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Audio Archivist Jobs (NOW HIRING)

(EDO) Entertainment Data Oracle, Inc.

$60 - $80/hr

Deliver finished audio assets to the standards required by ADF's post-production and communications teams, and archive session files and raw audio for reuse. Systems, Maintenance & Readiness

NC SECU

Audio Visual Manager

Raleigh, NC · On-site

... archiving of all audio/video projects to ensure flawless execution that meets project goals. * (25%)Manage day-to-day audio/video activity working closely with cross-functional teams, including in ...

New

State Employees' Credit Union

$80 - $100/hr

... archiving of all audio/video projects to ensure flawless execution that meets project goals. * (25%) Manage day-to-day audio/video activity working closely with cross-functional teams, including in ...

Posted today

Jacob's Pillow Dance

Head Audio Engineer

MA · On-site

$23.58 - $26/hr

Head Audio Engineer STATUS: Seasonal LOCATION: Becket, MA REPORTS TO: Production Manager of ... Archives and Preservation; The School at Jacob's Pillow; Marketing and Patron Services; Finance and ...

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How much do audio archivist jobs pay per year?

As of Sep 7, 2026, the average yearly pay for audio archivist in the United States is $72,781.00, according to ZipRecruiter salary data. Most workers in this role earn between $54,500.00 and $83,500.00 per year, depending on experience, location, and employer.

What does an audio archivist do?

An Audio Archivist is responsible for preserving, organizing, and maintaining audio recordings in various formats, such as tapes, vinyl, or digital files. They catalog recordings, ensure proper storage conditions, and digitize older media to prevent deterioration. Additionally, they may research and provide access to historical audio collections for researchers, broadcasters, or the public. Their work helps protect and maintain important audio heritage for future generations.

What are the key skills and qualifications needed to thrive as an audio archivist?

To thrive as an Audio Archivist, individuals need a solid background in audio engineering, archival science, and metadata management, often supported by a degree in library science or a related field. Familiarity with digital asset management systems, audio editing software, and preservation standards is essential, and some positions may require certifications in archival practices. Attention to detail, organizational skills, and effective communication are important soft skills that enable success in this role. These competencies are vital for ensuring the accurate preservation, cataloging, and accessibility of valuable audio materials for future reference.

What are some typical challenges faced by audio archivists, and how can they be managed?

Audio Archivists often face challenges such as preserving aging or deteriorating audio formats, ensuring accurate metadata entry, and keeping up with evolving digital technologies. Managing large volumes of materials while maintaining meticulous attention to detail can be demanding, especially when working with historical or rare recordings. Collaborating with librarians, IT specialists, and researchers is common, and strong communication is crucial for solving preservation and access issues. Staying updated on best practices through professional development can help archivists overcome these challenges and provide long-term value to their institutions.

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Audio Archivist jobs near you
Infographic showing various Audio Archivist job openings in the United States as of August 2026, with employment types broken down into 10% Internship, 70% Full Time, 10% Part Time, and 10% Contract. Highlights an 100% In-person job distribution, with an average salary of $72,781 per year, or $35 per hour.

On Call Head Audio

Madison Center For the Arts

Phoenix, AZ • On-site

Other

Re-posted 4 days ago

Job description

On Call Head Audio

This position is an on-call, activated on a show-by-show basis.

The Head of Audio oversees the audio needs for the event or show, ensuring smooth operations. They are responsible for managing audio systems and structures for crew and production.

Qualifications:

  • 1-2 years experience of live audio mixing.
  • Experience with Qlab, TheatreMix, and other professional live entertainment computer software.
  • Professional experience with Yamaha Digital consoles
  • Experience with Dante networks and Dante Controller (At least Dante Level 2 Certification preferred)
  • Experience with and working knowledge of live entertainment multi projector systems and programming.
  • Experience with both Audio and Video system network setup and troubleshooting.
  • Experience with Shure ULXD, and Wireless Workbench a plus.
  • Ability to work closely with people in a professional and positive manner.
  • Ability to work closely and creatively with design teams, directors, and other members of the staff.
  • Proficiency with computers and standard office suite, ability to generate and maintain professional level paperwork and tracking for each production.
  • Ability to multitask while maintaining productivity.
  • Ability to remain levelheaded in high-stress environments.
  • Ability to troubleshoot under pressure and remain composed.
  • Ability to work independently and meet deadlines.

Responsibilities:

  1. Coordinate with production staff, designers, and performers, overseeing sound setup, operation, and strike for rehearsals and performances, ensuring sound quality, and troubleshooting any issues that arise.
  2. Ensure compliance with safety protocols and industry best practices is crucial.
  3. Serve as the primary audio contact for the event or show.
  4. Assist with event load-in, setup, operation, and load-out.
  5. Manage and maintain the venue's audio systems and equipment.
  6. Troubleshoot and resolve technical issues efficiently under time-sensitive conditions.
  7. Supervise and mentor the audio team.
  8. Ensure compliance with safety protocols.
  9. Lead in facilitating all audio needs for all rental events/productions, including the testing, maintenance and upkeep of all audio equipment, projectors, and sound equipment in The Madison.
  10. Review sound plots to evaluate feasibility and implementation in The Madison
  11. Lead in preparing and installing equipment based on plots and designer supplied specifications; including but not limited to tech table set-up, i.e. tables, headsets, and video monitors, god mic, etc.
  12. Collaborate to produce show-related audio paperwork.
  13. Maintain organized and accurate records of design execution for a given production. Make archival copies of all paperwork and show files.
  14. Adhere to the proper shut-down of all audio, special effects, stage equipment and other electrical appliances, assuring that the theatre is left in a safe, secure, and appropriately lit manner and that equipment is locked in a secure place.

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