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Hourly A1 Audio Engineer Jobs (NOW HIRING)

Flyspace Productions LLC

Audio Engineer

Pittsburgh, PA · On-site

$21.64 - $24/hr

Proven expertise as an advanced A1 in live event production, with a strong track record in various ... That's why we include salary ranges or hourly pay expectations in all our postings, no guesswork ...

Flyspace Productions LLC

Audio Engineer

Pittsburgh, PA · On-site

$21.64 - $24/hr

Proven expertise as an advanced A1 in live event production, with a strong track record in various ... That's why we include salary ranges or hourly pay expectations in all our postings, no guesswork ...

Seattle Rep

Head Audio Engineer - Leo K

Seattle, WA

$35.63/hr

In person - Seattle Rep, 155 Mercer St FLSA Classification: Full-time, Seasonal, Hourly, Non-Exempt ... The Head Audio Engineer may also provide additional support to the other positions on the stage ...

Seattle Rep

Head Audio Engineer - Leo K

Seattle, WA · On-site

$35.63/hr

In person - Seattle Rep, 155 Mercer St FLSA Classification: Full-time, Seasonal, Hourly, Non-Exempt ... The Head Audio Engineer may also provide additional support to the other positions on the stage ...

Seattle Rep

Head Audio Engineer - Leo K

Seattle, WA

$35.63/hr

In person - Seattle Rep, 155 Mercer St FLSA Classification: Full-time, Seasonal, Hourly, Non-Exempt ... The Head Audio Engineer may also provide additional support to the other positions on the stage ...

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How much do hourly a1 audio engineer jobs pay per year?

As of Jul 15, 2026, the average yearly pay for hourly a1 audio engineer in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What is an Hourly A1 Audio Engineer?

An Hourly A1 Audio Engineer is a professional responsible for managing and operating the main audio mix for live events, broadcasts, or productions on an hourly basis. Their duties include setting up audio equipment, mixing sound for live performances, and ensuring high-quality audio output throughout the event. The 'A1' designation indicates they are the lead audio engineer, often supervising assistants (A2s) and collaborating closely with other technical staff. This role requires a strong understanding of audio technology, acoustics, and live event workflows. Hourly A1 Audio Engineers are typically hired per event or per hour, rather than as full-time staff.

What are the key skills and qualifications needed to thrive as an Hourly A1 Audio Engineer, and why are they important?

To thrive as an Hourly A1 Audio Engineer, you need deep knowledge of audio signal flow, mixing consoles, and live sound reinforcement, often supported by a degree in audio engineering or equivalent experience. Familiarity with digital audio consoles (such as Yamaha, Avid, or DiGiCo), wireless microphone coordination, and industry-standard software like Dante or QLab is crucial. Strong communication, problem-solving skills, and the ability to work calmly under pressure are essential soft skills for managing live events and collaborating with production teams. These skills ensure high-quality audio delivery, quick troubleshooting, and seamless teamwork in dynamic production environments.

What is the difference between Hourly A1 Audio Engineer vs Freelance Audio Technician?

AspectHourly A1 Audio EngineerFreelance Audio Technician
CredentialsAudio engineering certifications, technical trainingVaries; often self-taught or short courses
Work EnvironmentRecording studios, live events, broadcast facilitiesEvent venues, touring, studio setups
Employer & Industry UsageMusic, film, TV, live eventsConcerts, corporate events, film shoots

Hourly A1 Audio Engineers typically have formal certifications and work in professional studio or broadcast environments, focusing on sound mixing and technical setup. Freelance Audio Technicians often operate independently across various event types with diverse skill levels. While both roles involve audio setup and troubleshooting, the A1 Audio Engineer usually works within structured organizations, whereas Freelance Audio Technicians have more flexible, project-based work.

What are some common challenges faced by Hourly A1 Audio Engineers during live events?

