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Audio Production Manager Jobs (NOW HIRING)

Princess Cruises

APM Audio

New York, NY · On-site

Snr Production Manager Description By applying to this position, your application will be submitted to Princess Cruises' internal Talent Acquisition team. A professional recruiter will contact you ...

Access Audio

Production Manager - AVL

Cincinnati, OH · On-site

$35 - $50/hr

Production Manager Cincinnati, Ohio | Full Time About Access Audio Access Audio is a faith-based ... We provide professional audio, lighting, video, and consulting for entertainment, corporate ...

Princess Cruises

APM Audio

New York, NY

Show Preparation & Execution Collaborate with the Production Manager - Audio and Entertainment Technical team to prepare for each performance. This includes loading and programming show files ...

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How much do audio production manager jobs pay per year?

As of Jun 5, 2026, the average yearly pay for audio production manager in the United States is $70,872.00, according to ZipRecruiter salary data. Most workers in this role earn between $56,000.00 and $80,500.00 per year, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as an Audio Production Manager, and why are they important?

To thrive as an Audio Production Manager, you need expertise in sound engineering, audio editing, and project management, often supported by a degree in audio production or a related field. Familiarity with industry-standard tools like Pro Tools, Logic Pro, and digital audio workstations (DAWs) is essential, and certifications in audio technology can be advantageous. Strong leadership, communication, and time management skills help you coordinate teams and deliver projects on schedule. These skills ensure high-quality audio output, efficient workflows, and successful project completion in a competitive media environment.

What does an Audio Production Manager do?

An Audio Production Manager oversees the technical and creative aspects of audio production for events, recordings, broadcasts, or live performances. They coordinate sound engineers, manage equipment, ensure sound quality, and often work closely with clients or performers to meet their audio needs. This role requires both technical expertise in audio systems and strong organizational skills to manage teams and timelines. Audio Production Managers are crucial in delivering clear, high-quality sound for a variety of settings.

What is the difference between Audio Production Manager vs Audio Engineer?

AspectAudio Production ManagerAudio Engineer
CredentialsTypically requires a degree in audio production, sound engineering, or related field; certifications like Avid Pro Tools are commonOften requires a degree or diploma in audio engineering or related field; certifications like Avid Pro Tools are also common
Work EnvironmentOversees production teams, manages schedules, and coordinates projects in studios or live event settingsOperates and maintains audio equipment, records, mixes, and edits sound in studios or live venues
Industry UsageUsed in media production, broadcasting, and live event industries for managing overall audio projectsUsed in recording studios, broadcasting, and live sound reinforcement for technical audio work

The main difference is that an Audio Production Manager oversees entire audio projects and teams, focusing on coordination and management, while an Audio Engineer handles the technical aspects of sound recording, mixing, and editing. Both roles require similar credentials but serve different functions within the audio industry.

How does an Audio Production Manager typically collaborate with other departments during a project?

An Audio Production Manager works closely with teams such as video production, content creators, and post-production editors to ensure the audio aligns with the overall vision of the project. They coordinate schedules, communicate technical requirements, and often lead meetings to address any issues that may impact sound quality or deadlines. Effective collaboration involves balancing creative input from multiple stakeholders while maintaining technical standards and ensuring a smooth workflow throughout the audio production process.
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Audio Production Manager jobs near you
Audio Production Tech

Audio Production Tech

Trinity Church & School

Lubbock, TX • On-site

Full-time

Posted 15 days ago

Job description

Summary: The Audio Production Tech will manage and coordinate all audio and sound reinforcement needs at Trinity as well as collaborate with the Technical Department on all Audio, Video and Lighting needs.
ESSENTIAL DUTIES AND RESPONSIBILITIES:
  • Manage AVL Production for Worship Services and Special Events:
  • Maintain all AVL equipment relating to Trinity.
  • Serve as the primary FOH Audio Engineer for weekend services, rehearsals, Midweek, and special events.
  • Schedule both staff and volunteer coverage for all Worship Services and Special Events.
  • Design, integrate, and operate various sound systems for special events.
  • Aid in the design, planning, and installation for system upgrades and enhancements in various venues.
  • Work with the Technical Director and the Worship amp; Creative Arts Department to produce all technical elements for service production to include stage layouts, microphone/instrument needs, etc.
  • Oversee the building of all weekend service elements (ProPresenter files, Video switcher configurations, Live Streaming Apps, etc.)
Recruit and Lead an Audio Volunteer Team:
  • Lead/train audio engineers on the FOH, Monitor, and A/V sound consoles and equipment.
  • Train, lead, and direct a volunteer team for maximum impact.
  • Provide coaching and feedback for team members for continuous improvement.
  • Create an atmosphere of community for the Technical Department.
General:
  • Attend all required meetings (Chapel, Technical Team, Ministry Teams, etc.)
  • Recruit and train volunteers to assist in the Technical Department.
  • Aid in planning and installing for system upgrades and enhancements.
  • Help maintain proper supplies.
  • Ensure multi-media delivered is of high technical quality.
  • Assist in coordinating work of technical personnel engaged in controlling and maintaining multi-media equipment.
  • Be willing to cover additional responsibilities deemed as necessary for fulfilling the requirements of this position.
QUALIFICATIONS: Some college preferred in related field such as Live Sound and/or Audio Engineering. Experience with Midas Pro series consoles and coordinating hardware equipment, Yamaha CL and LS series consoles, Shure PSM/UHF/UHFR/ULXD, Dante, Meyer Sound RMS, and BSS Soundweb London. Cutting edge knowledge of multimedia operations to include intelligent light programming, audio for video/broadcast, click tracks/loop track use, in ear monitors, and multi-campus audio/video systems engineering. Proven people, organizational and administrative skills. High level of interpersonal skills/communication. Ability to adjust and adapt quickly to a changing environment.
  • Affirms that Scripture defines the roles of male and female and Romans 1:21-27; Romans 1:24-32 condemns the homosexual lifestyle. (1 Cor. 6:9-20; Eph 4:1-11, 5:3-5)
  • Must be a Member of Trinity Church or willing to become a member
REQUIREMENTS:
  • 3-5 years of live audio production and crew management.
  • Expert knowledge of live event/broadcast audio systems.
  • Must be available to work weekends.
  • Week days worked may vary

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