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Audio Coordinator Jobs (NOW HIRING)

Insignia Event Services

Audio Engineer

Glendale, AZ · On-site

The Audio Engineer provides operational support for the planning, coordination, and execution of audio elements for Insignia Events. Working closely with the production team, this role helps ensure ...

TECHNICAL ELEMENTS

Audio Department Manager

Atlanta, GA · On-site

$80 - $120/hr

This role oversees audio system design, prep, deployment, tuning, maintenance, and team coordination to ensure consistent, high-quality results for every project. The Audio team at Technical Elements ...

Got Light

Audio Technician

San Francisco, CA · On-site

$30 - $40/hr

Wireless Microphones Systems & RF Coordination * Supporting Band & DJ Audio * IP Networking EXPERIENCE WITH: * Large Format Line Arrays & Speaker Systems (D&B, L'Acoustics, Meyer) * Dante ...

Got Light

Audio Technician

San Francisco, CA · On-site

Wireless Microphones Systems & RF Coordination * Supporting Band & DJ Audio * IP Networking EXPERIENCE WITH: * Large Format Line Arrays & Speaker Systems (D&B, L'Acoustics, Meyer) * Dante ...

IMPYRIAN

A/V TECHNICIAN I

Silver Spring, MD · Remote

$22.60 - $25/hr

  • Medical

  • Dental

  • Vision

  • Life

  • Retirement

  • PTO

Report to the Sr. A/V Conference Room Coordinator/Lead Conference Room Coordinator and Operations Manager in all aspects of their operations. * Evaluates equipment specifications and requests, makes ...

RENTEX INC

Sr. Audio Product Coordinator

Coppell, TX · On-site

$55K - $57K/yr

Support quality control standards for Audio SKUs; help maintain clear pass/fail criteria in guides. * Assist in managing and executing repairs: triage, parts allocation, RMA coordination, test and ...

RENTEX INC

Sr. Audio Product Coordinator

Orlando, FL · On-site

$55K - $57K/yr

Support quality control standards for Audio SKUs; help maintain clear pass/fail criteria in guides. * Assist in managing and executing repairs: triage, parts allocation, RMA coordination, test and ...

RENTEX INC

Sr. Audio Product Coordinator

Las Vegas, NV · On-site

$55K - $57K/yr

Support quality control standards for Audio SKUs; help maintain clear pass/fail criteria in guides. * Assist in managing and executing repairs: triage, parts allocation, RMA coordination, test and ...

RENTEX INC

Sr. Audio Product Coordinator

Bensenville, IL · On-site

$55K - $57K/yr

Support quality control standards for Audio SKUs; help maintain clear pass/fail criteria in guides. * Assist in managing and executing repairs: triage, parts allocation, RMA coordination, test and ...

Sound Xperience

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Audio/Video Smart Home Coordinator

Jenkintown, PA · On-site

  • Medical

  • Dental

  • Vision

  • Retirement

  • PTO

We are seeking an organized, detail-oriented Audio/Video Smart Home Project Coordinator to support our Lead Automation team. This position will coordinate communication between customers, builders ...

Citrus County, FL

Audio Visual Technician

Lecanto, FL · On-site

$53K/yr

  • Medical

  • Dental

  • Vision

  • Life

  • Retirement

  • PTO

Coordinates integration of third-party software or services for various systems that support audio/visual functionality for the County. Assists with purchasing technology as well as making ...

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Audio Coordinator information

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How much do audio coordinator jobs pay per hour?

As of Aug 12, 2026, the average hourly pay for audio coordinator in the United States is $22.31, according to ZipRecruiter salary data. Most workers in this role earn between $18.03 and $24.76 per hour, depending on experience, location, and employer.

How does an audio coordinator typically collaborate with other departments during live events or productions?

Audio Coordinators work closely with production, video, lighting, and stage management teams to ensure seamless audio integration during live events or productions. They participate in production meetings to understand event requirements, coordinate equipment setup with technical crew, and communicate last-minute changes to ensure all audio cues are executed flawlessly. Effective collaboration and proactive problem-solving are essential, as the Audio Coordinator often acts as the point of contact between audio technicians and other production departments.

What skills and qualifications are needed to thrive as an audio coordinator?

To thrive as an Audio Coordinator, you need a solid understanding of audio engineering principles, signal flow, and experience with recording, mixing, and live sound, often supported by a degree in audio production or related field. Familiarity with digital audio workstations (DAWs) like Pro Tools, mixing consoles, and audio routing systems is typically required. Strong organizational skills, attention to detail, and effective communication are crucial soft skills for coordinating between technical teams and talent. These competencies ensure seamless audio production, minimize technical issues, and contribute to the overall quality of sound in live or recorded environments.

