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Day A1 Audio Engineer Jobs (NOW HIRING)

Apple

Audio Experience Engineer

Cupertino, CA · On-site

$147K - $220K/yr

Description As an Audio Experience Engineer on the Audio Products User Experience and Prototyping ... Day-to-day responsibilities may include software development, acoustic lab measurements, and ...

Apple

Core Audio System Software Engineer

Cupertino, CA · On-site

$181K - $318K/yr

Every day, bold ideas become extraordinary products, services, and customer experiences faster than ... audio experience. You will solve complex engineering challenges, develop new features and ...

Bethel University

Events Audio Technician

Saint Paul, MN · On-site

$23/hr

Lead audio engineering for campus ministries and major performing arts events. * 20% Systems ... Because our events schedule spans days, nights, and weekends, success in this role depends on being ...

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All JobsDay A1 Audio Engineer Jobs

Day A1 Audio Engineer information

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$84.5K

$171.5K

How much do day a1 audio engineer jobs pay per year?

As of Jun 13, 2026, the average yearly pay for day a1 audio engineer in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What does a Day A1 Audio Engineer do?

A Day A1 Audio Engineer is the lead audio technician responsible for managing all aspects of sound during a live event or broadcast, typically during the day shift. They oversee the setup, operation, and troubleshooting of audio equipment, ensure clear sound quality, and coordinate with other technical staff and talent. The A1 often mixes live audio, manages wireless microphones, and monitors audio feeds to ensure optimal performance throughout the event. Their role is critical in delivering high-quality sound for both in-person and broadcast audiences.

What is the difference between Day A1 Audio Engineer vs Day A2 Audio Technician?

AspectDay A1 Audio EngineerDay A2 Audio Technician
CredentialsTypically requires a degree or certification in audio engineering or related fieldOften requires technical training or certification, but less formal education
Work EnvironmentWorks on live events, studio recordings, and broadcast setupsSupports audio setup, maintenance, and troubleshooting during events or recordings
Industry UsageCommonly employed in live sound, broadcasting, and recording studiosFrequently found in event production, touring, and broadcast support roles

The Day A1 Audio Engineer focuses on designing, mixing, and managing audio for live and studio productions, requiring advanced skills and certifications. In contrast, the Day A2 Audio Technician primarily supports audio setup and maintenance tasks, often with less formal education. Both roles are essential in the audio industry but differ in responsibilities and expertise level.

What are the key skills and qualifications needed to thrive as a Day A1 Audio Engineer, and why are they important?

To excel as a Day A1 Audio Engineer, you'll need deep knowledge of audio signal flow, mixing techniques, and live sound reinforcement, often supported by a degree in audio engineering or related experience. Familiarity with digital audio consoles, wireless microphone systems, intercom setups, and software like Pro Tools or QLab is commonly required. Strong communication, problem-solving abilities, and the capacity to work calmly under pressure are standout soft skills in this role. These competencies are crucial for delivering clear, reliable audio and ensuring seamless live event productions.

What are some common challenges faced by Day A1 Audio Engineers during live events, and how can they be addressed?

Day A1 Audio Engineers often encounter challenges such as last-minute schedule changes, unforeseen technical issues with equipment, and adapting to different venue acoustics. To manage these effectively, it’s important to have strong troubleshooting skills, maintain clear communication with production teams, and stay adaptable to shifting priorities. Preparing detailed checklists, conducting thorough sound checks, and building solid relationships with A2s, stage managers, and talent can help ensure smooth operations even under tight timelines.
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Day A1 Audio Engineer jobs near you
Audio Production Tech

Audio Production Tech

Trinity Church & School

Lubbock, TX

Full-time

Posted 23 days ago

Job description

Summary: The Audio Production Tech will manage and coordinate all audio and sound reinforcement needs at Trinity as well as collaborate with the Technical Department on all Audio, Video and Lighting needs.
ESSENTIAL DUTIES AND RESPONSIBILITIES:
  • Manage AVL Production for Worship Services and Special Events:
  • Maintain all AVL equipment relating to Trinity.
  • Serve as the primary FOH Audio Engineer for weekend services, rehearsals, Midweek, and special events.
  • Schedule both staff and volunteer coverage for all Worship Services and Special Events.
  • Design, integrate, and operate various sound systems for special events.
  • Aid in the design, planning, and installation for system upgrades and enhancements in various venues.
  • Work with the Technical Director and the Worship amp; Creative Arts Department to produce all technical elements for service production to include stage layouts, microphone/instrument needs, etc.
  • Oversee the building of all weekend service elements (ProPresenter files, Video switcher configurations, Live Streaming Apps, etc.)
Recruit and Lead an Audio Volunteer Team:
  • Lead/train audio engineers on the FOH, Monitor, and A/V sound consoles and equipment.
  • Train, lead, and direct a volunteer team for maximum impact.
  • Provide coaching and feedback for team members for continuous improvement.
  • Create an atmosphere of community for the Technical Department.
General:
  • Attend all required meetings (Chapel, Technical Team, Ministry Teams, etc.)
  • Recruit and train volunteers to assist in the Technical Department.
  • Aid in planning and installing for system upgrades and enhancements.
  • Help maintain proper supplies.
  • Ensure multi-media delivered is of high technical quality.
  • Assist in coordinating work of technical personnel engaged in controlling and maintaining multi-media equipment.
  • Be willing to cover additional responsibilities deemed as necessary for fulfilling the requirements of this position.
QUALIFICATIONS: Some college preferred in related field such as Live Sound and/or Audio Engineering. Experience with Midas Pro series consoles and coordinating hardware equipment, Yamaha CL and LS series consoles, Shure PSM/UHF/UHFR/ULXD, Dante, Meyer Sound RMS, and BSS Soundweb London. Cutting edge knowledge of multimedia operations to include intelligent light programming, audio for video/broadcast, click tracks/loop track use, in ear monitors, and multi-campus audio/video systems engineering. Proven people, organizational and administrative skills. High level of interpersonal skills/communication. Ability to adjust and adapt quickly to a changing environment.
  • Affirms that Scripture defines the roles of male and female and Romans 1:21-27; Romans 1:24-32 condemns the homosexual lifestyle. (1 Cor. 6:9-20; Eph 4:1-11, 5:3-5)
  • Must be a Member of Trinity Church or willing to become a member
REQUIREMENTS:
  • 3-5 years of live audio production and crew management.
  • Expert knowledge of live event/broadcast audio systems.
  • Must be available to work weekends.
  • Week days worked may vary

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