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Contract A1 Audio Engineer Jobs (NOW HIRING)

INSPIRE

Audio Engineer (A1)

Colorado Springs, CO · On-site

We are seeking an Audio Engineer (A1) for The Broadmoor in Colorado Springs, CO. The Audio Engineer is responsible for the daily hotel audiovisual operations within the Audio Department. The position ...

INSPIRE

Audio Engineer (A1)

Colorado Springs, CO

We are seeking an Audio Engineer (A1) for The Broadmoor in Colorado Springs, CO. The Audio Engineer is responsible for the daily hotel audiovisual operations within the Audio Department. The position ...

Inspire Solutions

Audio Engineer (A1)

Colorado Springs, CO · On-site

$75 - $82/hr

We are seeking an Audio Engineer (A1) for The Broadmoor in Colorado Springs, CO. The Audio Engineer is responsible for the daily hotel audiovisual operations within the Audio Department. The position ...

New

(EDO) Entertainment Data Oracle, Inc.

$55 - $75/hr

Serve as the A1 for assigned ADF events, designing and operating the audio system - front of house ... Serve as the primary audio engineer for ADF's Arizona studio and media hit studio, setting up and ...

New

System One

Audio Engineer (A1)

Chicago, IL · On-site

... audio frequency programming and management Dante IP audio networking configuration and audio signal flow Regularly update studio SOPs with latest processes and procedures Programming Elgato Stream ...

System One

Audio Engineer (A1)

Chicago, IL · On-site

... audio frequency programming and management Dante IP audio networking configuration and audio signal flow Regularly update studio SOPs with latest processes and procedures Programming Elgato Stream ...

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Contract A1 Audio Engineer information

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$99

How much do contract a1 audio engineer jobs pay per hour?

As of Sep 4, 2026, the average hourly pay for contract a1 audio engineer in the United States is $48.93, according to ZipRecruiter salary data. Most workers in this role earn between $41.11 and $50.72 per hour, depending on experience, location, and employer.

What is a contract A1 audio engineer?

Contract A1 Audio Engineers are audio professionals hired on a contractual basis to oversee and manage all aspects of live or recorded sound for events, broadcasts, or productions. The 'A1' designation signifies the lead audio engineer, responsible for mixing audio, setting up equipment, and ensuring optimal sound quality. They often work with a team, troubleshoot technical issues, and collaborate closely with directors and other crew members. Their expertise is essential for delivering clear and balanced audio experiences in various settings.

What are the key skills and qualifications needed to thrive as a contract A1 audio engineer?

To thrive as a Contract A1 Audio Engineer, you need in-depth knowledge of audio mixing, signal flow, and live sound reinforcement, often supported by experience with major broadcast or live event productions. Familiarity with digital and analog mixing consoles, wireless microphone systems, and audio networking platforms like Dante is typically required, and certifications such as AVIXA CTS can be advantageous. Strong problem-solving abilities, attention to detail, and effective communication skills help an A1 engineer collaborate with production teams and quickly address technical challenges. These competencies ensure high-quality sound delivery, smooth live event execution, and client satisfaction in demanding environments.

What are the main challenges contract A1 audio engineers face when working with live event teams?

Contract A1 Audio Engineers often work in fast-paced environments where they must quickly adapt to changes, such as last-minute program adjustments or unexpected technical issues. Collaborating with different teams—including production managers, A2s, and broadcast staff—requires excellent communication and problem-solving skills. Since each event can bring a unique venue and setup, anticipating and addressing acoustic challenges on the fly is a common part of the role. Flexibility and the ability to remain calm under pressure are key to ensuring seamless audio delivery.

What is the difference between Contract A1 Audio Engineer vs Contract B1 Audio Technician?

