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Offline Editor Jobs (NOW HIRING)

Company3

Editor

Santa Monica, CA · On-site

Basic knowledge of offline editing, VFX and sound workflows. * Basic knowledge of scheduling the post process. * Media Pulse and/ or post-production scheduling software experience. * Background and ...

Company 3 / Method Inc.

Editor

Santa Monica, CA · On-site

$35 - $45/hr

Basic knowledge of offline editing, VFX and sound workflows. * Basic knowledge of scheduling the post process. * Media Pulse and/ or post-production scheduling software experience. * Background and ...

Zealot

Freelance Assistant Editor

Los Angeles, CA · On-site

$28 - $32/hr

The Assistant Editor role creates and organizes offline projects for the editors. We are looking for someone who can quickly adapt to new and existing workflows and is highly organized. As you gain ...

ZEALOT

Freelance Assistant Editor

Los Angeles, CA · On-site

The Assistant Editor role creates and organizes offline projects for the editors. We are looking for someone who can quickly adapt to new and existing workflows and is highly organized. As you gain ...

International Justice Mission

... Video Editor, Global Marketing to create compelling video content that advances IJM's mission ... Ensure secure online and offline storage of video assets to maintain reliable and organized backups ...

Company3

Production Coordinator

Los Angeles, CA · On-site

Basic knowledge of offline editing, VFX and sound workflows. * Basic knowledge of scheduling the post process. * Media Pulse and/or post-production scheduling software experience. * Background and/or ...

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Offline Editor information

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$38

$48

$56

How much do offline editor jobs pay per hour?

As of Jul 5, 2026, the average hourly pay for offline editor in the United States is $48.08, according to ZipRecruiter salary data. Most workers in this role earn between $43.27 and $52.88 per hour, depending on experience, location, and employer.

What does an offline editor do?

An offline editor is responsible for editing and assembling raw footage into a coherent final product before online editing or color correction. They work with editing software, organize media assets, and ensure the project meets technical and creative standards. This role often requires strong attention to detail and knowledge of editing tools like Avid, Final Cut Pro, or Adobe Premiere.

What jobs pay 500,000 a year in the US?

In the US, high-paying roles such as chief executive officers, investment bankers, specialized surgeons, and successful entrepreneurs can earn $500,000 or more annually. These positions often require extensive experience, advanced skills, and in some cases, ownership or leadership of large organizations. Compensation varies based on industry, location, and individual performance.

What are the key skills and qualifications needed to thrive as an Offline Editor, and why are they important?

To thrive as an Offline Editor, you need strong storytelling abilities, proficiency in non-linear editing, and a solid understanding of video formats and post-production workflows, often supported by relevant media or film qualifications. Expertise in industry-standard software such as Avid Media Composer, Adobe Premiere Pro, or Final Cut Pro is typically essential. Creativity, attention to detail, and effective communication are standout soft skills for collaborating with directors and producers. These skills ensure the editor can craft compelling narratives efficiently and seamlessly integrate feedback to deliver high-quality content.

What are some common challenges faced by Offline Editors during the post-production process?

Offline Editors often face challenges such as managing tight deadlines, organizing large amounts of raw footage, and maintaining clear communication with directors and producers to ensure the creative vision is achieved. They must also adapt to frequent feedback and changes, sometimes working with incomplete or low-resolution material before the final edit. Collaboration and strong time management skills are essential to successfully navigate these demands and deliver a cohesive initial cut.

What is the difference between Offline Editor vs Video Editor?

AspectOffline EditorVideo Editor
CredentialsTypically requires a degree or certification in film, media, or related fieldsOften requires similar credentials, with emphasis on editing skills and software proficiency
Work EnvironmentPost-production facilities, editing suites, or remote setupsPost-production studios, freelance settings, or remote work
Industry UsageCommonly used in film, TV, and media productionUsed across film, TV, online content, and advertising

Offline Editors focus on assembling and editing raw footage before final output, often working in dedicated editing suites. Video Editors handle the entire editing process, including fine-tuning and effects, often working across various media platforms. Both roles require similar skills and credentials but differ mainly in scope and specific tasks within the post-production process.

