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Weekend Freelance Audio Mixing Jobs in Indiana (NOW HIRING)

WOWK-TV

Director, Technical

Indianapolis, IN · On-site

Audio board experience required * Studio production skills a plus * Must be able to source and ... Must be able to work a flexible schedule, including nights, weekends and holidays. * Requirements ...

Tribune Media

Director, Technical

Indianapolis, IN

Audio board experience required * Studio production skills a plus * Must be able to source and ... Must be able to work a flexible schedule, including nights, weekends and holidays. * Requirements ...

STI

EVENT SET UP CREW

Indianapolis, IN · On-site

... audio, visual, live streaming equipment, including sound mixers, monitors, DVD players, mult box ... Position will include weekends. Required/Desired Skills Skill Required /Desired Amount of ...

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Weekend Freelance Audio Mixing information

What is a weekend freelance audio mixing?

A Weekend Freelance Audio Mixing job involves working independently, usually on weekends, to balance, enhance, and combine multiple audio tracks to create a polished final product. Freelance audio mixers may work with music, podcasts, film, or other audio projects and are typically hired for specific tasks or projects. This role requires strong technical skills with audio software, a keen ear for sound quality, and the ability to meet client specifications on a flexible schedule. Freelancers often work remotely or in various studios, depending on client needs. Weekend availability allows them to accommodate clients who need quick turnarounds or have projects outside of regular business hours.

What are the key skills and qualifications needed to thrive as a weekend freelance audio mixing engineer?

To thrive as a Weekend Freelance Audio Mixing Engineer, you need a solid understanding of audio engineering principles, experience in music or post-production environments, and a portfolio demonstrating your skills. Proficiency with digital audio workstations (DAWs) like Pro Tools, Logic Pro, or Ableton Live, as well as familiarity with plugins and audio interfaces, is essential. Attention to detail, strong time management, and effective communication with clients are standout soft skills in this role. These skills ensure you deliver high-quality mixes on tight deadlines while meeting client expectations in a competitive freelance market.

What are some common challenges faced by weekend freelance audio mixing engineers, and how can they be managed effectively?

Weekend freelance audio mixing engineers often face tight turnaround times and the need to balance multiple projects or clients simultaneously. Managing varying artistic visions from different clients can also be a challenge, requiring clear communication and flexibility. To succeed, it's important to establish structured workflows, set clear expectations with clients regarding deadlines and revisions, and utilize reliable project management tools. Maintaining a well-organized workspace and continuously updating technical skills can also help ensure high-quality results even under time constraints.

What are popular job titles related to Weekend Freelance Audio Mixing jobs in Indiana?

For Weekend Freelance Audio Mixing jobs in Indiana, the most frequently searched job titles are:

What job categories do people searching Weekend Freelance Audio Mixing jobs in Indiana look for?

The top searched job categories for Weekend Freelance Audio Mixing jobs in Indiana are:

What cities in Indiana are hiring for Weekend Freelance Audio Mixing jobs?

Cities in Indiana with the most Weekend Freelance Audio Mixing job openings:

