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Grip Jobs (NOW HIRING)

Booster

$110 - $170/hr

Grip Surface Development: Design elastomeric grip surfaces and compliant interfaces for robotic hands and manipulation systems. Select materials such as silicone and other elastomers and develop ...

Grip Tooling Technologies, LLC

Be Seen First

Warehouse Associate - Order Fulfillment | $18-$20/HR

Brandon, FL · On-site

$18 - $20/hr

Apply today! Company Description Grip Tooling Technologies is a research and development company specializing in creating next generation hand tools for the professional tool market. We supply ...

SCALIS

Operations Specialist

Miami, FL · On-site

$52 - $68/hr

Grip is pioneering Direct-to-Consumer eCommerce for perishable products. Grip's smart logistics engine increases customer lifetime value and retention with higher quality deliveries and predictable ...

Poclain

Assembly Technician-2nd Shift

Sturtevant, WI · On-site

$20.50 - $24/hr

Frequently grip, grasp, pinch, and manipulate parts ranging from small precision components to larger assemblies * Apply bilateral grip force estimated between 15 - 40 lbs depending on task

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Grip information

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How much do grip jobs pay per hour?

As of Sep 7, 2026, the average hourly pay for grip in the United States is $20.45, according to ZipRecruiter salary data. Most workers in this role earn between $15.14 and $25.00 per hour, depending on experience, location, and employer.

What is a grip?

Grips are essential crew members on film and television sets responsible for building and maintaining the equipment that supports cameras and lighting. They handle tasks such as setting up tripods, dollies, tracks, and rigs to ensure the camera can move smoothly and safely during filming. Grips also work closely with the cinematographer and gaffer to shape and control lighting. Their role is physically demanding and requires technical knowledge, problem-solving skills, and teamwork.

What are the key skills and qualifications needed to thrive as a grip?

To thrive as a Grip, you need a solid understanding of lighting, rigging, and set safety, along with physical stamina and basic mechanical aptitude. Familiarity with industry-standard equipment such as dollies, cranes, C-stands, and specialized rigging tools is necessary, and completion of safety certifications like OSHA may be required. Strong teamwork, problem-solving, and clear communication skills help grips collaborate effectively under tight schedules. These competencies ensure safe, efficient, and creative support for camera and lighting departments, which is essential for smooth film and TV production workflows.

What are the most common challenges encountered by a grip on set, and how can they be managed effectively?

Grips frequently face challenges such as tight shooting schedules, last-minute changes to lighting setups, and working in physically demanding conditions. Managing these challenges requires strong communication with the Director of Photography and other crew members, adaptability, and a solid understanding of rigging and safety protocols. Staying organized and maintaining equipment readiness also help grips respond efficiently to on-the-fly adjustments, ensuring the shoot runs smoothly and safely.

What is the difference between Grip vs Gaffer?

AspectGripGaffer
Primary RoleAssist with equipment setup, rigging, and supporting camera and lighting gearIn charge of lighting design, setup, and operation on set
Required SkillsKnowledge of rigging, equipment handling, safety protocolsLighting techniques, electrical knowledge, creative lighting design
Work EnvironmentFilm sets, TV productions, commercialsFilm sets, TV productions, commercials
CertificationsNone mandatory, but safety and rigging certifications helpfulElectrical and lighting certifications often preferred

While both roles work closely on set, the Grip primarily handles rigging and supporting equipment, whereas the Gaffer is responsible for lighting design and execution. Understanding these differences helps clarify career paths and job expectations in film and television production.

How to get work as a grip?

To get work as a grip, gain experience by working on film or television sets, often starting in entry-level roles or as a production assistant. Developing skills in rigging, equipment handling, and safety, along with networking within the industry, can improve job prospects; some grips also pursue relevant certifications or training programs.
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Grip jobs near you
Infographic showing various Grip job openings in the United States as of August 2026, with employment types broken down into 58% Full Time, 41% Part Time, and 1% Nights. Highlights an 96% Physical, and 4% Remote job distribution, with an average salary of $42,539 per year, or $20.5 per hour.

