1

Hourly A1 Audio Engineer Jobs (NOW HIRING)

Audio Engineer

Anaheim, CA · On-site

$38 - $44/hr

The actual hourly rate offered will take internal value, peer equity, job-related factors, and ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events

Audio Engineer

Anaheim, CA · On-site

$38 - $44/hr

The actual hourly rate offered will take internal value, peer equity, job-related factors, and ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events

Audio Engineer

Anaheim, CA · On-site

$38 - $44/hr

The actual hourly rate offered will take internal value, peer equity, job-related factors, and ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events

Audio Engineer

Anaheim, CA · On-site

$38 - $44/hr

The actual hourly rate offered will take internal value, peer equity, job-related factors, and ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events

Audio Engineer

Anaheim, CA · On-site

$38 - $44/hr

The actual hourly rate offered will take internal value, peer equity, job-related factors, and ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events

Audio Engineer

Pittsburgh, PA · On-site

$21.64 - $24/hr

Proven expertise as an advanced A1 in live event production, with a strong track record in various ... That's why we include salary ranges or hourly pay expectations in all our postings, no guesswork ...

Audio Engineer

Pittsburgh, PA · On-site

$21.64 - $24/hr

Proven expertise as an advanced A1 in live event production, with a strong track record in various ... That's why we include salary ranges or hourly pay expectations in all our postings, no guesswork ...

next page

Showing results 1-20

Hourly A1 Audio Engineer information

See salary details

$29.5K

$84.5K

$171.5K

How much do hourly a1 audio engineer jobs pay per year?

As of Jun 17, 2026, the average yearly pay for hourly a1 audio engineer in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What is an Hourly A1 Audio Engineer?

An Hourly A1 Audio Engineer is a professional responsible for managing and operating the main audio mix for live events, broadcasts, or productions on an hourly basis. Their duties include setting up audio equipment, mixing sound for live performances, and ensuring high-quality audio output throughout the event. The 'A1' designation indicates they are the lead audio engineer, often supervising assistants (A2s) and collaborating closely with other technical staff. This role requires a strong understanding of audio technology, acoustics, and live event workflows. Hourly A1 Audio Engineers are typically hired per event or per hour, rather than as full-time staff.

What are the key skills and qualifications needed to thrive as an Hourly A1 Audio Engineer, and why are they important?

To thrive as an Hourly A1 Audio Engineer, you need deep knowledge of audio signal flow, mixing consoles, and live sound reinforcement, often supported by a degree in audio engineering or equivalent experience. Familiarity with digital audio consoles (such as Yamaha, Avid, or DiGiCo), wireless microphone coordination, and industry-standard software like Dante or QLab is crucial. Strong communication, problem-solving skills, and the ability to work calmly under pressure are essential soft skills for managing live events and collaborating with production teams. These skills ensure high-quality audio delivery, quick troubleshooting, and seamless teamwork in dynamic production environments.

What is the difference between Hourly A1 Audio Engineer vs Freelance Audio Technician?

AspectHourly A1 Audio EngineerFreelance Audio Technician
CredentialsAudio engineering certifications, technical trainingVaries; often self-taught or short courses
Work EnvironmentRecording studios, live events, broadcast facilitiesEvent venues, touring, studio setups
Employer & Industry UsageMusic, film, TV, live eventsConcerts, corporate events, film shoots

Hourly A1 Audio Engineers typically have formal certifications and work in professional studio or broadcast environments, focusing on sound mixing and technical setup. Freelance Audio Technicians often operate independently across various event types with diverse skill levels. While both roles involve audio setup and troubleshooting, the A1 Audio Engineer usually works within structured organizations, whereas Freelance Audio Technicians have more flexible, project-based work.

What are some common challenges faced by Hourly A1 Audio Engineers during live events?

Hourly A1 Audio Engineers often encounter challenges such as last-minute equipment changes, managing unexpected technical issues, and adapting to different venue acoustics. They must stay calm under pressure, especially when troubleshooting audio problems in real time during live broadcasts or events. Effective communication and collaboration with production teams, performers, and other technical staff are essential to ensure smooth operation and high-quality sound. Flexibility and problem-solving skills are key, as each event can present unique audio requirements and constraints.
What cities are hiring for Hourly A1 Audio Engineer jobs? Cities with the most Hourly A1 Audio Engineer job openings:
What are the most commonly searched types of A1 Audio Engineer jobs? The most popular types of A1 Audio Engineer jobs are:
What states have the most Hourly A1 Audio Engineer jobs? States with the most job openings for Hourly A1 Audio Engineer jobs include:

Full-time

Posted yesterday


Job description

JOB SUMMARY


The Audio Engineer (A1) is responsible for delivering world-class audio experiences for both in-room and broadcast environments across all CBC campuses, services, conferences, and special events.


This role combines advanced live mixing, systems engineering, immersive audio technologies, broadcast integration, and technical leadership to create distraction-free worship experiences that

support ministry at the highest level. The ideal candidate understands that audio is more than technical execution - it is emotional support, clarity, atmosphere, storytelling, and leadership through sound.


This position requires a highly skilled engineer who thrives in fast-paced live production environments while maintaining excellence in preparation, communication, adaptability, and servant leadership. The Audio Engineer will work closely with worship leaders, production staff, volunteers, and creative teams to help deliver consistent and engaging experiences both in-room and online.


ESSENTIAL FUNCTIONS


Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.


