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Audio Mixing Jobs in Arizona (NOW HIRING)

Plateau Software Inc

Proficiency with audio and video equipment, including cameras, microphones, and mixers Preferred Qualifications: * Advanced AV and technical experience * Ticketing system and metric experience ...

Ford Audio-Video Systems

Be Seen First

Audio Video Installation Technician -

Tempe, AZ · On-site

$25 - $32/hr

Pulling and terminating cables with precision and assembling racks, patch bays, and mixing consoles ... Company Description Ford Audio Video (Ford AV) is a premier AV integrator specializing in the ...

Cirrus Logic

DFT Engineer (CE-64000845)

Chandler, AZ · On-site

As a DFT engineer in our mixed signal audio development team, you will be performing initial test planning, inserting memory BIST and scan, improving coverage, and delivering test patterns to our ...

Axon

Electrical Engineer II, Video

Scottsdale, AZ

... mixed-signal schematics in OrCAD, integrating components such as application processors, memory, high-speed digital interfaces, RF transceivers, power supplies, battery charging systems, audio, and ...

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Audio Mixing information

See Arizona salary details

$11

$17

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How much do audio mixing jobs pay per hour?

As of Jun 15, 2026, the average hourly pay for audio mixing in Arizona is $17.43, according to ZipRecruiter salary data. Most workers in this role earn between $15.24 and $19.47 per hour, depending on experience, location, and employer.

What is the difference between Audio Mixing vs Audio Editing?

AspectAudio MixingAudio Editing
Primary FocusBalancing and blending multiple audio tracks to create a cohesive soundCutting, arranging, and refining audio clips for clarity and accuracy
Skills & CertificationsKnowledge of mixing consoles, DAWs, and audio effects; certifications varyProficiency in editing software; often requires audio engineering knowledge
Work EnvironmentRecording studios, post-production facilities, live sound setupsPost-production studios, editing suites, film and video production
Industry UsageMusic, film, TV, video gamesFilm, TV, podcasts, multimedia projects

Audio Mixing involves blending multiple tracks to achieve the desired sound balance, while Audio Editing focuses on refining individual audio clips for clarity and precision. Both roles are essential in audio production but serve different stages of the process.

What are some common challenges audio mixing engineers face when working on projects with tight deadlines?

Audio mixing engineers often encounter the challenge of balancing high-quality output with time constraints, especially on projects with tight deadlines. This can mean making quick decisions about EQ, compression, and effects while ensuring the mix remains clear and balanced. Communication with producers, artists, and other team members is crucial, as last-minute feedback or revisions are common. Staying organized and using efficient workflows, such as template sessions or recall sheets, helps maintain consistency and meet client expectations, even under pressure.

What are the key skills and qualifications needed to thrive as an Audio Mixer, and why are they important?

To thrive as an Audio Mixer, you need a strong understanding of sound theory, acoustics, and audio editing, often supported by formal training or a degree in audio engineering. Familiarity with digital audio workstations (DAWs) like Pro Tools, Logic Pro, and mixing consoles, as well as knowledge of industry-standard plugins and software, is essential. Attention to detail, creative problem-solving, and strong communication skills help set outstanding audio mixers apart. These skills are vital for producing high-quality sound that meets artistic and technical standards in music, film, or broadcast environments.

What Are Audio Mixing Jobs?

Audio mixing jobs involve working on post-production in a recording studio or other production facility. An audio engineer or mixer can also work during recording to ensure that the music or sound meets quality requirements. After they record the audio, a mixer uses computers and other post-production equipment to edit the different tracks to create a completed product. Your duties can include mixing several different tracks to achieve the highest quality. You use software such as ProTools to synchronize various audio elements. Your responsibilities include working with producers to ensure that the finished product meets expectations.

What is audio mixing?

Audio mixing is the process of blending and balancing multiple sound sources, such as vocals, instruments, and effects, into a single cohesive audio track. This involves adjusting levels, applying equalization (EQ), adding effects like reverb or compression, and panning sounds within the stereo field. The goal is to create a polished and professional sound that highlights the important elements of a song or recording. Audio mixing can be done using digital audio workstations (DAWs) or analog equipment, and it's a crucial step in music production and post-production for films, TV, and podcasts.
More about Audio Mixing jobs
What are the most commonly searched types of Audio Mixing jobs in Arizona? The most popular types of Audio Mixing jobs in Arizona are:
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What job categories do people searching Audio Mixing jobs in Arizona look for? The top searched job categories for Audio Mixing jobs in Arizona are:
What cities in Arizona are hiring for Audio Mixing jobs? Cities in Arizona with the most Audio Mixing job openings:
Audio Mixing jobs near you
On Call Head Audio

On Call Head Audio

Madison Elementary School District

Phoenix, AZ

Other

Posted 8 days ago

Job description

On Call Head Audio

This position is an on-call, activated on a show-by-show basis.

The Head of Audio oversees the audio needs for the event or show, ensuring smooth operations. They are responsible for managing audio systems and structures for crew and production.

Qualifications:

  • 1-2 years experience of live audio mixing.
  • Experience with Qlab, TheatreMix, and other professional live entertainment computer software.
  • Professional experience with Yamaha Digital consoles
  • Experience with Dante networks and Dante Controller (At least Dante Level 2 Certification preferred)
  • Experience with and working knowledge of live entertainment multi projector systems and programming.
  • Experience with both Audio and Video system network setup and troubleshooting.
  • Experience with Shure ULXD, and Wireless Workbench a plus.
  • Ability to work closely with people in a professional and positive manner.
  • Ability to work closely and creatively with design teams, directors, and other members of the staff.
  • Proficiency with computers and standard office suite, ability to generate and maintain professional level paperwork and tracking for each production.
  • Ability to multitask while maintaining productivity.
  • Ability to remain levelheaded in high-stress environments.
  • Ability to troubleshoot under pressure and remain composed.
  • Ability to work independently and meet deadlines.

Responsibilities:

  1. Coordinate with production staff, designers, and performers, overseeing sound setup, operation, and strike for rehearsals and performances, ensuring sound quality, and troubleshooting any issues that arise.
  2. Ensure compliance with safety protocols and industry best practices is crucial.
  3. Serve as the primary audio contact for the event or show.
  4. Assist with event load-in, setup, operation, and load-out.
  5. Manage and maintain the venue's audio systems and equipment.
  6. Troubleshoot and resolve technical issues efficiently under time-sensitive conditions.
  7. Supervise and mentor the audio team.
  8. Ensure compliance with safety protocols.
  9. Lead in facilitating all audio needs for all rental events/productions, including the testing, maintenance and upkeep of all audio equipment, projectors, and sound equipment in The Madison.
  10. Review sound plots to evaluate feasibility and implementation in The Madison
  11. Lead in preparing and installing equipment based on plots and designer supplied specifications; including but not limited to tech table set-up, i.e. tables, headsets, and video monitors, god mic, etc.
  12. Collaborate to produce show-related audio paperwork.
  13. Maintain organized and accurate records of design execution for a given production. Make archival copies of all paperwork and show files.
  14. Adhere to the proper shut-down of all audio, special effects, stage equipment and other electrical appliances, assuring that the theatre is left in a safe, secure, and appropriately lit manner and that equipment is locked in a secure place.

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