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Director Music Streaming Jobs (NOW HIRING)

Podcasting, the fastest-growing new media, today has more monthly users than streaming music ... What We Need: The Director of Digital Sales leads our efforts to build and sell highimpact ...

$160 - $200/hr

## Director of Accounting & FinanceApplyremote type: Hybrid Positionlocations: White Plains, NY: One ... Podcasting, the fastest-growing new media, today has more monthly users than streaming music ...

Podcasting, the fastest-growing new media, today has more monthly users than streaming music ... What We Need: The Director of Digital Sales leads our efforts to build and sell highimpact ...

Podcasting, the fastest-growing new media, today has more monthly users than streaming music ... The Director will lead a small global finance and accounting team, overseeing the financial ...

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Director Music Streaming information

See salary details

$12.5K

$48.1K

$77.5K

How much do director music streaming jobs pay per year?

As of Sep 6, 2026, the average yearly pay for director music streaming in the United States is $48,107.00, according to ZipRecruiter salary data. Most workers in this role earn between $42,500.00 and $58,000.00 per year, depending on experience, location, and employer.

What does a director of music streaming do?

A Director of Music Streaming oversees the strategy and operations of a company's music streaming service. They are responsible for managing licensing agreements, curating content, leading partnerships, and analyzing user data to improve engagement and growth. This role often involves collaborating with artists, labels, and technology teams to enhance the user experience and ensure the service remains competitive. Directors also keep up with trends in the music industry and streaming technologies to guide the company's long-term vision.

How does a director of music streaming typically collaborate with artists and record labels to curate content?

A Director of Music Streaming works closely with artists, record labels, and content partners to secure exclusive releases, curate playlists, and develop promotional strategies that align with the platform's audience. This role often involves negotiating licensing agreements, managing relationships, and staying ahead of music trends to ensure a diverse and engaging catalog. Regular communication with industry stakeholders is essential to foster partnerships, resolve challenges, and deliver innovative content experiences for users.

What are the key skills and qualifications needed to thrive as a director of music streaming, and why are they important?

To thrive as a Director of Music Streaming, you need deep industry knowledge, strategic leadership experience, and a proven track record in digital media or music platforms, often supported by a relevant degree. Familiarity with analytics platforms, content management systems, and licensing frameworks is crucial, along with understanding digital marketing and streaming technologies. Exceptional negotiation, communication, and team leadership skills help foster partnerships and drive innovative initiatives. These skills ensure the ability to navigate the fast-evolving streaming landscape, maximize audience engagement, and achieve business growth.

What is the difference between Director Music Streaming vs Music Licensing Manager?

AspectDirector Music StreamingMusic Licensing Manager
Required CredentialsBachelor's degree in music, media, or related field; experience in digital mediaBachelor's degree in law, music business, or related; knowledge of licensing laws
Work EnvironmentTech companies, streaming platforms, media firmsMusic publishers, record labels, licensing agencies
Industry UsageOversees streaming content, platform partnershipsHandles licensing agreements, rights management
Common Search/ComparisonYesYes

The main difference is that a Director Music Streaming focuses on managing streaming platform strategies and partnerships, while a Music Licensing Manager handles licensing agreements and rights management. Both roles require knowledge of music industry regulations and digital media, but their core responsibilities differ in scope and focus.

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What cities are hiring for Director Music Streaming jobs?

Cities with the most Director Music Streaming job openings:

What are the most commonly searched types of Music Streaming jobs?

The most popular types of Music Streaming jobs are:

What states have the most Director Music Streaming jobs?

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What job categories do people searching Director Music Streaming jobs look for?

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Infographic showing various Director Music Streaming job openings in the United States as of August 2026, with employment types broken down into 1% As Needed, 85% Full Time, 12% Part Time, 1% Temporary, and 1% Contract. Highlights an 91% Physical, 3% Hybrid, and 6% Remote job distribution, with an average salary of $48,107 per year, or $23.1 per hour.

