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Event Show Caller Jobs (NOW HIRING)

... music, and live events. You'll run point from planning through integration, ensuring the show ... Caller / Stage Manager and Technical Director. * Music Operations: Coordinate the Music team to ...

... music, and live events. You'll run point from planning through integration, ensuring the show ... Caller / Stage Manager and Technical Director. * Music Operations: Coordinate the Music team to ...

... events, and broadcast productions. Execute show cues and transitions with precision and discretion, following direction from the Show Caller or Stage Manager. Monitor LED performance in real time ...

... event staffing, unions, catering, etc. is required * Experience as a stage manager and/or show caller and understanding of Video/Streaming Technology is a plus * A collaborative mindset and ...

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Event Show Caller information

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How much do event show caller jobs pay per hour?

As of Aug 17, 2026, the average hourly pay for event show caller in the United States is $20.99, according to ZipRecruiter salary data. Most workers in this role earn between $16.35 and $25.48 per hour, depending on experience, location, and employer.

How does an event show caller typically collaborate with technical crews and creative teams during a live event?

Event Show Callers play a pivotal role in ensuring seamless communication between technical crews—such as lighting, audio, and video operators—and creative teams like directors and talent. During a live event, the Show Caller coordinates cue execution, gives precise timing instructions, and adapts to any on-the-fly changes. This collaboration requires clear communication, quick problem-solving, and an in-depth understanding of the show’s flow to deliver a polished, successful event experience. Regular pre-show rehearsals and production meetings are essential for aligning everyone’s expectations and responsibilities.

How to be an event show caller?

To become an event show caller, develop strong communication and organizational skills, gain experience in live event production, and learn to operate sound and lighting equipment. Many show callers start as stage managers or assistants, and some pursue relevant certifications or training in event management or audio-visual technology. Attention to detail and the ability to work under pressure are essential in this role.

What is the difference between Event Show Caller vs Event Promoter?

AspectEvent Show CallerEvent Promoter
Primary RoleContacts clients and confirms event details via callsMarkets and promotes events to attract attendees
Work EnvironmentCall centers, client offices, event venuesAdvertising agencies, event venues, outdoor locations
Required SkillsCommunication, customer service, organizationMarketing, sales, networking
Common CertificationsNone specific, communication skills valuedMarketing or sales experience beneficial

While both roles are involved in event planning, the Event Show Caller primarily handles client communication and confirmation calls, ensuring event details are accurate. In contrast, the Event Promoter focuses on marketing efforts to attract attendees and generate interest. Both roles are essential in the event industry but serve different functions in the event lifecycle.

What is an event show caller?

Event Show Callers are professionals responsible for coordinating and cueing all technical and performance elements during live events, such as conferences, concerts, and theater productions. They work closely with the production team, including audio, lighting, and video operators, to ensure everything happens at the right moment. Show Callers follow detailed scripts or cue sheets, communicate through headsets, and maintain precise timing to deliver a seamless event experience. Their role is critical in managing the flow of an event and handling unexpected changes quickly and efficiently.

How much do event show callers make?

Event show callers typically earn between $15 and $30 per hour, with some experienced professionals making higher rates. Compensation can vary based on the event size, location, and the caller's experience and skills in managing live events and audience engagement.

What are the key skills and qualifications needed to thrive as an event show caller, and why are they important?

To thrive as an Event Show Caller, you need excellent organizational skills, a comprehensive understanding of event production processes, and experience coordinating live events or performances. Familiarity with show calling software, cue systems, and audio-visual technology is typically required, often supplemented by certifications in event management or production. Strong communication, quick decision-making, and calmness under pressure are standout soft skills in this role. These skills ensure flawless event execution, seamless teamwork, and the ability to handle real-time changes during live shows.
More about Event Show Caller jobs

What cities are hiring for Event Show Caller jobs?

Cities with the most Event Show Caller job openings:

What states have the most Event Show Caller jobs?

States with the most job openings for Event Show Caller jobs include:

Infographic showing various Event Show Caller job openings in the United States as of August 2026, with employment types broken down into 61% Full Time, 24% Part Time, 5% Temporary, and 10% Contract. Highlights an 86% In-person, and 14% Remote job distribution, with an average salary of $43,666 per year, or $21 per hour.

Title Director of Live Production | Full-Time | Ryan Field at Northwestern University

Iowa Events Center

Evanston, IL • On-site

$115K - $120K/yr

Full-time

Medical, Dental, Vision, Retirement, PTO

Posted 17 days ago


Job description

Director of Live Production | Full-Time | Ryan Field at Northwestern University
Location US-IL-Evanston
Job Post Information* : Posted Date 3 weeks ago(7/29/2026 4:44 PM)
Job ID 2026-33617
Location Name Ryan Field at Northwestern University
Category Game Presentation
Type Regular Full-Time
Location : Location US-IL-Evanston
Job Post Information* : External Company Name Oak View Group
Job Post Information* : External Company URL https://www.oakviewgroup.com/
Location : Postal Code 60208
Location : Address 1501 Central Street
Job Post Information* : Post End Date 10/30/2026
Oak View Group

Oak View Group (OVG) is the global leader in premium live entertainment infrastructure and services, with a platform spanning venue development and end-to-end capabilities across venue management, hospitality, and sponsorship sales. Founded in 2015, the company serves a collection of seven world-class owned venues and a client roster of the most iconic arenas, stadiums, convention centers, music festivals, performing arts centers, and cultural institutions, spanning four continents. 