AspectContract A1 Audio EngineerContract B1 Audio Technician
CredentialsTypically requires a degree in audio engineering or related certificationOften requires technical training or certification, but less formal education
Work EnvironmentWorks on recording, mixing, and mastering in studios or live eventsHandles setup, maintenance, and basic troubleshooting in live or studio settings
Industry UsageCommonly employed in music, film, and broadcast industriesFrequent in live events, broadcasting, and venue setups

Contract A1 Audio Engineers focus on complex audio production tasks like recording and mixing, requiring specialized skills and certifications. In contrast, Contract B1 Audio Technicians handle technical support, setup, and maintenance. Both roles are essential in audio production but differ in responsibilities and expertise levels.

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Contract A1 Audio Engineer jobs near you
Infographic showing various Contract A1 Audio Engineer job openings in the United States as of August 2026, with employment types broken down into 93% Full Time, 3% Part Time, and 4% Contract. Highlights an 86% Physical, 5% Hybrid, and 9% Remote job distribution, with an average salary of $101,781 per year, or $48.9 per hour.

Audio Engineer (A1)

Community Bible Church

San Antonio, TX • On-site

Full-time

Re-posted 20 days ago

Job description

JOB SUMMARY
The Audio Engineer (A1) is responsible for delivering world-class audio experiences for both in-room and broadcast environments across all CBC campuses, services, conferences, and special events.
This role combines advanced live mixing, systems engineering, immersive audio technologies, broadcast integration, and technical leadership to create distraction-free worship experiences that
support ministry at the highest level. The ideal candidate understands that audio is more than technical execution - it is emotional support, clarity, atmosphere, storytelling, and leadership through sound.
This position requires a highly skilled engineer who thrives in fast-paced live production environments while maintaining excellence in preparation, communication, adaptability, and servant leadership. The Audio Engineer will work closely with worship leaders, production staff, volunteers, and creative teams to help deliver consistent and engaging experiences both in-room and online.
ESSENTIAL FUNCTIONS
Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.
  • Serve as lead A1 for weekend worship services, conferences, broadcasts, and special events
  • Mix high-level FOH, monitor, overflow, and broadcast audio environments
  • Deliver polished, balanced, and emotionally engaging mixes for:
  • In-room worship experiences
  • Online streaming audiences
  • Satellite campuses
  • Broadcast environments
  • Recording and archive playback
  • Overflow environments
  • Operate Yamaha Rivage and Yamaha DM7 console ecosystems across multiple production environments including:
  • Main Worship Center
  • Overflow venues
  • Monitor World
  • Broadcast environments
  • Build and maintain console show files, scenes, routing structures, macros, and workflows
  • Execute dynamic live mixes while adapting quickly to spontaneous service flow changes
  • Collaborate closely with worship leaders, pastors, broadcast teams, and production leadership to support ministry moments with intentional excellence
  • Maintain sonic consistency across multiple venues and campus environments
  • Mix and optimize audio specifically for online and broadcast environments
  • Understand the operational and creative differences between FOH and broadcast mixing
  • Manage vocal intelligibility, tonal balance, dynamics, and loudness consistency across streaming platforms
  • Collaborate with video engineering and broadcast teams to maintain synchronization and minimize latency issues
  • Understand audio-for-video workflows including:
  • Embedded SDI audio
  • Dante network audio systems
  • Multitrack recording
  • Playback systems
  • Lip sync management
  • Streaming signal paths
  • Help create immersive worship experiences for In room/online audiences
  • Operate, maintain, and troubleshoot advanced live audio systems including:
  • Yamaha Rivage console ecosystems
  • Yamaha DM7 console ecosystems
  • d&b Audiotechnik PA systems
  • d&b Soundscape immersive audio environments
  • Shure wireless microphone systems
  • Dante audio networking
  • RF coordination systems
  • Playback and recording systems
  • Configure and maintain Dante audio infrastructure and routing workflows across multiple venues
  • Coordinate wireless frequencies and RF environments for large-scale productions
  • Assist with PA optimization, gain structure management, and system tuning workflows
  • Troubleshoot complex signal flow and technical issues under live-event pressure
  • Maintain organized documentation including:
  • Patch sheets
  • Signal flow diagrams
  • System configurations
  • Equipment status reports
  • Ensure systems remain operationally reliable and service-ready
  • Record, edit, mix, and master audio for:
  • Video productions
  • Promotional content
  • Broadcast packages
  • Podcasts
  • Worship recordings
  • Support multitrack recording workflows and playback systems
  • Maintain organized session archives and audio assets
  • Assist in developing scalable playback and recording workflows for future production growth
  • Support guest artists, conferences, and special production environments with advanced preparation and execution
  • Serve as technical lead for smaller ministry events and gatherings
  • Adapt quickly between FOH, monitors, broadcast mixing, systems engineering, and production support roles
  • Cross-train in lighting, broadcast, and video systems to support overall production excellence
  • Help train and develop Audio All-Stars (volunteers) within CBC production culture and standards
  • Maintain calm, organized, and solutions-focused environments during high-pressure productions

