motion graphic animations for virtual reality. The ideal candidate should know and enjoy every aspect of the 3D content ...

Apex Informatics

Technical Artist III

$130K - $155K/yr

Remote Job Title: GenAI Artist Skills Experience prompt engineering visual and multimodal content ... environment on multiple projects at a time Ability to communicate effectively within and across ...

NxT Level

Technical Artist

Chicago, IL · On-site +1

$130K - $156K/yr

Remote - US and Canada only thatgamecompany designs and develops artistically crafted, broadly ... We seek talent that values integrity and personal growth within an environment of intense ...

2K

Senior VFX Artist

Frisco, TX · Remote

... environment free from discrimination and harassment, and one that reflects the diversity of the ... Remote Please note that 2K Games and its studios never uses instant messaging apps or personal ...

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Remote 2D Environment Artist information

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$30.5K

$129.5K

$152.5K

How much do remote 2d environment artist jobs pay per year?

As of Jul 22, 2026, the average yearly pay for remote 2d environment artist in the United States is $129,541.00, according to ZipRecruiter salary data. Most workers in this role earn between $127,000.00 and $152,000.00 per year, depending on experience, location, and employer.

What is the difference between Remote 2D Environment Artist vs Remote 3D Environment Artist?

AspectRemote 2D Environment ArtistRemote 3D Environment Artist
Skills & ToolsDigital painting, Photoshop, concept art3D modeling, Maya, Blender, texturing
Work Environment2D software, digital tablets, concept design3D software, rendering engines, modeling tools
Industry UsageGame design, concept art, background creationGame environments, VR/AR, cinematic backgrounds
CredentialsPortfolio, art degree or equivalentPortfolio, 3D modeling certifications or experience

Remote 2D Environment Artists focus on creating visual backgrounds and assets using digital painting and concept art tools, while Remote 3D Environment Artists build immersive 3D worlds with modeling and rendering software. Both roles require strong portfolios and industry experience, but differ in technical skills and tools used.

More about Remote 2D Environment Artist jobs
What cities are hiring for Remote 2D Environment Artist jobs? Cities with the most Remote 2D Environment Artist job openings:
What are the most commonly searched types of 2D Environment Artist jobs? The most popular types of 2D Environment Artist jobs are:
What states have the most Remote 2D Environment Artist jobs? States with the most job openings for Remote 2D Environment Artist jobs include:
What job categories do people searching Remote 2D Environment Artist jobs look for? The top searched job categories for Remote 2D Environment Artist jobs are:
Remote 2D Environment Artist jobs near you
Infographic showing various Remote 2D Environment Artist job openings in the United States as of July 2026, with employment types broken down into 77% Full Time, 17% Part Time, 1% Temporary, 2% Contract, and 3% Summer. Highlights an 97% Physical, and 3% Remote job distribution, with an average salary of $129,541 per year, or $62.3 per hour.

Freelance Background Artist for YouTube Studio

Newscape Studios

Austin, TX • On-site, Remote

$800/wk

Contractor

Posted 15 days ago

Job description

Job Summary
Newscape Studios, Inc has a dozen YouTube channels, with over 10 million total subscribers. We create content based on popular video games such as Fortnite, Minecraft, and original animations. Newscape also produces a vast array of videos for a young audience and content through animation and machinima.
We are looking to add Freelance 2D Background artists to our team to work on our animation. Candidates must have substantial knowledge using Adobe Creative Suite, particularly Photoshop. Toon Boom knowledge is a plus but not required.
Animation channels to match style of:
https://www.youtube.com/channel/UCToxKVrkEuAONR4rFIJ_DyQ
Responsibilities and Duties:
  • Keep an organized and efficient workflow
  • Fully finalize environments and background props for full use in production
  • Meet daily quotas during the production week
  • Responsible for approximately 25 environments per week.
  • Depending on skill and experience some duties and responsibilities may differ

Qualifications and Skills:
  • Proficiency in Adobe Photoshop, Procreate
  • Illustrator/Background artists must be able to adapt to a variety of styles
  • Strong understanding of composition, perspective, color theory, light and form is a must
  • Must be able to work as part of a team
  • Communicates effectively
  • Great listening skills
  • Great time management skills
  • Comfortable in meeting deadlines and daily quotas
  • Strong attention to detail and consistency

Competitive pay: $800.00 per production week
Portfolio is required to be considered.
This is a remote/ work from home, Independent Contractor Position.
Artists with LLCs are preferred but not required.
If you receive an email from Newscapeprocareers.com this is a scam. Newscape Studios will not email questionnaires, ask for any personal information such as SS #, address, or bank account information or present a job offer without a face to face interview with our supervisors and/or Human Resources. If you receive an email from newscapeprocareers.com, please report to the authorities. Be careful of scams.

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