Associate Director, Alternative Programming

SAN-Francisco-Symphony

San Francisco, CA โ€ข On-site

$105 - $118/hr

Other

Posted 23 days ago


Job description

Associate Director, Alternative ProgrammingArtistic OperationsArtistic PlanningWork Status:Full TimeFLSA Status:ExemptLocation of Job:Davies Symphony HallSan Francisco, CASalary:Pay Grade F$105,139.00 - 118,282.00Schedule:HybridRegular Hours:9 am-5 pm; regularevenings and weekendsReports To:Senior Director, ArtisticPlanningSupervisory:NoTHE ORGANIZATIONThe San Francisco Symphony is among the most adventurous and innovative arts institutions in the United States, celebrated for its artistic excellence, creative performance concepts, award-winning recordings, and standard-setting education and community engagement programs. Since it was established in 1911, the Symphony has grown in acclaim under a succession of distinguished music directors: Henry Hadley, Alfred Hertz, Basil Cameron, Issay Dobrowen, Pierre Monteux, Enrique Jordรก, Josef Krips, Seiji Ozawa, Edo de Waart, Herbert Blomstedt, Michael Tilson Thomas, and Esa-Pekka Salonen.The San Francisco Symphony presents more than 200 concerts and presentations annually for an audience of nearly 350,000 in its home of Davies Symphony Hall and around the Bay Area. A cornerstone of its mission, the San Francisco Symphony provides some of the most extensive education and community programs offered by any American orchestra. The Symphonyโ€™s free music education experiences engage students in grades 1โ€“12 throughout the San Francisco Unified School District (SFUSD), serving more than 25,000 students annually.In 2001, the SF Symphony became the first American orchestra to launch its own in-house record label SFS Media. Recorded live in concert and engineered at Davies Symphony Hall, SFS Media recordings showcase music by contemporary composers as well as core classical masterworks. San Francisco Symphony radio broadcasts, the first in the nation to feature symphonic music when they began in 1926, today carry the Orchestraโ€™s concerts across the country. In 2004, the SF Symphony launched the groundbreaking multimedia Keeping Score series on PBS-TV and the web; the series was made available for unlimited free streaming on the Symphonyโ€™s YouTube channel in 2020. In 2014, the San Francisco Symphony inaugurated SoundBox, an experimental and eclectic live music series, which takes place in an alternative performance space located backstage at Davies Symphony Hall. In 2023, the San Francisco Symphony partnered with Apple for the launch of a new classical music streaming app, Apple Music Classical, and has since released 15 spatial audio recordings of live concert performances through the app. For its adventurous programming, the Symphony has been honored 19 times by the American Society of Composers, Authors and Publishers, and the Symphonyโ€™s recordings have garnered Franceโ€™s Grand Prix du Disque and Britainโ€™s Gramophone Award, as well as 17 Grammy Awards.JOB SUMMARYThe Associate Director, Alternative Programming is a key member of the Artistic Planning team developing the San Francisco Symphonyโ€™s alternative programming portfolio, with a focus on creating exciting and memorable concert experiences, uniting audiences and artists together around our art form, and leveraging the flexibility and collaborative nature of orchestral music to create engaging experiences that resonate with our community. The Associate Director, Alternative Programming has primary responsibility for non-classical programming including Summer, Holiday, Film, select special events, and any added pops, presentations, and other alternative programming.The Associate Director, Alternative Programming is also responsible for exploring ways to expand the kinds of content offered by the Symphony, seeking to generate revenue through presentations, co-presentations, and alternative programs that bring new audiences to the SF Symphony. In addition, this role works with other departments in the organization to pursue new relationships and collaborations outside of Davies Symphony Hall that will connect us to a different audience and generate revenue.This position plays a key role in the Symphonyโ€™s audience development efforts through collaborating closely with other teams in the organization to understand patron preferences and to ensure that the Symphonyโ€™s content and season arcs are compelling for Bay Area audiences.ESSENTIAL FUNCTIONS & RESPONSIBILITIESArtistic Planning:Program and engage artists for Holiday concerts.Program and engage artists for all non-classical Summer concerts.Program and engage artists for Film Series and Film Singles.Program and engage artists for special events as assigned.Program and engage artists for all added pops, presentations, and alternative programming.Explore and research expanded content for the Symphony to present, such as comedy, speakers, and other alternative programming.Explore and develop co-promotional relationships with other organizations.Pursue collaborations both inside and outside Davies Symphony Hall that connect the Symphony to different audiences.Administrative and Other:Develop systems and processes for effective collaboration with the Marketing team, including creating and maintaining repositories of potential program ideas, compiling comprehensive and data-driven artist and program pitches, and instating and following a cyclical calendar of regular touchpoints on various series.Work collaboratively with the Operations and Finance teams to plan concerts that fit within the Symphonyโ€™s operational and financial constraints.Provide detailed engagement summaries for each program to artist management and relevant SF Symphony Artistic Planning colleagues to support the contracting process and the coordination of all logistical details related to guest artists.Review contracts as requested by Artistic Planning Department Manager.Maintain awareness of logistical details managed by Artist Services Coordinator and/or Artistic Planning Assistant for guest artists for Holiday, Summer, Film, Special Events, Presentations and Chorus concert, and provide support as reasonably requested.Issue program updates for Holiday, Summer, Film, special events, and all other added non-classical programs.Manage ArtsVision data entry for Holiday, Summer, Film, special events, and all other added non-classical programs. Submit Early Programming Tool and strawman requests for any necessary programs, and collaborate with Artistic Planning Department Manager on strawmen, budgets, and projections as necessary.Proof content for Holiday, Summer, Film, special events, all other added non-classical contracts, and any other programming as necessary.Serve as part of concert duty rotation.MINIMUM QUALIFICATIONS:5-7 yearsโ€™ experience working in a performing arts organization, preferably with a musical or orchestral background.General knowledge of popular performing artists, bands and films.Excellent working relationships with artists and managers.Proven negotiation skills across a variety of types of programs, artists, and industries.Ability to think innovatively about the practice of artistic planning, and to take a collaborative approach that reflects varied priorities and strategies.Commitment to diversifying repertoire and artists from underrepresented minorities.Formal education in music preferred.Excellent computer skills, including Microsoft Word, Excel, Access and PowerPoint.Excellent communication skills, both written and verbal.Ability to professionally and diplomatically communicate and interact with a wide variety of internal and external stakeholders.Ability to collaborate effectively in a team environment.Strong situational awareness; able to work discreetly, independently and display good judgment in dealing with diverse personalities and potentially difficult situations.Valid driverโ€™s license preferred and satisfactory results of a complete background investigation.Must be available to regularly work flexible hours, particularly weekends and evenings in accordance with production, rehearsal and concert schedules.SUPERVISORY RESPONSIBILITIESNoneWORKING RELATIONSHIPSThe internal and external constituents with whom this position most frequently interacts include:Artistic Operations departmentMarketing and Finance departmentsGuest artists and their managers and agentsOrchestra musiciansEEO STATEMENTIn alignment with the values statement above, the San Francisco Symphony is committed to providing an environment of mutual respect where equal employment opportunities are available to all applicants and employees without regard to race, color, religion, sex, pregnancy (including childbirth, lactation and related medical conditions), national origin, age, physical and mental disability, marital status, sexual orientation, gender identity, gender expression, genetic information (including characteristics and testing), military and veteran status, and any other characteristic protected by applicable law. #J-18808-Ljbffr