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Audio Mixing Jobs (NOW HIRING)

Apple, Inc.

Audio Engineer

Cupertino, CA · On-site

Demonstrated expertise in theatrical, concert, and event audio mixing. Deep knowledge of professional audio systems, signal flow, and system integration, Audio networking: Dante, AES67, AVB. Strong ...

Apple

Audio Engineer

Cupertino, CA · On-site

Demonstrated expertise in theatrical, concert, and event audio mixing. Deep knowledge of professional audio systems, signal flow, and system integration, Audio networking: Dante, AES67, AVB. Strong ...

Apple, Inc.

Core Audio Software Engineer

Cupertino, CA · On-site

You will own the architecture of audio decoding and rendering (including for APAC and Dolby Atmos), and the real-time audio mixing engine that houses the powerful DSP for features like Spatial Audio ...

Apple

Core Audio Software Engineer

Cupertino, CA · On-site

You will own the architecture of audio decoding and rendering (including for APAC and Dolby Atmos), and the real-time audio mixing engine that houses the powerful DSP for features like Spatial Audio ...

Apple Inc.

Core Audio Software Engineer

Cupertino, CA · On-site

You will own the architecture of audio decoding and rendering (including for APAC and Dolby Atmos), and the real-time audio mixing engine that houses the powerful DSP for features like Spatial Audio ...

Apple

Audio Engineer

Cupertino, CA

$149K - $225K/yr

Operate and support digital mixing platforms including SSL Live, Avid S6L, DiGiCo, and Yamaha. Design, deploy, and manage Dante-based audio networks, including redundancy, time code, QoS, and ...

COMPASS CHRISTIAN CHURCH

Audio Engineer

Hurst, TX

Current with latest best practices of live audio mixing * Minimum 5 years of live audio experience * Familiar with Yamaha DM7 sound consoles preferred * Work well with the production team and worship ...

Apple

Core Audio Software Engineer

Cupertino, CA

$184K - $324K/yr

You will own the architecture of audio decoding and rendering (including for APAC and Dolby Atmos), and the real-time audio mixing engine that houses the powerful DSP for features like Spatial Audio ...

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Audio Mixing information

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How much do audio mixing jobs pay per hour?

As of Aug 15, 2026, the average hourly pay for audio mixing in the United States is $18.70, according to ZipRecruiter salary data. Most workers in this role earn between $16.35 and $20.91 per hour, depending on experience, location, and employer.

What is the difference between Audio Mixing vs Audio Editing?

AspectAudio MixingAudio Editing
Primary FocusBalancing and blending multiple audio tracks to create a cohesive soundCutting, arranging, and refining audio clips for clarity and accuracy
Skills & CertificationsKnowledge of mixing consoles, DAWs, and audio effects; certifications varyProficiency in editing software; often requires audio engineering knowledge
Work EnvironmentRecording studios, post-production facilities, live sound setupsPost-production studios, editing suites, film and video production
Industry UsageMusic, film, TV, video gamesFilm, TV, podcasts, multimedia projects

Audio Mixing involves blending multiple tracks to achieve the desired sound balance, while Audio Editing focuses on refining individual audio clips for clarity and precision. Both roles are essential in audio production but serve different stages of the process.

Are audio mixing jobs in high demand?

Audio mixing jobs are in steady demand due to the growth of the music, film, and gaming industries, which require skilled professionals to produce high-quality sound. Opportunities often exist for those with proficiency in digital audio workstations (DAWs) and relevant certifications, though competition can vary by location and experience level.

What are some common challenges audio mixing engineers face when working on projects with tight deadlines?

Audio mixing engineers often encounter the challenge of balancing high-quality output with time constraints, especially on projects with tight deadlines. This can mean making quick decisions about EQ, compression, and effects while ensuring the mix remains clear and balanced. Communication with producers, artists, and other team members is crucial, as last-minute feedback or revisions are common. Staying organized and using efficient workflows, such as template sessions or recall sheets, helps maintain consistency and meet client expectations, even under pressure.

What are the key skills and qualifications needed to thrive as an audio mixer, and why are they important?

To thrive as an Audio Mixer, you need a strong understanding of sound theory, acoustics, and audio editing, often supported by formal training or a degree in audio engineering. Familiarity with digital audio workstations (DAWs) like Pro Tools, Logic Pro, and mixing consoles, as well as knowledge of industry-standard plugins and software, is essential. Attention to detail, creative problem-solving, and strong communication skills help set outstanding audio mixers apart. These skills are vital for producing high-quality sound that meets artistic and technical standards in music, film, or broadcast environments.

What are audio mixing jobs?

Audio mixing jobs involve working on post-production in a recording studio or other production facility. An audio engineer or mixer can also work during recording to ensure that the music or sound meets quality requirements. After they record the audio, a mixer uses computers and other post-production equipment to edit the different tracks to create a completed product. Your duties can include mixing several different tracks to achieve the highest quality. You use software such as ProTools to synchronize various audio elements. Your responsibilities include working with producers to ensure that the finished product meets expectations.

What is audio mixing?

Audio mixing is the process of blending and balancing multiple sound sources, such as vocals, instruments, and effects, into a single cohesive audio track. This involves adjusting levels, applying equalization (EQ), adding effects like reverb or compression, and panning sounds within the stereo field. The goal is to create a polished and professional sound that highlights the important elements of a song or recording. Audio mixing can be done using digital audio workstations (DAWs) or analog equipment, and it's a crucial step in music production and post-production for films, TV, and podcasts.

How do you become an audio mixer?

