JOB SUMMARY The Audio Engineer (A1) is responsible for delivering world-class audio experiences for both in-room and broadcast environments across all CBC campuses, services, conferences, and special ...
JOB SUMMARY The Audio Engineer (A1) is responsible for delivering world-class audio experiences for both in-room and broadcast environments across all CBC campuses, services, conferences, and special ...
Audio Engineer (A1)
San Antonio, TX · On-site
JOB SUMMARY The Audio Engineer (A1) is responsible for delivering world-class audio experiences for both in-room and broadcast environments across all CBC campuses, services, conferences, and special ...
Audio Engineer (A1)
San Antonio, TX · On-site
JOB SUMMARY The Audio Engineer (A1) is responsible for delivering world-class audio experiences for both in-room and broadcast environments across all CBC campuses, services, conferences, and special ...
Serve as lead A1 audio engineer for school-wide events including concerts, theatre productions ... day.
Serve as lead A1 audio engineer for school-wide events including concerts, theatre productions ... day.
A1 (Broadcast Audio Engineer)
Chicago, IL · On-site
Audio Technician / A1 (Broadcast Audio Engineer) Broadcast Management Group (BMG) is a full-service media production company providing managed services and live production solutions across News ...
A1 (Broadcast Audio Engineer)
Chicago, IL · On-site
Audio Technician / A1 (Broadcast Audio Engineer) Broadcast Management Group (BMG) is a full-service media production company providing managed services and live production solutions across News ...
A1 (Broadcast Audio Engineer)
Chicago, IL · On-site
Audio Technician / A1 (Broadcast Audio Engineer) Broadcast Management Group (BMG) is a full-service media production company providing managed services and live production solutions across News ...
Quick apply
A1 (Broadcast Audio Engineer)
Chicago, IL · On-site
Audio Technician / A1 (Broadcast Audio Engineer) Broadcast Management Group (BMG) is a full-service media production company providing managed services and live production solutions across News ...
A1 (Broadcast Audio Engineer)
Chicago, IL · Remote
Audio Technician / A1 (Broadcast Audio Engineer) Broadcast Management Group (BMG) is a full-service media production company providing managed services and live production solutions across News ...
A1 (Broadcast Audio Engineer)
Chicago, IL · Remote
Audio Technician / A1 (Broadcast Audio Engineer) Broadcast Management Group (BMG) is a full-service media production company providing managed services and live production solutions across News ...
$96K - $120K/yr
Serve as lead A1 audio engineer for school-wide events including concerts, theatre productions ... day.
$96K - $120K/yr
Serve as lead A1 audio engineer for school-wide events including concerts, theatre productions ... day.
$41 - $50/hr
Serve as lead A1 audio engineer for school-wide events including concerts, theatre productions ... day.
Quick apply
$41 - $50/hr
Serve as lead A1 audio engineer for school-wide events including concerts, theatre productions ... day.
Part-Time A1 (Audio Technician)
$25 - $30/hr
Variable (includes days, evenings, and weekends). * Job Title--Audio Technician (A1) * Department--Production Services * Reports to--Audio Lead * Summary-- The Part-Time Audio Technician (A1) plays a ...
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Part-Time A1 (Audio Technician)
$25 - $30/hr
Variable (includes days, evenings, and weekends). * Job Title--Audio Technician (A1) * Department--Production Services * Reports to--Audio Lead * Summary-- The Part-Time Audio Technician (A1) plays a ...
Audio Engineer (A1/A2)
New York, NY · On-site
The Audio Engineer supports the audio needs of studio events, contributing to overall success and ... Can step in as A2 to support another A1 as needed Qualifications and Experience: * Proficiency in ...
Audio Engineer (A1/A2)
New York, NY · On-site
The Audio Engineer supports the audio needs of studio events, contributing to overall success and ... Can step in as A2 to support another A1 as needed Qualifications and Experience: * Proficiency in ...
Audio Engineer
Anaheim, CA · On-site
$38 - $44/hr
Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events
Audio Engineer
Anaheim, CA · On-site
$38 - $44/hr
Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events
Audio Engineer
Anaheim, CA · On-site
$38 - $44/hr
Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events
Audio Engineer
Anaheim, CA · On-site
$38 - $44/hr
Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events
Audio Engineer
$38 - $44/hr
Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events
Audio Engineer
$38 - $44/hr
Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events
Audio Engineer
Anaheim, CA · On-site
$38 - $44/hr
Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events
Audio Engineer
Anaheim, CA · On-site
$38 - $44/hr
Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events
Audio Engineer
$38 - $44/hr
Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events
Audio Engineer
$38 - $44/hr
Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events
Audio Engineer
$38 - $44/hr
Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events
Audio Engineer
$38 - $44/hr
Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events
Audio Engineer
Anaheim, CA · On-site
$38 - $44/hr
Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events
Audio Engineer
Anaheim, CA · On-site
$38 - $44/hr
Audio Engineer Pay Details: The starting hourly rate range for this position is $38.00 to $44.00 ... Work closely with supervisor to manage scheduling of A1 and A2 technicians for all events
Associate Audio Engineer
Peoria, AZ · On-site
Act as Audio Engineer (A1, A2, Broadcast) at CCV Campuses and events as assigned. * In collaboration with the Central Audio Team, ensure production environments are patched, clean, labeled ...
