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Broadcast Traffic Assistant Jobs (NOW HIRING)

What We Need: We're seeking a Broadcast Producer assist with the planning and production of live and pre-recorded radio shows featuring news, music, talk, sports, traffic and feature productions What ...

What We Need: We're seeking a Broadcast Producer assist with the planning and production of live and pre-recorded radio shows featuring news, music, talk, sports, traffic and feature productions What ...

... Assistant Traffic Manager and others as necessary. * Resolves departmental conflicts as needed ... Responsible for daily preparation of error-free program/commercial logs using prescribed broadcast ...

Showing results 21-40

Broadcast Traffic Assistant information

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$22.5K

$60.2K

$109.5K

How much do broadcast traffic assistant jobs pay per year?

As of Aug 14, 2026, the average yearly pay for broadcast traffic assistant in the United States is $60,162.00, according to ZipRecruiter salary data. Most workers in this role earn between $40,000.00 and $72,500.00 per year, depending on experience, location, and employer.

What is a broadcast traffic assistant?

Broadcast Traffic Assistants are professionals who manage the scheduling and placement of commercials, programs, and other broadcast content for radio or television stations. They coordinate with sales, programming, and production teams to ensure ads and shows run at their designated times and that all content complies with legal and contractual requirements. Their role involves working with traffic management software, maintaining accurate logs, and resolving scheduling conflicts to keep broadcasts running smoothly.

What are the key skills and qualifications needed to thrive as a broadcast traffic assistant, and why are they important?

To thrive as a Broadcast Traffic Assistant, you need strong organizational skills, attention to detail, and typically a background in media or communications. Familiarity with broadcast traffic software like WideOrbit or Marketron and proficiency in Microsoft Office are commonly required. Excellent communication, multitasking abilities, and problem-solving skills help you manage schedules and coordinate with various departments. These skills ensure accurate scheduling, minimize errors, and maintain smooth broadcast operations.

How does a broadcast traffic assistant typically collaborate with other departments within a broadcasting organization?

Broadcast Traffic Assistants work closely with various teams such as sales, programming, and production to ensure that commercials, promos, and other on-air content are scheduled accurately. They often coordinate with the sales department to confirm commercial placements and with the programming team to resolve scheduling conflicts. Clear communication and attention to detail are essential, as timely updates and accurate logs help prevent on-air errors and maintain smooth broadcast operations.

What is the difference between Broadcast Traffic Assistant vs Broadcast Traffic Coordinator?

AspectBroadcast Traffic AssistantBroadcast Traffic Coordinator
CredentialsHigh school diploma or equivalent; some roles may prefer related courseworkSimilar; often requires additional experience or certifications
Work EnvironmentOffice setting, supporting scheduling and traffic managementOffice-based, overseeing traffic flow and scheduling
Employer & Industry UsageUsed in TV and radio stations for scheduling ads and programsMore senior role, managing traffic coordination across multiple departments

The Broadcast Traffic Assistant primarily supports scheduling and traffic tasks within a station, while the Broadcast Traffic Coordinator oversees the entire traffic process, often with more responsibility. Both roles are essential in broadcast operations, but the coordinator typically has a broader scope and more experience requirements.

More about Broadcast Traffic Assistant jobs

What cities are hiring for Broadcast Traffic Assistant jobs?

Cities with the most Broadcast Traffic Assistant job openings:

What are the most commonly searched types of Broadcast Traffic jobs?

The most popular types of Broadcast Traffic jobs are:

What states have the most Broadcast Traffic Assistant jobs?

States with the most job openings for Broadcast Traffic Assistant jobs include:

What job categories do people searching Broadcast Traffic Assistant jobs look for?

The top searched job categories for Broadcast Traffic Assistant jobs are:

Infographic showing various Broadcast Traffic Assistant job openings in the United States as of August 2026, with employment types broken down into 100% Full Time. Highlights an 100% In-person job distribution, with an average salary of $60,162 per year, or $28.9 per hour.

Broadcast IP Infrastructure Engineer

diversified

New York, NY

Full-time

Re-posted 3 days ago


Job description

Broadcast IP Infrastructure Engineer (SMPTE 2110)  

Position Overview 

The Broadcast IP Infrastructure Engineer is responsible for supporting and maintaining a modern SMPTE ST 2110-based broadcast infrastructure powering studio production environments. 

This role focuses on maintaining the IP-based routing, timing, and signal transport systems that deliver video and audio signals across the studio ecosystem. The engineer will configure, monitor, and troubleshoot IP broadcast infrastructure while ensuring the studio remains fully operational and production-ready for live and recorded productions. 