Hourly A1 Audio Engineers often encounter challenges such as last-minute equipment changes, managing unexpected technical issues, and adapting to different venue acoustics. They must stay calm under pressure, especially when troubleshooting audio problems in real time during live broadcasts or events. Effective communication and collaboration with production teams, performers, and other technical staff are essential to ensure smooth operation and high-quality sound. Flexibility and problem-solving skills are key, as each event can present unique audio requirements and constraints.
More about Hourly A1 Audio Engineer jobs
What cities are hiring for Hourly A1 Audio Engineer jobs? Cities with the most Hourly A1 Audio Engineer job openings:
What are the most commonly searched types of A1 Audio Engineer jobs? The most popular types of A1 Audio Engineer jobs are:
What states have the most Hourly A1 Audio Engineer jobs? States with the most job openings for Hourly A1 Audio Engineer jobs include:
What job categories do people searching Hourly A1 Audio Engineer jobs look for? The top searched job categories for Hourly A1 Audio Engineer jobs are:
Hourly A1 Audio Engineer jobs near you
Infographic showing various Hourly A1 Audio Engineer job openings in the United States as of July 2026, with employment types broken down into 1% Internship, 96% Full Time, and 3% Part Time. Highlights an 100% Physical job distribution, with an average salary of $84,456 per year, or $40.6 per hour.

Central Florida Call for Freelance Theatre Technicians 2026

Significant Productions, Inc

The Villages, FL

Full-time

Re-posted 19 days ago

Job description

Seeking experienced freelancers for show-by-show gigs. Schedule varies with events.

Located in The Villages in central Florida, Significant Productions is seeking freelance technicians for additional hands as needed at both our touring house, The Sharon L Morse PAC and our production house, The Studio Theatre Tierra del Sol.

Freelancers will be paid as 1099 contractors. See below for specific positions. Hourly rate based on experience.

Carpenter/Deckhand : $22 - $27/hr

  • Familiar with the use and safety practices of power tools  
  • Able to lift 50 pounds 
  • Familiar with the installation of Scenic, Lighting and Audio equipment 
  • Installing Flats and Platforms using power tools  
  • Hanging Soft Goods.  
  • Hanging and cabling of lighting fixtures both traditional and intelligent lighting fixtures 
  • Hanging and cabling of Audio speakers, mics, digital snakes, cameras  
  • Comfortable with working at heights up to 16’ using ladders and scaffolding 
  • Loading and Unloading Trucks 
  • Install and or Strike of Audience Platforming and seating.  
  • Able to transport self between 2 locations during a work call

L3 - Lighting Hand : $22 - $27/hr

  • Familiarity with entertainment lighting systems 
  • Ability to hang, and cable conventional and intelligent lights. 
  • Ability to focus conventional lights. 
  • Ability to work at heights of up to 60’ 
  • Ability to climb ladders, scaffolding and operate vertical mast lifts. 
  • Able to lift 50 lbs. 
  • Able to read and interpret lighting hang plots. 
  • Basic to intermediate reading and math skills.

L2 - Spot Operator : $25 -$30/hr

  • Ability to work at heights of 60’ 
  • Ability to climb ladders  
  • Ability to steadily operate a followspot. 

A2 – Audio Technician :  $22 - $27/hr

  • Familiarity with audiovisual systems 
  • Able to follow an audio patch sheet 
  • Ability to climb ladders, scaffolding 
  • Able to lift 50 lbs

A1 – Audio Engineer : $30-40 /hr

  • Monitor Mixing Experience 
  • Audio Engineering Experience 
  • Yamaha CL5 and QL5 
  • Able to mix vocals and live band up to 32 Channels 
  • Confident and certified in Dante Level 1 required, Level 2 preferred. 

Wardrobe Hand/ Stitcher : $25-30 /hr

  • Hand and Machine Sewing 
  • Laundry, Ironing, and steaming 
  • Wig Maintenance and Hair/Makeup knowledge preferred 
  • Able to lift 50 lbs 

Dresser : $25-$30/hr

  • Ability to respectfully interact with guest artists 
  • Ability to assist in quick changes 
  • Hand-sewing skills 
  • Able to lift 50 lbs 

Rigger : $35-50 /hr

  • Able to operate a boom lift 
  • ETCP certified rigger 
  • Work at heights of 60’ 

General Requirements: 

  • Solid understanding of theatrical terminology and safety best practices. 
  • Ability to lift up to 50 pounds unassisted. 
  • Ability to effectively communicate in written and spoken English. 
  • General ability to read stage plots, patch sheets, channel hookups, lighting plots, and other theatrical documentation.  

Apply