COMPETENCIES
  • Strong attention to detail with exceptional listening skills
  • Calm and composed under live-event pressure
  • Highly organized and solutions-oriented
  • Team-focused with strong interpersonal communication skills
  • Self-motivated learner with a growth mindset
  • Reliable, punctual, and highly accountable
  • Passionate about excellence in both ministry and production environments
  • Adaptable and flexible within rapidly changing live-event environments

POSITION TYPE/EXPECTED HOURS OF WORK
Regular full-time, 36-40 hours per week. Weekend services and special events are required as part of scheduled responsibilities. Must work flexible hours including evenings and conferences.
PHYSICAL REQUIREMENTS
While performing the duties of this job, the employee may be regularly required to do the following:
  • Work extended periods on your feet in active live production environments, often during long services, rehearsals, and events.
  • Lifting, carrying, and setting up audio and production equipment weighing up to 50 lbs
  • Navigating stages, platforms, and technical areas

EDUCATION AND EXPERIENCE
  • High School Diploma or equivalent required
  • 3+ years of live audio production experience preferred
  • Experience in church, touring, concert, or broadcast production environments strongly preferred
  • Relevant certifications or advanced live audio training considered a plus

REQUIRED SKILLS
  • Strong experience with professional digital audio consoles in live production environments
  • Experience operating Yamaha Rivage and Yamaha DM7 systems preferred
  • Advanced understanding of:
  • FOH mixing
  • Broadcast mixing
  • Monitor engineering
  • EQ and dynamics processing
  • Gain structure
  • Signal flow
  • System optimization
  • Experience with Shure wireless systems and RF coordination
  • Understanding of Dante audio networking and digital audio infrastructure
  • Strong troubleshooting skills in high-pressure live production environments
  • Strong musical ear with understanding of dynamics, arrangement, frequency balance, and worship aesthetics

PREFERRED QUALIFICATIONS
  • Experience with d&b audiotechnik systems
  • Experience with d&b Soundscape immersive audio environments
  • Experience in large church, touring, concert, or broadcast production environments
  • Familiarity with Waves plugins, playback systems, multitrack recording, and audio postproduction workflows
  • Understanding of synchronization, latency management, and broadcast integration
  • Experience mentoring volunteers or technical team members
  • Familiarity with lighting and broadcast production systems

WORK ENVIRONMENT
Live production environments with high sound pressure levels
OTHER DUTIES
  • Must exemplify The CBC Way of Honor, Hospitality, Hustle, High Capacity, and Humility
  • Communicate proactively and professionally with production staff, worship teams, volunteers, and ministry leaders
  • Lead by preparation, professionalism, positivity, and adaptability
  • Support continuous improvement of CBC systems, workflows, and team development
  • Uphold the belief that production should support worship experiences without becoming distracting
  • CBC Member, genuine desire to serve God and the Church
  • Must live a life beyond reproach 1 Timothy 3
  • Maintain daily disciplines of Bible study and prayer

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