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Audio Engineer Jobs in Connecticut (NOW HIRING)

AV Technician II

Mystic, CT · On-site

$20.70 - $22.70/hr

... audio-visual equipment to a consistently high standard. Reporting to the AV Manager, this role ... Run established lighting cues and show-control sequences for scheduled programming. * Support staff ...

Showing results 21-40

Audio Engineer information

See Connecticut salary details

$28.1K

$80.3K

$163.1K

How much do audio engineer jobs pay per year?

As of Aug 3, 2026, the average yearly pay for audio engineer in Connecticut is $80,341.00, according to ZipRecruiter salary data. Most workers in this role earn between $47,600.00 and $107,500.00 per year, depending on experience, location, and employer.

What is the difference between Audio Engineer vs Sound Technician?

AspectAudio EngineerSound Technician
CredentialsAudio engineering degree or certification, technical trainingTechnical training, sometimes on-the-job experience
Work EnvironmentRecording studios, live events, post-productionLive events, concerts, theater productions
Industry UsageMusic, film, broadcasting, live soundConcerts, theater, events, live sound reinforcement

While both roles involve working with sound, Audio Engineers focus on recording, mixing, and mastering audio in studios or post-production, whereas Sound Technicians primarily handle live sound setup and operation during events. The roles often overlap but differ mainly in their work environment and specific responsibilities.

What jobs can an audio engineer do?

An audio engineer can work in various roles such as recording engineer, live sound technician, mixing engineer, mastering engineer, broadcast engineer, and sound designer. They typically operate audio equipment, use digital audio workstations, and may work in studios, concert venues, film production, or broadcasting environments.

Do audio engineers get paid well?

Audio engineers can earn a wide range of salaries depending on experience, location, and industry. Entry-level positions often pay modestly, while experienced professionals working in high-demand areas or specialized fields can earn higher wages, with some reaching six figures. Skills in mixing, mastering, and familiarity with industry-standard software can also influence earning potential.

What does an audio engineer do?

An Audio Engineer is responsible for recording, mixing, and mastering sound for various media, including music, film, television, and live events. They operate and maintain audio equipment, ensure high-quality sound production, and often collaborate with producers, musicians, and other technical staff. Their work can involve setting up microphones, adjusting sound levels, editing audio tracks, and troubleshooting technical issues. Audio Engineers play a crucial role in achieving the desired sound for a project.

How does an audio engineer typically collaborate with producers and artists during a recording session?

Audio engineers work closely with producers and artists to ensure the vision for each project is realized. During recording sessions, they set up and operate audio equipment, offer technical advice, and make real-time adjustments based on feedback. Communication is key, as engineers often interpret creative ideas into technical solutions, ensuring clarity and quality in every take. This collaborative environment requires flexibility, quick problem-solving, and a strong understanding of both the artistic and technical aspects of sound production.

What are the key skills and qualifications needed to thrive as an audio engineer, and why are they important?

To thrive as an Audio Engineer, you need strong knowledge of sound theory, audio mixing, and recording techniques, often supported by a degree or certification in audio engineering or a related field. Proficiency with digital audio workstations (DAWs) such as Pro Tools or Logic Pro, audio interfaces, and studio equipment is crucial. Excellent attention to detail, problem-solving abilities, and effective communication skills set top professionals apart. These capabilities ensure high-quality sound production, smooth collaboration, and the ability to address technical challenges in dynamic audio environments.
What are the most commonly searched types of Audio Engineer jobs in Connecticut? The most popular types of Audio Engineer jobs in Connecticut are:
What are popular job titles related to Audio Engineer jobs in Connecticut? For Audio Engineer jobs in Connecticut, the most frequently searched job titles are:
What job categories do people searching Audio Engineer jobs in Connecticut look for? The top searched job categories for Audio Engineer jobs in Connecticut are:
What cities in Connecticut are hiring for Audio Engineer jobs? Cities in Connecticut with the most Audio Engineer job openings:
Infographic showing various Audio Engineer job openings in Connecticut as of July 2026, with employment types broken down into 33% Full Time, and 67% Contract. Highlights an 100% In-person job distribution, with an average salary of $80,341 per year, or $38.6 per hour.

Sr. Production/Broadcast Engineer

Hirekeyz Inc

Stamford, CT • On-site

Contractor

Re-posted 4 days ago


Job description

Role: Sr. Production/Broadcast Engineer

Location: Stamford, CT,

Job Type: Contract: W2 only
Job Description:
The Production/Broadcast Engineer will be responsible for providing front-line broadcast engineering and technical support across multiple studios and control rooms within the Stamford Sports facility. The role involves supporting all broadcast systems and technology for live day-of-air programs, troubleshooting hardware and systems, complying with computer security policies, and managing projects that include system design, integration, and commissioning. This position requires a combination of maintenance and project management/system engineering skills. The support needs span seven days a week, with certain periods requiring availability as part of a 24x7 schedule.
Location: onsite schedule - 1 Blachley Road NBCU Sports Building, Stamford, CT 06902 United States
Schedule Options: 10 hour shifts - Wed - Sat OR Sun - Wed. Shift to change - 8 to 6 OR 9 to 7
Responsibilities:
Perform system-level troubleshooting of technical facilities, including control rooms, studio equipment, audio equipment, and associated computer systems.
Conduct preventative maintenance on studio and control room equipment.
Assist Studio Operations with technical setup in control rooms and studios.
Collaborate with production and operations teams to implement technical solutions that meet production initiatives.
Install and update equipment and systems software.
Repair and troubleshoot equipment to the module level using industry-standard test equipment.
Manage projects, design systems, and assist with system integration and commissioning.
Required Qualifications:
4+ years of experience in a television broadcast environment or an equivalent combination of education and experience.
BS degree in Engineering, Communications, or a related field or equivalent relevant experience. Desired Characteristics: Proficiency with broadcast production systems and software, including audio consoles, intercom systems, video switchers, wireless audio, server-based playout, and test and measurement equipment. Understanding of TCP/IP networks. Knowledge of digital TV (HDSDI).
Proficiency in software-driven broadcast video equipment.
Ability to read and understand system signal flow diagrams for television control room and studio facilities.
Excellent interpersonal skills, with the ability to remain calm and focused under the pressures of live television. Strong hands-on problem-solving skills with broadcast-related equipment and systems.
Understanding of the urgent needs of on-air sports and the ability to remain productive in a fast-paced, constantly changing environment.
Ability to support a 24x7 production environment.
Willingness and ability to learn new production technologies. Preferred experience in live production environments. Knowledge of computer server installation and maintenance. Specific experience with: Sony cameras and switchers EVS Servers, IP Director, XSquare Evertz and Grass Valley routing RTS Intercom Calrec audio consoles Tektronix and Leader test and measurement systems. Knowledge of SMPTE 2110 standards.
Experience in system design, AutoCAD, and project management. Understanding of wireless audio and communication technologies.
Experience with 1080P and 4K HDR production.
Comms Systems (RTS ADAM/Omneo) knowledge Experience with Avid Media Composer Experience with Avid Interplay Experience with Comms Systems (RTS ADAM/Omneo) Proficient in Chyron graphic systems Strong customer focus with a commitment to delivering high-quality technical support.
Self-starter with the ability to meet deadlines and work effectively both independently and as part of a team. Excellent written and verbal communication skills, with the ability to diplomatically engage with colleagues across various departments.