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Production Editor Jobs in Oregon (NOW HIRING)

Filmmaking Tutor

OR · Remote

$18 - $40/hr

Deep knowledge of cinematography, screenwriting, directing, editing, sound design, lighting techniques, camera operation, pre-production planning, and post-production workflows. Ability to explain ...

Filmmaking Tutor

Eugene, OR · Remote

$18 - $40/hr

Deep knowledge of cinematography, screenwriting, directing, editing, sound design, lighting techniques, camera operation, pre-production planning, and post-production workflows. Ability to explain ...

Filmmaking Tutor

Portland, OR · Remote

$18 - $40/hr

Deep knowledge of cinematography, screenwriting, directing, editing, sound design, lighting techniques, camera operation, pre-production planning, and post-production workflows. Ability to explain ...

OR

$126K - $166K/yr

We are seeking a Senior Product Manager to own two important efforts: * creative tools that give ... This will require an excellent understanding of the complexities of editing platforms and design ...

Own the product roadmap for catalog tools, including ingestion pipelines, metadata editors, quality control dashboards, and rights attribution interfaces, prioritizing features based on impact and ...

Support additional creative production needs as assigned, including basic photo editing or product image adjustments when applicable. What You Bring Must-Haves: * 3-5+ years of experience in ...

OR · On-site

$90K - $110K/yr

Manage the show's production workflow and schedule to ensure timely publishing * Collaborate with the video editor, mix engineer, and talent booker, and delegate tasks within the team * Direct host ...

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Production Editor information

See Oregon salary details

$5

$26

$44

How much do production editor jobs pay per hour?

As of Jul 19, 2026, the average hourly pay for production editor in Oregon is $26.78, according to ZipRecruiter salary data. Most workers in this role earn between $19.81 and $34.33 per hour, depending on experience, location, and employer.

What does a production editor do?

A production editor manages the final stages of publishing, including reviewing and editing content for accuracy, consistency, and style. They coordinate with writers, designers, and printers to ensure the publication is completed on time and meets quality standards, often using editing and project management tools.

What is the difference between Production Editor vs Copy Editor?

AspectProduction EditorCopy Editor
Primary FocusOversees the production process, manages layout, design, and final formattingReviews and corrects grammar, style, and clarity in the text
Skills & CertificationsProject management, familiarity with publishing software, attention to detailStrong language skills, editing certifications, knowledge of style guides
Work EnvironmentPublishing houses, magazines, online mediaPublishing companies, magazines, online content platforms

While both roles are essential in publishing, a Production Editor focuses on the overall production process, ensuring the final product meets quality standards, whereas a Copy Editor concentrates on refining the written content for clarity, grammar, and style. Understanding these differences helps clarify career paths and job expectations in the publishing industry.

What Is a Production Editor?

A production editor manages content production for a publication. As a production editor, you coordinate each phase of publication. Your duties include managing writers and other publishing staff, editing content, and approving final layouts. This role is different from a copyeditor, as you are responsible for the big picture instead of individual pieces. As a production editor, you often work for in the publishing industry. If you work for a book publisher, you must review content submissions and edit manuscripts. You can also find work with websites and other digital publications, depending on their size and resources. Your skills may need to go beyond simple editing into basic graphic design and layout.

What kind of jobs in media bring in $150,000 a year?

Production editors typically do not earn $150,000 annually; higher salaries in media often come from executive roles such as senior producers, media directors, or content strategists, especially in large organizations. These roles require extensive experience, strong project management skills, and often advanced certifications or degrees. Salary levels vary based on industry, location, and company size, with top-tier professionals earning six-figure incomes in senior or specialized positions.

What are Production Editors?

Production Editors are professionals who oversee the process of preparing written materials for publication. They coordinate between authors, editors, designers, and printers to ensure that manuscripts are edited, formatted, and produced within deadlines and quality standards. Their responsibilities include managing schedules, proofreading, checking layouts, and ensuring that the final product meets the publication’s requirements. Production Editors work in various industries, including book publishing, academic journals, magazines, and digital media.

