ZipRecruiter

Log In

1

Audio Coordinator Jobs (NOW HIRING)

Princess Cruises

APM Audio

New York, NY

Proficient in live audio mixing using Midas digital consoles and managing Meyer Sound and Apogee speaker systems, with working knowledge of wireless mic coordination, Green Hippo media servers, and ...

Princess Cruises

APM Audio

New York, NY · On-site

Proficient in live audio mixing using Midas digital consoles and managing Meyer Sound and Apogee speaker systems, with working knowledge of wireless mic coordination, Green Hippo media servers, and ...

Mobile Pro

Part-Time A1 (Audio Technician)

Fargo, ND

$25 - $30/hr

Event Execution --Execute the audio plan in coordination with the Audio Lead, ensuring consistent, high-quality sound throughout the event. Required Skills * 2+ years of live event audio experience ...

next page

Showing results 1-20

All JobsAudio Coordinator Jobs

Audio Coordinator information

See salary details

$12

$22

$33

How much do audio coordinator jobs pay per hour?

As of Jul 3, 2026, the average hourly pay for audio coordinator in the United States is $22.31, according to ZipRecruiter salary data. Most workers in this role earn between $18.03 and $24.76 per hour, depending on experience, location, and employer.

How does an Audio Coordinator typically collaborate with other departments during live events or productions?

Audio Coordinators work closely with production, video, lighting, and stage management teams to ensure seamless audio integration during live events or productions. They participate in production meetings to understand event requirements, coordinate equipment setup with technical crew, and communicate last-minute changes to ensure all audio cues are executed flawlessly. Effective collaboration and proactive problem-solving are essential, as the Audio Coordinator often acts as the point of contact between audio technicians and other production departments.

What are the key skills and qualifications needed to thrive as an Audio Coordinator, and why are they important?

To thrive as an Audio Coordinator, you need a solid understanding of audio engineering principles, signal flow, and experience with recording, mixing, and live sound, often supported by a degree in audio production or related field. Familiarity with digital audio workstations (DAWs) like Pro Tools, mixing consoles, and audio routing systems is typically required. Strong organizational skills, attention to detail, and effective communication are crucial soft skills for coordinating between technical teams and talent. These competencies ensure seamless audio production, minimize technical issues, and contribute to the overall quality of sound in live or recorded environments.

What does an Audio Coordinator do?

An Audio Coordinator is responsible for managing and organizing all aspects of audio production in various settings such as live events, television, film, or radio. They coordinate with audio engineers, producers, and other technical staff to ensure high-quality sound recording, mixing, and playback. Their duties may include scheduling, equipment setup and maintenance, troubleshooting audio issues, and ensuring that all audio elements are delivered on time and within budget. Audio Coordinators play a crucial role in making sure the sound experience meets the creative and technical requirements of a project.

What is the difference between Audio Coordinator vs Audio Engineer?

AspectAudio CoordinatorAudio Engineer
CredentialsTypically requires a degree in audio production or related field; certifications like Avid Pro Tools are commonOften requires a degree in audio engineering, music production, or related field; certifications like Avid Pro Tools or SSL certifications are common
Work EnvironmentPrimarily administrative and coordination roles in studios, production companies, or live eventsHands-on technical work in recording studios, live sound, or post-production facilities
Employer & Industry UsageUsed in media production, broadcasting, and live event companies for overseeing audio projectsFound in recording studios, broadcast stations, and live sound companies for technical audio work

The main difference is that an Audio Coordinator focuses on managing and coordinating audio projects, schedules, and teams, while an Audio Engineer is primarily responsible for the technical aspects of sound recording, mixing, and editing. Both roles require relevant certifications and work in related environments, but their core responsibilities differ significantly.

More about Audio Coordinator jobs
What cities are hiring for Audio Coordinator jobs? Cities with the most Audio Coordinator job openings:
What are the most commonly searched types of Audio jobs? The most popular types of Audio jobs are:
What states have the most Audio Coordinator jobs? States with the most job openings for Audio Coordinator jobs include:
What job categories do people searching Audio Coordinator jobs look for? The top searched job categories for Audio Coordinator jobs are:
Audio Coordinator jobs near you
A1 (Broadcast Audio Engineer)

A1 (Broadcast Audio Engineer)

Broadcast Management Group, Inc.