To become an audio mixer, you typically need to gain experience through education in audio engineering or related fields, develop skills in using digital audio workstations and mixing consoles, and build a portfolio by working on various projects. Many professionals start as assistants or in entry-level roles to learn industry standards and techniques.
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Audio Mixing jobs near you
Infographic showing various Audio Mixing job openings in the United States as of August 2026, with employment types broken down into 76% Full Time, 20% Part Time, 1% Temporary, and 3% Contract. Highlights an 88% Physical, 2% Hybrid, and 10% Remote job distribution, with an average salary of $38,904 per year, or $18.7 per hour.

Audio Visual Technician

Johns Hopkins University

Baltimore, MD • On-site

Full-time

Posted 23 days ago

Johns Hopkins University rating

8.0

Company rating: 8.0 out of 10

Based on 71 frontline employees who took The Breakroom Quiz

188th of 618 rated colleges and universities

Job description

Reporting to the Technical Production Manager, we are seeking an Audio-Visual Technician who will support the event production and audio-visual needs of the school, both Conservatory and Preparatory. Working as part of a team, this role is responsible for supporting the day-to-day operation of performances for both the Conservatory and the Preparatory to produce over 1000 events, including master classes, rehearsals, performances (music, dance, and opera), and student recitals. As a member of the team, the Audio-Visual Technician will assist in all aspects of the schools' production activities, but primary duties will be related to sound reinforcement, live audio mixing, and live video production.
The Audio-Visual Technician acts as a liaison among the various individuals involved in a production, including the conductor, artistic directors, guest artists, musicians, dancers, and the concert and ensembles staff to ensure an excellent and safe production.
The successful candidate will be motivated, proactive, and an organized team player, while providing excellent support with strong collaboration skills. Attention to detail and a positive work-ethic are a must. Must be able to work flexible hours, including some evenings and weekends as needed to appropriately staff events.
The Peabody Institute of The Johns Hopkins University advances a dynamic, 21st-century model of performing arts training in pursuit of its mission: to elevate the human experience through leadership at the intersection of art and education. Through its Conservatory for undergraduate and graduate studies and the Preparatory, Baltimore's largest community performing arts school, Peabody empowers musicians and dancers from diverse backgrounds to create and perform at the highest level.
Specific Duties & Responsibilities
  • Helps to manage inventory and allocation of all sound and video equipment based on needs and requests of various shows in coordination with the Lead Audio Visual Technician
  • Supports stage production, sound, lighting, and technical needs of rehearsal and performances at the Peabody Institute including live audio mixing, sound reinforcement, and setting up A/V equipment, including videos screens, projectors, and video switchers.
  • Assists in the planning and coordination of all events that require A/V support, including advising and collaborating with students, faculty, staff, and guest artists to determine the needs for every event.
  • Responsible for managing a number of public stage events independently.
  • In coordination with the production team, this position will provide all production support as needed for certain events i.e. setting up the stage to conform to the appropriate event, setting up risers, audio visual equipment, stage lighting, setting orchestras, and organizing personnel. Events will include chorus, opera, run out s, ensembles, and dance.
  • Perform other duties as assigned.

Minimum Qualifications
  • High School Diploma/GED
  • 2 years related experience
  • Additional education may substitute for required experience to the extent permitted by the JHU equivalency formula

Preferred Qualifications
  • Relevant Bachelor's Degree.
  • Two to four years' experience in live audio mixing, sound reinforcement, live video production and setup. Experience in live classical and modern music productions and knowledge of concert etiquette.

Special Knowledge, Skills & Abilities
  • Demonstrated skills and experience with live audio mixing, sound reinforcement, and live video production.
  • Working experience with wireless microphones, Dante, and specific placement and choice of microphone for different situations and instruments.
  • Professional demeanor, comfort in high-pressure situations, adaptable, solutions-oriented problem solver.
  • Experience in and working knowledge of theatrical events and terminology, especially in regard to dance, opera, and orchestra.
  • Demonstrated organizational skills with proven ability to effectively prioritize workload.
  • Must be able to work independently and to supervise student employees as needed.
  • Working knowledge of computers including MS Office applications.
  • Ability to work long hours and nontraditional shifts, evenings, and weekends due to performance schedule.

Classified Title: A/V Technician
Job Posting Title (Working Title): Audio Visual Technician
Role/Level/Range: ATO 37.5/02/OD
Starting Salary Range: $16.20 - $28.80 HRLY ($47,700 targeted; Commensurate w/exp.).
Employee group: Full Time
Schedule: 37.5 hours per week
FLSA Status: Non-Exempt
Location: Peabody
Department name: Production Services
Personnel area: Peabody

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About Johns Hopkins University

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Gilman believed that teaching and research go hand in hand—that success in one depends on success in the other—and that a modern university must do both well. He also believed that sharing our knowledge and discoveries would help make the world a better place. In 145 years, we haven’t strayed from that vision. This is still a destination for excellent, ambitious scholars and a world leader in teaching and research. Distinguished professors mentor students in the arts and music, humanities, social and natural sciences, engineering, international studies, education, business, and the health professions. Those same faculty members, along with their colleagues at the university’s Applied Physics Laboratory, have made us the nation’s leader in federal research and development funding every year since 1979. That’s a fitting distinction for America’s first research university, a place that has revolutionized higher education in the U.S. and continues to bring knowledge and discoveries to the world.

Industry

Colleges, universities, and professional schools

Company size

10,000+ Employees

Headquarters location

Baltimore, MD, US

Year founded

1876

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