What are some common challenges a Production Editor faces when managing multiple projects simultaneously?

Production Editors often handle several projects at once, each with its own timeline, requirements, and stakeholders. Balancing these responsibilities means staying highly organized, prioritizing tasks, and communicating proactively with authors, designers, and printers to avoid bottlenecks. Meeting tight deadlines while ensuring accuracy and consistency across all materials can be demanding, but effective use of project management tools and clear workflow processes help manage these challenges. Collaborating closely with other editorial and production team members is key to maintaining quality and delivering projects on schedule.

How much does a production editor make?

Production editors typically earn a median annual salary of around $50,000 to $70,000, depending on experience, location, and industry. Salaries can vary based on the size of the employer and whether the role is freelance or full-time, with some experienced editors earning over $80,000 annually.

What jobs pay 500,000 a year in the US?

Production editors typically do not earn $500,000 annually; such high salaries are usually found in executive roles, specialized medical or legal professions, or top-tier corporate executives. High-paying jobs often require extensive experience, advanced skills, and leadership responsibilities. For most roles, reaching this level involves significant seniority and performance-based bonuses or profit sharing.

What are the key skills and qualifications needed to thrive as a Production Editor, and why are they important?

To thrive as a Production Editor, you need strong editorial skills, attention to detail, and a solid understanding of publishing processes, often supported by a degree in English, journalism, or a related field. Familiarity with publishing software such as Adobe InDesign, XML tools, and content management systems is typically required. Exceptional organizational skills, effective communication, and the ability to manage multiple projects under tight deadlines help set top candidates apart. These skills ensure the accurate, timely, and high-quality production of content, which is critical for maintaining publishing standards and meeting client or audience expectations.
What are the most commonly searched types of Production Editor jobs in Oregon? The most popular types of Production Editor jobs in Oregon are:
What are popular job titles related to Production Editor jobs in Oregon? For Production Editor jobs in Oregon, the most frequently searched job titles are:
What job categories do people searching Production Editor jobs in Oregon look for? The top searched job categories for Production Editor jobs in Oregon are:
What cities in Oregon are hiring for Production Editor jobs? Cities in Oregon with the most Production Editor job openings:
What are popular job titles related to Production Editor jobs in OR? For Production Editor jobs in OR, the most frequently searched job titles are:
Infographic showing various Production Editor job openings in Oregon as of July 2026, with employment types broken down into 50% Full Time, 25% Part Time, and 25% Nights. Highlights an 100% In-person job distribution, with an average salary of $55,711 per year, or $26.8 per hour.

Videographer

Ko-Kwel Casino Resort Coos Bay

North Bend, OR • On-site

Full-time

Medical, Retirement

Posted 3 days ago

New


Job description

At Ko-Kwel Casino Resort, we know the best experiences start with a warm welcome. Whether you're arriving for a relaxing getaway or clocking in for your shift. Here, hospitality is personal, teamwork is real, and people genuinely look out for one another. When you join our team, you're stepping into a workplace where you can learn, grow, and take pride in creating memorable moments across the entire property. We bring energy, heart, and professionalism to everything we do, by building not only unforgettable guest experiences, but a workplace we're proud to call our own.

Be part of a team that's shaping one of the premier destinations for gaming and hospitality. A place where guests and team members alike feel right at home on Oregon's beautiful southern coast and beyond.

Why this job matters

Our videos are often the first "hello" guests get from Ko-Kwel Casino Resort, so this role is about more than capturing footage. You're shaping stories that feel true to our brand, look polished, and make people want to be here. That means owning the full process: plan it, shoot it, and finish it with clean, intentional edits and motion graphics.