In addition to IP infrastructure responsibilities, this role supports studio production equipment and control room technologies, ensuring reliable operation of cameras, microphones, teleprompters, display systems, and other critical studio hardware. 

The engineer works closely with broadcast engineering, IT networking teams, and production staff to maintain highly reliable media infrastructure supporting executive-level studio productions. 

Location: New York, NY 
Schedule: Full-Time | On-Site 

Key Responsibilities 

IP Media Architecture 

  • Support and maintain a SMPTE ST 2110 IP media architecture used for real-time transport of video, audio, and ancillary signals across studio infrastructure. 

  • Maintain synchronization of broadcast devices using Precision Time Protocol (PTP) and associated timing infrastructure. 

  • Support orchestration and device discovery workflows using NMOS control frameworks. 

  • Monitor and troubleshoot multicast media traffic and IP transport flows across broadcast networks. 

  • Assist with maintaining high-availability broadcast networks supporting leaf-spine or similar high-bandwidth media architectures. 

IP Broadcast Infrastructure 

  • Configure, maintain, and troubleshoot Evertz Ultrix FR12 routing platforms and associated broadcast control systems. 

  • Support hybrid broadcast environments integrating SDI and IP media workflows. 

  • Ensure reliable media signal transport across IP broadcast infrastructure. 

  • Assist with integration of IP routing systems with studio production technologies. 

  • Maintain signal flow integrity across broadcast routing and monitoring platforms. 

Studio Production Readiness 

  • Prepare and validate studio technical systems to ensure the environment is fully operational prior to productions. 

  • Perform readiness checks across cameras, routing systems, audio capture systems, display infrastructure, and monitoring systems. 

  • Coordinate with production teams to verify system configuration and technical readiness for live or recorded productions. 

Studio Equipment Support 

  • Provide break/fix troubleshooting and maintenance across studio production equipment. 

  • Support and maintain robotic camera systems and PTZ camera infrastructure. 

  • Maintain and troubleshoot studio audio systems including ceiling array microphones and DSP processing systems. 

  • Support teleprompter systems, ensuring reliable operation during studio productions. 

  • Diagnose and resolve issues impacting studio production workflows. 

Studio Display & Graphics Systems 

  • Support large-format display infrastructure including Sony video walls and Sony CLED (Crystal LED) display systems. 

  • Ensure proper signal routing and synchronization between broadcast routing systems and display technologies. 

  • Assist with support and troubleshooting of Disguise (d3) media server platforms used for studio graphics and LED environments. 

Network & Systems Integration 

  • Work closely with IT networking teams to troubleshoot infrastructure issues including: 

  • Multicast traffic 

  • VLAN configuration 

  • Quality of Service (QoS) 

  • Network bandwidth allocation 

  • Support hybrid broadcast infrastructures integrating SDI and IP transport systems. 

System Monitoring & Maintenance 

  • Perform system monitoring and health checks across broadcast infrastructure. 

  • Maintain documentation including network topology, signal flow diagrams, and system configuration. 

  • Test redundancy and failover systems across broadcast routing and IP network infrastructure. 

  • Assist with lifecycle maintenance and upgrades of broadcast infrastructure systems. 

Required Qualifications:

  • 5–8+ years of experience supporting broadcast engineering or media infrastructure environments. 

  • Hands-on experience supporting SMPTE ST 2110 broadcast environments. 

  • Experience with Evertz routing platforms including Ultrix FR12. 

  • Strong understanding of multicast networking, PTP timing, NMOS orchestration, and IP media transport. 

  • Experience supporting studio production environments or broadcast control rooms. 

  • Ability to diagnose and resolve issues affecting broadcast video, audio, and IP media systems. 

Preferred Qualifications:

  • Experience supporting large-scale broadcast IP infrastructure environments. 

  • Familiarity with Sony video walls or Sony CLED display systems. 

  • Experience supporting Disguise media server platforms. 

  • Experience supporting robotic/PTZ camera systems. 

  • Experience supporting ceiling array microphone systems. 

  • Knowledge of AES67 or Dante audio networking. 

  • Experience using ticketing systems such as ServiceNow or Jira. 

Additional Requirements:

  • Ability to lift up to 50 pounds. 

  • Comfortable working in control rooms, studios, and equipment rack environments. 

  • Ability to troubleshoot and respond to issues quickly in live production environments.Â