  • Serve as lead A1 for weekend worship services, conferences, broadcasts, and special events

  • Mix high-level FOH, monitor, overflow, and broadcast audio environments

  • Deliver polished, balanced, and emotionally engaging mixes for:

  •  In-room worship experiences

  • Online streaming audiences

  • Satellite campuses

  • Broadcast environments

  • Recording and archive playback

  • Overflow environments

  • Operate Yamaha Rivage and Yamaha DM7 console ecosystems across multiple production environments including:

  • Main Worship Center

  • Overflow venues

  • Monitor World

  • Broadcast environments

  • Build and maintain console show files, scenes, routing structures, macros, and workflows

  • Execute dynamic live mixes while adapting quickly to spontaneous service flow changes

  • Collaborate closely with worship leaders, pastors, broadcast teams, and production leadership to support ministry moments with intentional excellence

  • Maintain sonic consistency across multiple venues and campus environments

  • Mix and optimize audio specifically for online and broadcast environments

  • Understand the operational and creative differences between FOH and broadcast mixing

  • Manage vocal intelligibility, tonal balance, dynamics, and loudness consistency across streaming platforms

  • Collaborate with video engineering and broadcast teams to maintain synchronization and minimize latency issues

  • Understand audio-for-video workflows including:

  • Embedded SDI audio

  • Dante network audio systems

  • Multitrack recording

  • Playback systems

  • Lip sync management

  • Streaming signal paths

  • Help create immersive worship experiences for In room/online audiences

  • Operate, maintain, and troubleshoot advanced live audio systems including:

  • Yamaha Rivage console ecosystems

  • Yamaha DM7 console ecosystems

  • d&b Audiotechnik PA systems

  • d&b Soundscape immersive audio environments

  • Shure wireless microphone systems

  • Dante audio networking

  • RF coordination systems

  • Playback and recording systems

  • Configure and maintain Dante audio infrastructure and routing workflows across multiple venues

  • Coordinate wireless frequencies and RF environments for large-scale productions

  • Assist with PA optimization, gain structure management, and system tuning workflows

  • Troubleshoot complex signal flow and technical issues under live-event pressure

  • Maintain organized documentation including:

  • Patch sheets

  • Signal flow diagrams

  • System configurations

  • Equipment status reports

  • Ensure systems remain operationally reliable and service-ready

  • Record, edit, mix, and master audio for:

  • Video productions

  • Promotional content

  • Broadcast packages

  • Podcasts

  • Worship recordings

  • Support multitrack recording workflows and playback systems

  • Maintain organized session archives and audio assets

  • Assist in developing scalable playback and recording workflows for future production growth

  • Support guest artists, conferences, and special production environments with advanced preparation and execution

  • Serve as technical lead for smaller ministry events and gatherings

  • Adapt quickly between FOH, monitors, broadcast mixing, systems engineering, and production support roles

  • Cross-train in lighting, broadcast, and video systems to support overall production excellence

  • Help train and develop Audio All-Stars (volunteers) within CBC production culture and standards

  • Maintain calm, organized, and solutions-focused environments during high-pressure productions


COMPETENCIES


  • Strong attention to detail with exceptional listening skills

  • Calm and composed under live-event pressure

  • Highly organized and solutions-oriented

  • Team-focused with strong interpersonal communication skills

  • Self-motivated learner with a growth mindset

  • Reliable, punctual, and highly accountable

  • Passionate about excellence in both ministry and production environments

  • Adaptable and flexible within rapidly changing live-event environments


POSITION TYPE/EXPECTED HOURS OF WORK


Regular full-time, 36-40 hours per week. Weekend services and special events are required as part of scheduled responsibilities. Must work flexible hours including evenings and conferences.


PHYSICAL REQUIREMENTS


While performing the duties of this job, the employee may be regularly required to do the following:


  • Work extended periods on your feet in active live production environments, often during long services, rehearsals, and events. 

  • Lifting, carrying, and setting up audio and production equipment weighing up to 50 lbs

  • Navigating stages, platforms, and technical areas


EDUCATION AND EXPERIENCE


  • High School Diploma or equivalent required

  • 3+ years of live audio production experience preferred

  • Experience in church, touring, concert, or broadcast production environments strongly preferred

  • Relevant certifications or advanced live audio training considered a plus


REQUIRED SKILLS


  • Strong experience with professional digital audio consoles in live production environments

  • Experience operating Yamaha Rivage and Yamaha DM7 systems preferred

  • Advanced understanding of:

  • FOH mixing

  • Broadcast mixing

  • Monitor engineering

  • EQ and dynamics processing

  • Gain structure

  • Signal flow

  • System optimization

  • Experience with Shure wireless systems and RF coordination

  • Understanding of Dante audio networking and digital audio infrastructure

  • Strong troubleshooting skills in high-pressure live production environments

  • Strong musical ear with understanding of dynamics, arrangement, frequency balance, and worship aesthetics


PREFERRED QUALIFICATIONS


  • Experience with d&b audiotechnik systems

  • Experience with d&b Soundscape immersive audio environments

  • Experience in large church, touring, concert, or broadcast production environments

  • Familiarity with Waves plugins, playback systems, multitrack recording, and audio postproduction workflows

  • Understanding of synchronization, latency management, and broadcast integration

  • Experience mentoring volunteers or technical team members

  • Familiarity with lighting and broadcast production systems


WORK ENVIRONMENT


Live production environments with high sound pressure levels


OTHER DUTIES


  • Must exemplify The CBC Way of Honor, Hospitality, Hustle, High Capacity, and Humility

  • Communicate proactively and professionally with production staff, worship teams, volunteers, and ministry leaders

  • Lead by preparation, professionalism, positivity, and adaptability

  • Support continuous improvement of CBC systems, workflows, and team development

  • Uphold the belief that production should support worship experiences without becoming distracting

  • CBC Member, genuine desire to serve God and the Church

  • Must live a life beyond reproach 1 Timothy 3

  • Maintain daily disciplines of Bible study and prayer

Employment Type: FULL_TIME