Chicago, IL • On-site

Full-time

Posted 28 days ago

Job description

Audio Technician / A1 (Broadcast Audio Engineer)
Broadcast Management Group (BMG) is a full-service media production company providing managed services and live production solutions across News, Sports, Entertainment, Music, and Digital Streaming. We support some of the industry's leading broadcast and media organizations through innovative production workflows and technical excellence.
Position Summary
The Audio Technician / A1 is responsible for the setup, operation, maintenance, and troubleshooting of audio systems for live television broadcasts, digital streaming productions, and special events. This position plays a critical role in ensuring broadcast-quality audio for talent, guests, remote contributors, and audiences across multiple platforms.
The ideal candidate thrives in fast-paced live production environments, possesses strong technical skills, remains calm under pressure, and delivers exceptional communication and client service.
Key Responsibilities
Set up, operate, and monitor audio systems for live television broadcasts, digital streaming productions, and special events.
Mix live audio sources including talent microphones, remote guests, IFBs, playback, music, and studio feeds.
Maintain consistent broadcast-quality audio levels throughout live productions.
Monitor audio signals and quickly diagnose and resolve issues before they impact air.
Guest & Talent Coordination
Coordinate guests ahead of live appearances and scheduled segments.
Conduct pre-show audio and video checks ("faxing out" guests) to ensure technical readiness.
Prepare and hand off guests for live broadcasts.
Set up and manage lavalier microphones, IFBs, wireless microphone systems, and talent communication devices.
Manage microphone batteries, wireless frequencies, and talent audio requirements.
Escort and assist guests as needed while maintaining a professional on-air experience.
Remote Production Support
Configure and manage Zoom, Skype, Teams, LiveU, and other remote contribution systems.
Establish and troubleshoot remote guest connections for live broadcasts.
Monitor remote audio quality and coordinate with guests and production staff to ensure successful live hits.
Support hybrid and remote production workflows.
Audio Networking & Communications
Configure, operate, and troubleshoot Dante audio networks.
Operate and support RTS intercom systems and communications workflows.
Understand and manage audio signal flow, routing, patching, and IP-based audio infrastructure.
Support communications between control rooms, studios, and remote production teams.
Equipment Maintenance & Technical Support
Perform routine maintenance, testing, and quality control on audio equipment.
Troubleshoot audio consoles, microphones, wireless systems, IFBs, codecs, routers, and communications systems.
Assist with equipment upgrades, installations, and studio maintenance projects.
Maintain accurate equipment inventory and documentation.
Ensure all audio systems are operational and production-ready.
Production Support
Assist with studio setup, strike, and production preparation.
Collaborate closely with Producers, Directors, Technical Directors, Engineers, and Talent.
Follow show rundowns and production schedules while adapting to last-minute changes.
Support special productions, remote broadcasts, and field operations as assigned.
Contribute to a positive team environment and assist across departments when needed.
Required Qualifications
Experience working in live television, broadcast, streaming, or live event production environments.
Strong knowledge of live audio mixing and broadcast audio workflows.
Experience operating professional digital audio consoles.
Experience with Dante audio networking.
Experience with RTS intercom systems.
Familiarity with LiveU and remote production technologies.
Experience managing Zoom, Skype, Teams, and other remote guest platforms.
Understanding of signal flow, audio routing, patching, and troubleshooting.
Strong organizational and communication skills.
Excellent client-facing and talent-facing professionalism.
Ability to remain calm and make decisions under live broadcast pressure.
Preferred Qualifications
Experience in a live television control room environment.
Knowledge of wireless microphone coordination and RF management.
Familiarity with audio-over-IP workflows.
Experience with news, sports, or entertainment broadcasts.
Understanding of broadcast networking infrastructure.
Experience supporting multiple studios or control rooms.
Skills & Competencies
Strong troubleshooting abilities
Excellent attention to detail
Effective communication skills
Professional guest and client management
Ability to multitask in high-pressure environments
Team-oriented mindset
Adaptability and willingness to learn new technologies
Broadcast Management Group logo

About Broadcast Management Group

Sourced by ZipRecruiter

We are a video production company dedicated to solving technical and creative challenges of any scale or complexity At Broadcast Management Group, we believe there is no one-size-fits-all solution to production. Every project requires a unique approach. And every client has different desires and objectives. Our job is to understand those goals, desires, and dreams and craft a custom production solution that delivers results. This philosophy applies to all facets of our organization, from live production, consulting, and integration to events, staffing, and creative. We’ve spent nearly two decades helping clients across the globe achieve their production goals. From large-scale, multi-camera productions, engineering technical facilities, and launching OTT networks from the ground up. Our work tells the story of what we’ve done, where we’ve been, and the clients we’ve been fortunate to collaborate with.

Industry

Broadcasting

Company size

51 - 200 Employees

Headquarters location

Washington, DC, US

Year founded

2005

Social media

FacebookTwitter

View All Broadcast Management Group Jobs

Apply