Position Summary

The Director of Live Production leads the creative vision, planning, and execution of gameday presentation and in-venue entertainment at the New Ryan Field and Welsh Ryan Arena. This role creates a distinctive, innovative, emotionally engaging experience that reflects New Ryan Field and Northwestern University's brand, traditions, and competitive environment while aiming to deliver the best gameday experience in collegiate sports. The Director is responsible for presentations from concept development and scripting through rehearsal, show-calling, and post-event evaluation while also managing event-day staff, production workflows, budgets, systems, vendors, and production oversight for concerts, commencements, rentals, and other third-party events.

This role pays an annual salary of $115,000 - $120,000 and is bonus eligible.

Benefits for Full-Time roles: Health, Dental and Vision Insurance, 401(k) Savings Plan, 401(k) matching, and Paid Time Off (vacation days, sick days, and 11 holidays).

This position will remain open until October 30, 2026.

Responsibilities

Creative Vision and Gameday Experience

  • Develop memorable moments that create energy, strengthen fan connection, and enhance home-field advantage.
  • Lead the evolution of team entrances, opening sequences, music, lighting, fan prompts, recognitions, traditions, and situational entertainment.
  • Identify new ideas, technologies, and industry trends that can elevate the overall experience.
  • Keep the presentation fresh, intentional, and engaging throughout the season.

Show Planning and Live Execution

  • Lead the full planning process for Northwestern University football and basketball games, including scripts, rundowns, timing, rehearsals, and contingency plans.
  • Regularly serve as the lead show caller for football games, men's basketball games, and other priority productions.
  • Lead production meetings, event-day briefings, rehearsals, and post-event reviews.
  • Ensure all productions meet university, conference, league, broadcast, safety, and venue requirements.

Content and Entertainment Direction

  • Collaborate with internal creative teams and outside partners on intro videos, hype content, graphics, features, and event-specific assets.
  • Review and approve content for creative quality, brand alignment, accuracy, and technical readiness.
  • Oversee music strategy, entertainment booking, hosts, performers, student groups, recognitions, and specialty acts.

University and Stakeholder Collaboration

  • Build strong relationships across athletics, marketing, communications, creative services, spirit programs, bands, student groups, alumni relations, development, campus leadership, stadium operations, and other university departments.
  • Manage expectations, communicate deadlines and production needs, and align multiple stakeholders around a cohesive vision.
  • Advise leadership on fan experience, creative strategy, presentation opportunities, and industry trends.

Event-Day Staff Leadership

  • Recruit, train, schedule, supervise, and evaluate student workers, freelancers, contractors, and control room personnel.
  • Provide coaching, feedback, and development opportunities.
  • Foster a culture of preparation, creativity, accountability, teamwork, and calm execution under pressure.

Stadium Systems and Production Operations

  • Oversee the operational readiness of videoboards, LED displays, replay, graphics, audio, IPTV, cameras, intercom, lighting, and show-control systems.
  • Coordinate with engineering, information technology, stadium operations, and vendors to ensure systems are tested and event-ready.
  • Identify opportunities for workflow improvements, system upgrades, and capital investment.

Partnerships and Sponsored Integration

  • Collaborate with corporate partnerships and marketing teams to integrate sponsored elements into the gameday experience.
  • Ensure partner activations are accurate, entertaining, and aligned with the overall presentation.
  • Help identify new presentation assets and fan-engagement opportunities that may support revenue goals.
  • Balance commercial obligations with show pacing and audience experience.

External and Non-University Events

  • Provide production oversight for concerts, commencements, ceremonies, rentals, and other stadium events.
  • Serve as an operational liaison for promoters, production companies, outside clients, and vendors.
  • Review staffing, technical requirements, schedules, and use of stadium systems.

Budget and Vendor Management

  • Develop and manage budgets for game presentation, staffing, entertainment, production support, content, and equipment.
  • Manage relationships with production vendors, creative partners, entertainment providers, and freelancers.
  • Recommend future investments based on creative impact, operational need, and audience experience.
Qualifications
  • Bachelor's degree in live event production, broadcasting, communications, media production, sports management, marketing, entertainment, or a related field; equivalent experience may be considered.
  • 5-7+ years of progressively responsible experience in game presentation, live sports entertainment, stadium production, broadcast production, or major live events.
  • Proven experience developing creative game-presentation strategies and producing high-profile live events.
  • Strong show-calling experience and knowledge of scripting, timing, control room operations, rehearsals, and contingency planning.
  • Demonstrated ability to manage multiple projects, deadlines, stakeholders, and event details simultaneously.
  • Experience directing student workers, freelancers, contractors, vendors, or event-day crews.
  • Strong creative judgment, organizational skills, and attention to detail.
  • Excellent communication, leadership, and relationship-management skills.
  • Ability to remain calm, decisive, and solutions-oriented in high-pressure live environments.
  • Experience managing budgets, vendors, and production resources.
  • Ability to work nights, weekends, holidays, and irregular hours based on the event calendar.

Preferred Qualifications

  • Experience in major collegiate athletics, professional sports, a large stadium or arena, or a nationally recognized live-entertainment organization.
  • Experience participating in production-system upgrades, control room projects, or stadium technology planning.
Strengthened by our Differences. United to Make a Difference

At OVG, we understand that to continue positively disrupting the sports and live entertainment industry, we need a diverse team to help us do it. We also believe that inclusivity drives innovation, strengthens our people, improves our service, and raises our excellence. Our success is rooted in creating environments that reflect and celebrate the diverse communities in which we operate and serve, and this is the reason we are committed to amplifying voices from all different backgrounds.

Equal Opportunity Employer

Oak View Group is committed to equal employment opportunity. We will not discriminate against employees or applicants for employment on any legally recognized basis ("protected class") including, but not limited to veteran status, uniform service member status, race, color, religion, sex, national origin, age, physical or mental disability, genetic information or any other protected class under federal, state, or local law.

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