What does an audio coordinator do?

An Audio Coordinator is responsible for managing and organizing all aspects of audio production in various settings such as live events, television, film, or radio. They coordinate with audio engineers, producers, and other technical staff to ensure high-quality sound recording, mixing, and playback. Their duties may include scheduling, equipment setup and maintenance, troubleshooting audio issues, and ensuring that all audio elements are delivered on time and within budget. Audio Coordinators play a crucial role in making sure the sound experience meets the creative and technical requirements of a project.

What is the difference between Audio Coordinator vs Audio Engineer?

AspectAudio CoordinatorAudio Engineer
CredentialsTypically requires a degree in audio production or related field; certifications like Avid Pro Tools are commonOften requires a degree in audio engineering, music production, or related field; certifications like Avid Pro Tools or SSL certifications are common
Work EnvironmentPrimarily administrative and coordination roles in studios, production companies, or live eventsHands-on technical work in recording studios, live sound, or post-production facilities
Employer & Industry UsageUsed in media production, broadcasting, and live event companies for overseeing audio projectsFound in recording studios, broadcast stations, and live sound companies for technical audio work

The main difference is that an Audio Coordinator focuses on managing and coordinating audio projects, schedules, and teams, while an Audio Engineer is primarily responsible for the technical aspects of sound recording, mixing, and editing. Both roles require relevant certifications and work in related environments, but their core responsibilities differ significantly.

More about Audio Coordinator jobs
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Audio Coordinator jobs near you

Audio Technician

PRESTIGE AUDIO VISUAL INC

Cincinnati, OH • On-site

$19 - $23/hr

Full-time

Re-posted 15 days ago

Job description

JOB TITLE: Audio Technician

Reports To: Audio Department Head

Status: Full Time Hourly Non-Exempt

SUMMARY:

Delivering on “The Prestige Way”; upholding our Core Values, Company Mission and Company Vision everywhere the work environment may take you - on the road or at the office.

Audio Technician

An experienced audio-visual technician with proficient abilities in the latest audio and production technologies. An Audio Technician will possess the ability to set up, operate and troubleshoot audio equipment in temporary live event environments. An Audio Technician will also require excellent communication and customer service skills, working with both internal and external clients.

ESSENTIAL FUNCTIONS (include, but not limited to…)

  • Serve as Audio Technician for a variety of event formats from breakouts, general sessions, and tradeshow environments
  • Work with a PAV Production Manager or Show Lead to implement the technical aspects of a show related to assigned role, set up, and operate related Audio equipment.
  • Work with Project Managers and other event staff for efficient Run of Show
  • Responsible for obtaining media from Project Manager or client for event playback
  • Communicate changes to Project Manager or Show Lead to maintain accurate invoicing
  • Equipment preparation and de-prep, QC and maintenance.

SPECIAL CHARACTERISTICS/KNOWLEDGE:

  • Must be organized, attentive to detail, persistent and demonstrate the ability to follow through projects to completion.
  • Capable of handling multiple assignments and meeting deadlines.
  • Capable of working with all levels of show management under minimal supervision.
  • Ability to run show from concept and implementation, to live show and load out.
  • Flexible Hours/Schedule a must.
  • Ability to drive cargo vans.
    • Clean driving record, please report any offences, background check required.

PHYSICAL DEMANDS AND WORK ENVIRONMENT:

The physical demands and work environment characteristics described here are representative of those that must be met by an employee to successfully perform the essential functions of this job. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.

Physical Demands:

  • Employee is frequently required to sit; stand or walk for long periods of time (minimum 4 hours); use hands to finger, handle or feel objects, tools or controls; reach with hands and arms; climb stairs; balance; bend, twist, push, pull, stoop, kneel, crouch or crawl; talk and hear. Employee may occasionally lift and/or move up to 75 pounds. Specific vision abilities required by the job include close vision, distance vision, color vision, peripheral vision, depth perception, and the ability to adjust focus.

Work Environment:

  • The duties of this position are performed indoors in an office and/or warehouse environment and outdoors as necessary and required by certain events. The noise level in the work environment is usually minimal to moderate during non-event days and moderate to loud during move-in days and event days.

PREFERRED QUALIFICATIONS:

Experience:

  • 3 years industry

Education / Training:

  • An Associate’s degree from an accredited college or university with major course work in Applied Science in Live Sound and Show Production, or a closely related field preferred; equivalent experience accepted.
  • General education requirements in the areas of communication, social science, natural science, and humanities provide analytical and communication skills as well as a global perspective of diverse cultures.

Helpful Skills and Proficiency:

  • Digital mixers such as Midas M32, Yamaha CL5
  • Microsoft office suites
  • RF coordination
  • Industry Related Certification (Shure, JBL, d&b etc.)