PT Key Grip / Gaff - HSC102

Pace University

Manhattan, NY • On-site

Part-time

Posted 18 days ago

Job description

The Sands College of Performing Arts at Pace University is seeking a dynamic and experienced technician to serve as the Part-time Key Grip/Gaff. The part-time Key Grip/Gaff supports the film projects for the BFA of Acting for Film and Media (AFaM) program.

Position Duties

  • Maintenance and operation of all the Sands electrical and non-electrical film equipment.
  • Manage the inventory and keep track of all gaff/grip equipment through prep, shoot, gear wrap, and inventory of each AFaM film project.
  • Collaborate with the Sands production staff and faculty on implementing the AFaM film projects.
  • Execute the Director of Photography's plan for camera and lighting while on film shoots.
  • Ensure all G&E gear is in excellent working condition and ready for each film project shoot.
  • Provide support rigs to the Camera Operator, if needed, setting up rigs to assist camera movements (i.e. dana dolly), handling the rigging gear to ensure the camera remains stable and steady on the rig.
  • Supervise the student G&E crew on each project and provide guidance and feedback to promote academic success.
  • Responsible for on-set safety of G&E gear, as well as instructing student labor and other technical staff as needed.
  • Supervise, mentor, and train the student labor as well as student designers on how to prepare and work with professional film technicians, as needed.
  • Performs other such duties as may be assigned from time to time.

Position Qualifications

  • BS/BA/BFA and 2-3 years of experience in technical or film production related field or equivalent experience; without the degree, 5 years of experience may be considered.
  • Ability to lift, carry and move up to 50 pounds of equipment, up and down stairs in varied lighting conditions.
  • Ability to sit/stand for long periods of time, and bend, stoop or kneel in execution of duties as assigned.
  • Ability to safely operate and maintain film equipment and tools.
  • Valid Driver's License: ability to drive a 14' box truck and cargo van are preferred.
  • The ideal individual will have a strong drive to provide high-quality work, the ability to exercise good judgement in a variety of situations.
  • Possess strong written and verbal communication, organizational skills and the ability to work as a part of a team.
  • Ability to manage time and productivity effectively.
  • Ability to multitask and achieve tight deadlines.
  • Experience with electrical and grip film equipment, as well as knowledge of camera equipment and digital film processing knowledge.
  • Experience with managing film gear cage, keeping track of maintenance tasks, and inventorying.
  • Experience working with and leading film crew.
  • Ability to work both independently and collaboratively with members of the production department, including student labor and designers.
  • Ability to work well under pressure and respond calmly, with curiosity and efficiency to notes generated during the production and film shoot process.
  • Ability to work in an environment with adapting priorities based on the needs of the film production, while maintaining a spirit of creative thinking and problem-solving.
  • Proficiency in Microsoft Office applications.
  • Team player that requires minimal guidance to accomplish tasks that involve instructing, coaching, demonstrating, supervising, and working alongside students of various experience levels to teach them necessary technical skills.

Work Hours

Exact hours are based on the production schedule and needs for each production. Maximum of 20 hours per week. Schedule is made and agreed upon prior to the start of each semester. Some weekend and evening hours are required.

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About Pace University

Sourced by ZipRecruiter

Pace has always prioritized student success. A century ago, that meant propelling people to new highs in practical business careers. Our educational model is still real-world—but today Pace offers unbeatable opportunity to ambitious students at every level, in dozens of disciplines, and on three campuses. Ranked in the top 9% of private US colleges that provide the best return on tuition investment, Pace University transforms the lives of its diverse students—academically, professionally, and socioeconomically. We are at the forefront of creating opportunity and that mission is expressed in our motto: Opportunitas.

Industry

Colleges, universities, and professional schools

Company size

1,001 - 5,000 Employees

Headquarters location

New York, NY, US

Year founded

1906

Social media

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