Weekend Freelance Audio Mixing jobs near you

Assistant Media Engineer

Taylor University

Upland, IN • On-site

Part-time

Re-posted 23 days ago

Taylor University rating

7.0

Company rating: 7.0 out of 10

Based on 6 frontline employees who took The Breakroom Quiz

443rd of 628 rated colleges and universities

Job description

Location : Upland
Job Type: Part Time Staff
Job Number: 202300029
Area: School of Arts and Humanities
Opening Date: 06/11/2026
Summary
Mission and Commitment
Taylor's mission is to develop servant-leaders marked with a passion to minister Christ's redemptive love, grace, and truth to a world in need.
As a community, Taylor faculty, staff, and students commit to living out Christ's love and truth in the here and now. We worship together, serve one another, and grow in faith as we learn in the classroom, on the field, at chapel, and anywhere else we're doing Life Together.
Position Summary
The Assistant Media Engineer supports the activities, both curricular and co-curricular, of the Film & Media Arts program. As directed by the Chief Media Engineer, the Assistant Media Engineer will work with faculty, students and technology to further the goals of the film & media arts major, dealing primarily with technology such as cameras, Steadicam, jibs, dollies, lighting equipment, networked video, networked editing equipment, live television control room, remote television control trailer, computers/software (especially those related to film/video/audio production) and classroom technology. The person in this position needs to have people skills as well as a very broad and deep understanding of the technology involved in modern film and media production and be able to conform to the processes that have been implemented by the Chief Media Engineer.
Duties and Responsibilities
This position is primarily responsible to:
  • Testify to personal experience of salvation in Jesus Christ, affirm belief in the University's Statement of Faith, abide by and practice our Life Together Covenant, and both personally agree with and support the Foundational Documents of Taylor University.
  • Assist the Chief Media Engineer with research, development, maintenance, repair, and troubleshooting of media production equipment and systems.
  • Diagnose and repair issues with:
    • Cameras and camera support systems
    • Steadicam Shadow and Pilot systems
    • Tripods, dollies, and jibs
    • Professional lighting, dimming, and control systems
    • Live television production systems
    • Editing and post-production software
    • Networked storage, archiving, and asset management systems
  • Troubleshoot equipment and systems to the component level.
  • Document findings and report issues and recommendations to the Chief Media Engineer.
  • Initiate corrective actions, including:
    • Contacting vendors and manufacturers
    • Obtaining technical information and replacement parts
    • Preparing equipment for shipment and repair
  • Plan and execute maintenance projects independently or in collaboration with the Chief Media Engineer.
  • Provide regular verbal progress updates and recommendations regarding equipment maintenance, repair, and operational processes.
  • Interact professionally with students, faculty, staff, vendors, and manufacturers.
  • Support departmental productions, events, and technology operations while maintaining sound judgment and stewardship of valuable equipment.
  • Other duties as assigned.

Typical Qualifications
Education and Experience
  • High school diploma or GED; at least 6 months of experience directly related to the duties and responsibilities specified.
  • Bachelor's degree in a media-related field, preferred.
  • 1 - 2 years professional experience, preferred.
  • Steadicam training, preferred.
Skills and Competencies
Required
  • Experience with:
    • Large-format digital, broadcast, and DSLR cameras
    • Steadicam Shadow and Steadicam Pilot systems
    • Jibs and dollies
    • Professional lighting equipment
    • Pro Tools
    • Apple and PC computer systems
    • Live television production systems
    • Lighting boards and dimmers
    • Audio boards
    • Video switchers and routers
  • Ability to:
    • Read waveform monitors and vectorscopes
    • Solder and crimp connectors
    • Troubleshoot media equipment to the component level
  • Strong communication, organizational, and problem-solving skills.
  • Ability to work independently and collaboratively.
Preferred
  • Steadicam training.
  • Understanding of live music production, electronics, mixing, and mastering.
  • Knowledge of post-production audio workflows.
  • Experience with audio mixing and mastering.
  • Experience using iZotope RX Advanced for audio cleanup and noise removal.
  • Demonstrated ability to meet deadlines while working independently.

Supplemental Information
  • Supervisory Responsibility
    • Reports directly to the Chief Media Engineer.
  • Travel Requirements
    • Periodic in-state travel for recruiting visits, conferences, and departmental activities.
  • Work Schedule
    • Occasional evening and weekend work required.
    • Support may be needed for events such as:
      • Envision Film Festival
      • Red Eye Film Frenzy
      • Concert productions
      • Other department-sponsored media events
    • Approximately 6-7 special events per year.
  • Physical Requirements
    • Ability to stand, walk, crawl, and climb ladders.
    • Ability to lift and carry equipment weighing up to 90 pounds.
    • Perform tasks involving cable installation, lighting maintenance, and equipment setup.
  • Work Environment
    • Primarily indoor work with occasional outdoor event support.
    • Use of cleaning chemicals for maintaining equipment.
    • Required use of hearing protection when appropriate.
    • Commitment to safe work practices when using ladders, lighting systems, and production equipment.
  • Additional Information
    • All essential functions are subject to reasonable accommodation.
    • Additional job-related duties may be assigned by the supervisor.
    • Significant changes to job responsibilities may result in a position review and reclassification.

01
Please use this link to navigate to the Taylor University website to review the following documents, which are part of our Foundational Documents: - Mission Statement- Statement of Faith- Sanctity of Life Statement- Statement on Human Sexuality- Multicultural Philosophy Statementhttps://taylor.edu/about/mission-distinctions-beliefs
  • Yes, I have read this page in its entirety and understand its contents
  • No, I have not read this page in its entirety or I do not understand its contents.

02
In reference to the Foundational Documents: Do you personally support these statements to be your own example of belief, and if hired by Taylor University, would you agree to abide by the Life Together Covenant, Sanctity of Life Statement, the Statement of Human Sexuality, the Statement on Multicultural Philosophy, Taylor University Mission Statement, and Statement of Faith?
  • Yes
  • No

Required Question

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