Associate Audio Engineer
Peoria, AZ · On-site
Act as Audio Engineer (A1, A2, Broadcast) at CCV Campuses and events as assigned. * In collaboration with the Central Audio Team, ensure production environments are patched, clean, labeled ...
Associate Audio Engineer
Peoria, AZ · On-site
Act as Audio Engineer (A1, A2, Broadcast) at CCV Campuses and events as assigned. * In collaboration with the Central Audio Team, ensure production environments are patched, clean, labeled ...
Associate Audio Engineer
Peoria, AZ · On-site
Act as Audio Engineer (A1, A2, Broadcast) at CCV Campuses and events as assigned. * In collaboration with the Central Audio Team, ensure production environments are patched, clean, labeled ...
Audio Engineer Technician
Austin, TX · On-site
We are seeking an experienced Audio Engineer Technician to join our team in Austin, Texas. The ... Must be able to work 2-4 days per week, Thursday-Sunday. * Excellent communication and ...
Quick apply
Audio Engineer Technician
Austin, TX · On-site
We are seeking an experienced Audio Engineer Technician to join our team in Austin, Texas. The ... Must be able to work 2-4 days per week, Thursday-Sunday. * Excellent communication and ...
Day A1 Audio Engineer information
See salary details
$29.5K - $42.4K
16% of jobs
$48.3K is the 25th percentile. Wages below this are outliers.
$42.4K - $55.3K
19% of jobs
$55.3K - $68.2K
13% of jobs
The median wage is $69.7K / yr.
$68.2K - $81.1K
14% of jobs
$81.1K - $94K
10% of jobs
$100K is the 75th percentile. Wages above this are outliers.
$94K - $107K
6% of jobs
$107K - $119.9K
4% of jobs
$119.9K - $132.8K
5% of jobs
$132.8K - $145.7K
4% of jobs
$145.7K - $158.6K
8% of jobs
$158.6K - $171.5K
0% of jobs
$29.5K
$84.5K
$171.5K
How much do day a1 audio engineer jobs pay per year?
What does a Day A1 Audio Engineer do?
What is the difference between Day A1 Audio Engineer vs Day A2 Audio Technician?
| Aspect | Day A1 Audio Engineer | Day A2 Audio Technician |
|---|---|---|
| Credentials | Typically requires a degree or certification in audio engineering or related field | Often requires technical training or certification, but less formal education |
| Work Environment | Works on live events, studio recordings, and broadcast setups | Supports audio setup, maintenance, and troubleshooting during events or recordings |
| Industry Usage | Commonly employed in live sound, broadcasting, and recording studios | Frequently found in event production, touring, and broadcast support roles |
The Day A1 Audio Engineer focuses on designing, mixing, and managing audio for live and studio productions, requiring advanced skills and certifications. In contrast, the Day A2 Audio Technician primarily supports audio setup and maintenance tasks, often with less formal education. Both roles are essential in the audio industry but differ in responsibilities and expertise level.
What are the key skills and qualifications needed to thrive as a Day A1 Audio Engineer, and why are they important?
What are some common challenges faced by Day A1 Audio Engineers during live events, and how can they be addressed?

Job description
JOB SUMMARY
The Audio Engineer (A1) is responsible for delivering world-class audio experiences for both in-room and broadcast environments across all CBC campuses, services, conferences, and special events.
This role combines advanced live mixing, systems engineering, immersive audio technologies, broadcast integration, and technical leadership to create distraction-free worship experiences that
support ministry at the highest level. The ideal candidate understands that audio is more than technical execution - it is emotional support, clarity, atmosphere, storytelling, and leadership through sound.
This position requires a highly skilled engineer who thrives in fast-paced live production environments while maintaining excellence in preparation, communication, adaptability, and servant leadership. The Audio Engineer will work closely with worship leaders, production staff, volunteers, and creative teams to help deliver consistent and engaging experiences both in-room and online.
ESSENTIAL FUNCTIONS
Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.