What is an Offline Editor?

An Offline Editor is a post-production professional responsible for assembling raw video footage into a rough cut, focusing on story structure, pacing, and narrative flow. They work with low-resolution copies of the footage (offline media) to create an initial version of the project, making creative decisions about shot selection and sequence. The offline edit serves as the blueprint for the final version, which is completed in the online editing stage with color correction, effects, and high-resolution media. Offline Editors collaborate closely with directors and producers to ensure the story is told effectively.

Can you be an editor with no experience?

Offline editors can sometimes enter the field without prior experience, especially if they have strong language skills, attention to detail, and are willing to learn editing software and industry standards. Entry-level positions may provide on-the-job training, but having relevant skills or a background in writing, journalism, or communication can improve chances of starting as an offline editor.

Are editors still in demand?

Offline editors are still in demand in publishing, media, and content production industries, especially those with strong editing skills and familiarity with editing software. While digital content has grown, many organizations still require traditional editing for print and high-quality publications, maintaining steady demand for experienced editors.
More about Offline Editor jobs
What cities are hiring for Offline Editor jobs? Cities with the most Offline Editor job openings:
What states have the most Offline Editor jobs? States with the most job openings for Offline Editor jobs include:
What job categories do people searching Offline Editor jobs look for? The top searched job categories for Offline Editor jobs are:
What are popular job titles related to Offline Editor jobs? For Offline Editor jobs, the most frequently searched job titles are:
Offline Editor jobs near you
Infographic showing various Offline Editor job openings in the United States as of June 2026, with employment types broken down into 65% Full Time, 30% Part Time, 3% Temporary, and 2% Contract. Highlights an 90% Physical, 1% Hybrid, and 9% Remote job distribution, with an average salary of $99,999 per year, or $48.1 per hour.

Editor

Company3

Santa Monica, CA • On-site

Full-time

Medical, Retirement, PTO

Posted 2 days ago

Job description

Business Unit: Company 3
Position: Editor 
Location: Santa Monica, CA (On-Site)
*Pay Range: $35.00 - $45.00 hourly USD
POSITION SUMMARY:
Company 3 is looking to hire an Editor to join its team! In this role you will act as support for finishing artists on projects assigned to them. Your responsibilities will include but not limited to preparing client turnovers, assembling timelines, dropping in VFX, and preparing timelines for deliveries. 

Possessing a sense of urgency, this position will demonstrate an ability to work within a fast-paced and collaborative environment, deliver accurate and quality work on schedule, and have excellent skills in building relationships and communicating effectively. In an operations capacity, this role requires a highly professional demeanor and diplomacy when dealing with clients, production management, coworkers, and artists. 

Location: This is not a remote position and will require working in studio on a regular basis and you may be required to travel to our multiple locations in the Los Angeles. You must be willing to work overtime and weekends.  

Hours:  Available to work variable shifts, including second shift and swing shift, as necessary per business needs. 


MAIN DUTIES:
The Editor will ensure all elements are properly labeled. They will ensure all lists and references are properly formatted. Notify the project producer and or associate producer of any issues. They will ensure all required elements are present and if not notifying the project producer and or associate producer. They will communicate with the project producer and or associate producer any issues that may arise with elements. They will create restore master, missing, and update EDL(s) and submit to data department. They will use Parse-Conform VAMs for color with provided EDL from online. They will ensure all required color elements are accounted for such as drop-ins, mattes, and conform references. Other duties include:
  • Ensure all project settings are set to the defined department standard. 
  • Flag and contact the project producer and or associate producer on any shots that do not line up to the reference. 
  • Flag and contact the project producer and or associate producer on any shots that are not delivered in the correct color space. 
  • Update the project producer and project manager on any prep issues or spec changes. 