What you bring to the table
  • Make sure the space stays safe, clean, and friendly for both guests and the rest of the team; speak up and report any safety concerns to the Safety Committee.
  • Own the full video lifecycle, including pre-production planning with content producers, on-site production, and post-production, while keeping multiple fast-moving projects organized and on track.
  • Strong shooting and directing skills for scripted and unscripted video, interviews, and B-roll, whether the setting is a lively gaming floor, a dining space, a hotel moment, or an entertainment event.
  • Editing ability that turns raw footage into polished, publish-ready deliverables, including clean assembly, sound work, graphics and titles, color correction, and thoughtful revisions based on feedback.
  • A practical understanding of real-world casino resort production, including low-light environments, mixed lighting, ambient noise, crowds, and quick changes that require calm problem-solving.
  • An instinct for delivering the right version of a story for the right placement, including vertical, square, and widescreen formats, plus captioned exports and alternate cutdowns when needed.
  • A curious, craft-focused mindset that keeps work feeling current and professional by evolving editing approaches, motion styles, transitions, and storytelling techniques in a way that still stays on-brand.
  • A collaborative approach with creative, marketing, and stakeholders that helps translate promotions, entertainment, dining, hotel, gaming, and on-property events into clear, compelling videos.
  • Strong production hygiene, including file organization, footage management, backups, naming conventions, and handoff-ready deliverables that make team collaboration easy.
  • A builder mentality that strengthens the whole team over time through better templates, presets, shot lists, and editing systems.
  • A calm, confident presence on set, with the ability to lead a shoot through clear direction and strong creative instincts.
  • Storytelling instincts that show up in shot selection, pacing, and the way a message lands.
  • A collaborative style that supports creative teammates and cross-functional partners from concept to delivery.
  • Jump in where needed to support the team and keep things running smoothly. (Other duties as assigned)
Must-haves, nice-to-haves, and maybe some bonus points
  • Friendly and approachable attitude that helps guests (and the team) feel welcome and cared for every day.
  • An associate or bachelor's degree (or certificate) in Video Editing/Post-Production, Media Production, or Broadcast/Television Production is required. A combination of education and relevant work experience may be considered.
  • Proven on-set leadership, with 3+ years of hands-on videography and editing experience in-house, agency, production company, or freelance, backed by a strong portfolio or reel.
  • A portfolio/reel that shows strong composition and lighting fundamentals, clean audio, smooth pacing, and story-driven editing choices.
  • Professional proficiency with Adobe Premiere Pro, plus comfort using Photoshop for basic graphic support when needed.
  • Confidence directing talent, conducting interviews, and staying calm and adaptable when conditions change on set.
  • Strong file management habits, including organized project structures, naming conventions, and reliable backups.
  • Motion graphics experience, including lower thirds, overlays, keyframes, and MOGRT workflows.
  • Color grading experience using DaVinci Resolve or advanced Premiere color workflows.
  • Familiarity with screen capture tools (Camtasia, Snagit, or similar) when screen-based content is part of a project.
  • A degree or certificate in Video Editing/Post-Production, Media Production, or Broadcast/Television Production is strongly preferred, or an equivalent combination of education and professional experience.
  • Experience working in hospitality, entertainment, events, or another brand-forward environment where fast turnarounds are part of the rhythm is a bonus.
  • Clear, positive communication skills, including the ability to align stakeholders and keep projects moving without drama.
  • Comfortable communicating clearly and positively with both guests and teammates.
Physical stuff to know

We've included the typical physical parts of the job here. If you need an accommodation to do the work, just let us know-we're here to support you. This is an active production role that includes frequent standing and walking during shoots, plus bending, crouching, and reaching to frame shots and adjust equipment. Regular setup, movement, and breakdown of cameras, tripods, lighting, and audio gear is part of the job, along with lifting and carrying equipment and cases that are often in the 25–50 lb range. Work may take place in low-light environments, tight spaces, and both indoor and outdoor locations. Some shoots may occur during evenings, weekends, or on short timelines depending on events and content needs. Just a heads-up-the casino environment may expose you to secondhand smoke. This is a quick summary of the main duties and requirements-it might not cover everything you could be asked to do.

Ko-Kwel Casino Resort is owned by the Coquille Indian Tribe. Team members are eligible for a comprehensive health care benefit, generous time off policy, 401-K retirement with 4% company match and other benefits.


Job Posted by ApplicantPro