Serve as lead A1 for weekend worship services, conferences, broadcasts, and special events
Mix high-level FOH, monitor, overflow, and broadcast audio environments
Deliver polished, balanced, and emotionally engaging mixes for:
 In-room worship experiences
Online streaming audiences
Satellite campuses
Broadcast environments
Recording and archive playback
Overflow environments
Operate Yamaha Rivage and Yamaha DM7 console ecosystems across multiple production environments including:
Main Worship Center
Overflow venues
Monitor World
Broadcast environments
Build and maintain console show files, scenes, routing structures, macros, and workflows
Execute dynamic live mixes while adapting quickly to spontaneous service flow changes
Collaborate closely with worship leaders, pastors, broadcast teams, and production leadership to support ministry moments with intentional excellence
Maintain sonic consistency across multiple venues and campus environments
Mix and optimize audio specifically for online and broadcast environments
Understand the operational and creative differences between FOH and broadcast mixing
Manage vocal intelligibility, tonal balance, dynamics, and loudness consistency across streaming platforms
Collaborate with video engineering and broadcast teams to maintain synchronization and minimize latency issues
Understand audio-for-video workflows including:
Embedded SDI audio
Dante network audio systems
Multitrack recording
Playback systems
Lip sync management
Streaming signal paths
Help create immersive worship experiences for In room/online audiences
Operate, maintain, and troubleshoot advanced live audio systems including:
Yamaha Rivage console ecosystems
Yamaha DM7 console ecosystems
d&b Audiotechnik PA systems
d&b Soundscape immersive audio environments
Shure wireless microphone systems
Dante audio networking
RF coordination systems
Playback and recording systems
Configure and maintain Dante audio infrastructure and routing workflows across multiple venues
Coordinate wireless frequencies and RF environments for large-scale productions
Assist with PA optimization, gain structure management, and system tuning workflows
Troubleshoot complex signal flow and technical issues under live-event pressure
Maintain organized documentation including:
Patch sheets
Signal flow diagrams
System configurations
Equipment status reports
Ensure systems remain operationally reliable and service-ready
Record, edit, mix, and master audio for:
Video productions
Promotional content
Broadcast packages
Podcasts
Worship recordings
Support multitrack recording workflows and playback systems
Maintain organized session archives and audio assets
Assist in developing scalable playback and recording workflows for future production growth
Support guest artists, conferences, and special production environments with advanced preparation and execution
Serve as technical lead for smaller ministry events and gatherings
Adapt quickly between FOH, monitors, broadcast mixing, systems engineering, and production support roles
Cross-train in lighting, broadcast, and video systems to support overall production excellence
Help train and develop Audio All-Stars (volunteers) within CBC production culture and standards
Maintain calm, organized, and solutions-focused environments during high-pressure productions
COMPETENCIES
Strong attention to detail with exceptional listening skills
Calm and composed under live-event pressure
Highly organized and solutions-oriented
Team-focused with strong interpersonal communication skills
Self-motivated learner with a growth mindset
Reliable, punctual, and highly accountable
Passionate about excellence in both ministry and production environments
Adaptable and flexible within rapidly changing live-event environments
POSITION TYPE/EXPECTED HOURS OF WORK
Regular full-time, 36-40 hours per week. Weekend services and special events are required as part of scheduled responsibilities. Must work flexible hours including evenings and conferences.
PHYSICAL REQUIREMENTS
While performing the duties of this job, the employee may be regularly required to do the following:
Work extended periods on your feet in active live production environments, often during long services, rehearsals, and events.Â
Lifting, carrying, and setting up audio and production equipment weighing up to 50 lbs
Navigating stages, platforms, and technical areas
EDUCATION AND EXPERIENCE
High School Diploma or equivalent required
3+ years of live audio production experience preferred
Experience in church, touring, concert, or broadcast production environments strongly preferred
Relevant certifications or advanced live audio training considered a plus
REQUIRED SKILLS
Strong experience with professional digital audio consoles in live production environments
Experience operating Yamaha Rivage and Yamaha DM7 systems preferred
Advanced understanding of:
FOH mixing
Broadcast mixing
Monitor engineering
EQ and dynamics processing
Gain structure
Signal flow
System optimization
Experience with Shure wireless systems and RF coordination
Understanding of Dante audio networking and digital audio infrastructure
Strong troubleshooting skills in high-pressure live production environments
Strong musical ear with understanding of dynamics, arrangement, frequency balance, and worship aesthetics
PREFERRED QUALIFICATIONS
Experience with d&b audiotechnik systems
Experience with d&b Soundscape immersive audio environments
Experience in large church, touring, concert, or broadcast production environments
Familiarity with Waves plugins, playback systems, multitrack recording, and audio postproduction workflows
Understanding of synchronization, latency management, and broadcast integration
Experience mentoring volunteers or technical team members
Familiarity with lighting and broadcast production systems
WORK ENVIRONMENT
Live production environments with high sound pressure levels
OTHER DUTIES
Must exemplify The CBC Way of Honor, Hospitality, Hustle, High Capacity, and Humility
Communicate proactively and professionally with production staff, worship teams, volunteers, and ministry leaders
Lead by preparation, professionalism, positivity, and adaptability
Support continuous improvement of CBC systems, workflows, and team development
Uphold the belief that production should support worship experiences without becoming distracting
CBC Member, genuine desire to serve God and the Church
Must live a life beyond reproach 1 Timothy 3
Maintain daily disciplines of Bible study and prayer