Execution of Job 

  • Non-linear finishing editing for television content, including basic visual effects compositing, beauty fixes and other opticals.  
  • Maintain and contribute to the development of digital workflows by keeping up with current trends and finishing techniques. 
  • Flexible to work around customer and studio needs; ever changing delivery schedules and enduring long hours during peak periods of business. 
  • Maintaining best practices for content security and client confidentiality.   
  • Communicate to artist all project details necessary for the artist to execute the project. 
  • Confirm the details of the laydown requirements, etc. with the project producer and or associate producer. 
  • Communicate any machine downtime to the producer, associate producer and engineering. 
  • Update the project team with any spec and or delivery changes. 

Final Delivery 

  • Communicate with the project producer and or associate producer on any additional request made by the clients in the bay. 
  • Render/Record project per project/workorder specs. 
  • Label elements as requested per project/workorder specs.  
  • Label finished elements clearly to indicate episode, cut number/letter, date, etc. 
  • Quality checking all rendered material for any missing material or corruption.  

Final Billing 

  • Ensure all work orders are filled out with session details.

Communications 

  • Touch base with producer and or associate producer before leaving shift for handoff notes, etc. 
  • Update producer and or associate producer all relevant information for all aspects of the project; Prep and Post. 

Engineering  

  • Reporting all system repair needs via the EMR Jira system. For urgent matters immediately contact the project coordinator(s). 
  • Keep project up-to-date on the status of any situation that directly affects the session and or is deliveries. 

WHAT YOU BRING:
The ideal candidate will have previous experience with media/post industry. They will have experience in conforming longform projects and File based workflow. They will be detail oriented with a strong ability to multi-task and must be a self-starter. They will work well under pressure in a deadline driven environment. They will have a working understanding of the various finishing and mastering SDR and HDR color spaces. They will have BlackMagic Resolve software experience. The ideal candidate will also bring the following:
  • Avid and/or FCP experience plus.
  • Adobe After Effects, Mocha, Sapphire, Boris and Fusion experience a plus.
  • Knowledge of digital capture cameras and files.
  • Knowledge of HDR and Dolby Vision workflows.
  • Background and/or knowledge of offline editing.
  • Knowledge of mobile storage devices and formats.
  • Episodic or Feature Finishing Post-Production Experience.
  • Basic knowledge of offline editing, VFX and sound workflows.
  • Basic knowledge of scheduling the post process.
  • Media Pulse and/ or post-production scheduling software experience.
  • Background and/or knowledge of offline editing.
  • Basic knowledge of task based software (ClickUp, Asana, Jira).

ABOUT THE COMPANY:
Company 3, including its various business units and family of brands, provides a full range of Creative Services for content creators, including conceptual design, pre-vis, look development, ideation and rapid prototyping, 3D animation/CGI, motion graphics/designers, matte painting, compositing, dailies and production services, color grading, post-production finishing, marketing/trailers, live-action production, experiences, and more.
Diversity and Inclusion at Company 3:
Creativity has diversity at its core. We celebrate the value of each unique experience by being dedicated to fostering the most diverse, equitable, and inclusive culture where every employee feels empowered and safe to show up to work as their full self.
It is our policy to provide equal employment opportunities to all applicants and employees. Please inform the Company's HR representative if you need assistance completing any forms or otherwise need any accommodation or support in order to participate in the application process.
*The listed pay range represents the lowest to highest range that we in good faith believe we would pay for this role at the time of this posting. This range may be modified in the future. An employee’s pay position within the range may be based on several factors including, but limited to, relevant education, qualifications, certifications, experience, skills, seniority, geographic location, local currency exchange rates, performance, shift, travel requirements, sales or revenue-based metrics, applicable law, and business or organizational needs.  
The benefits for eligible part-time employees working 25 or more hours per week and full-time employees in the US include a comprehensive package of health, retirement, and insurance benefits and paid time off. The benefits for eligible project hires and part-time employees working less than 25 hours per week in the US include retirement, select insurance benefits, and where required by law, health benefits. For roles filled in Canada and other territories, local benefits plan offerings as adopted and amended from time to time will apply.
The above compensation and benefits information is provided in accordance with various state, provincial, and local pay transparency laws.
This position is for an existing vacancy. Both external and internal candidates can apply for this role through the Company’s Career Page. The Company generally only contacts those individuals who have submitted an application which it wishes to interview. The application window for this position is expected to close by September 2, 2026.

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