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Church Sound Engineer Jobs (NOW HIRING)

... the church while committed in accordance with the Baptist Faith and Message (2000 edition ... NewSpring sound," with knowledge of both systems FOH, monitor and broadcast engineering. • ...

About Crossroads Crossroads Church is a growing multi-site, interdenominational church. Our sites ... Integrate media servers with lighting, sound, and automation systems using timecode, OSC, MIDI, and ...

About Crossroads Crossroads Church is a growing multi-site, interdenominational church. Our sites ... Integrate media servers with lighting, sound, and automation systems using timecode, OSC, MIDI, and ...

... Church (DCPC), other campus spaces, and Recording Studio for archive. * Manage and backup data to ... Sound Board Operator for all Music Department and Music Department co-sponsored events in TTH and ...

... Church (DCPC), other campus spaces, and Recording Studio for archive. * Manage and backup data to ... Sound Board Operator for all Music Department and Music Department co-sponsored events in TTH and ...

Downtown Kids Ministry Director

Sioux Falls, SD · On-site

$40K - $54K/yr

... Programming * Working with our main campus, select and implement age-appropriate, biblically sound curriculum for weekly gatherings * Ensure lessons are engaging, inclusive, and aligned with church ...

At Elevation Church, we look to link arms in ministry with those who are passionate about stepping ... Ensure programming complies with platform standards, technical specs, and metadata requirements

Downtown Kids Ministry Director

Sioux Falls, SD · On-site

$40K - $54K/yr

... Programming * Working with our main campus, select and implement age-appropriate, biblically sound curriculum for weekly gatherings * Ensure lessons are engaging, inclusive, and aligned with church ...

Each member of the Compass Church team takes a "how can I help" approach to ministry. While each ... Familiar with Yamaha DM7 sound consoles preferred * Work well with the production team and worship ...

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Church Sound Engineer information

What does a church sound technician do?

A church sound technician operates and maintains audio equipment such as microphones, speakers, and mixing consoles during services and events. They ensure clear sound quality, troubleshoot technical issues, and may also manage audio for recordings or live streaming, often requiring knowledge of sound systems and basic electrical safety. The role typically involves working on a flexible schedule, especially during weekends or special events.

What are some common challenges faced by Church Sound Engineers and how can they be overcome?

Church Sound Engineers often face challenges such as managing live audio feedback, balancing sound levels for diverse musical ensembles, and adapting to different speaker or performer requirements. Additionally, working with volunteers of varying technical experience or dealing with older equipment can add complexity to the role. Successful engineers overcome these obstacles through proactive preparation, ongoing training, clear communication with musicians and leadership, and quick problem-solving during services. A flexible and collaborative attitude helps ensure smooth operations and high-quality audio for the congregation. Continuous learning and staying updated on new audio technologies can also greatly enhance performance in this role.

What is a Church Sound Engineer job?

A Church Sound Engineer is responsible for managing and operating the audio systems during worship services, events, and productions. They ensure clear sound for the congregation, balance audio levels for music and speech, and troubleshoot any technical issues. Their role often includes setting up microphones, mixing live sound, and maintaining audio equipment. They may also train volunteers and assist with recording or broadcasting services.

How much do church sound engineers make?

Church sound engineers typically earn between $25,000 and $50,000 annually, depending on experience, location, and the size of the congregation. Many also work part-time or on a volunteer basis, especially in smaller churches, and proficiency with audio equipment and mixing consoles is essential.

How much do elevation church audio engineers make?

Church sound engineers typically earn between $30,000 and $60,000 annually, depending on experience, location, and the size of the congregation. Salaries can vary based on the complexity of the sound system, technical skills, and certifications held.

What are the key skills and qualifications needed to thrive in the Church Sound Engineer position, and why are they important?

To thrive as a Church Sound Engineer, you need a solid understanding of audio engineering principles, experience with live sound mixing, and familiarity with various microphones and sound equipment. Proficiency with digital and analog mixing consoles, audio editing software, and sound reinforcement systems is typically required, with certifications in audio technology considered a plus. Excellent communication, adaptability, and teamwork are crucial soft skills, as well as the ability to troubleshoot under pressure. These skills ensure high-quality, distraction-free audio during worship services and events, supporting both the technical and collaborative needs of a church environment.

Is there a demand for sound engineers?

There is steady demand for sound engineers, including church sound engineers, as live events, religious services, and entertainment venues require audio setup and management. Skills in audio mixing, equipment operation, and certifications can improve job prospects, especially in growing or technologically advanced organizations.
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Infographic showing various Church Sound Engineer job openings in the United States as of July 2026, with employment types broken down into 100% Part Time. Highlights an 100% In-person job distribution.
AVL Engineer

Full-time

Posted 2 days ago


Job description

Description
*This position requires a regular on-site presence at our campus in Wichita, KS.
AVL Engineer
FLSA Status: Exempt
Reports to AVL Manager
Grade III ($57,420 - $95,700 Based on experience and qualification)
SUMMARY OF RESPONSIBILITIES
Reporting to the AVL Manager, the AVL Engineer works with the production team to implement various audio reinforcement duties to support live worship and related productions. Assists in the technical aspects of video and lighting, as assigned. Assists in the management of all AVL equipment, including the purchase, maintenance, organization, and operation on campus.
The incumbent must perform all job duties as outlined in this job description to support ongoing mission of the church while committed in accordance with the Baptist Faith and Message (2000 edition).
ESSENTIAL DUTIES
• Working with the AVL Manager, is responsible for front of house (FOH) engineering on weekends. (app. 25%)
• Assists with managing all AVL equipment on campus including the maintenance, organization, and operation. Provides fast and effective solutions to all AVL hardware and software difficulties on campus in a prompt and efficient manner. With approval from the AVL Manager, purchases AVL equipment as needed. (app. 55%)
• Works with the AVL Manager to assess future AVL technology needs. Assists with AVL initiatives from conception to completion. (app. 10%)
• Working with the AVL Manager, is responsible for both stage preparation and shut down for rehearsals, weekend service production and events. (app. 5%)
• Assists in recruiting and technical training of the live production volunteer team. (app. 5%)
These duties are subject to change as church needs and strategies evolve. Employee may be required to perform other duties.
Requirements
EDUCATION/TRAINING• College degree with specialized training/emphasis in Audio/Visual Technology field is required.
• College degree in Audio Engineering/Production or similar field is preferred.
• Certified forklift and aerial lift operator preferred.EXPERIENCE
• Working knowledge of Lighting and Video systems is required.
• Minimum of 4-6 years of experience volunteering or working in ministry.
• Minimum of 4-6 years in audio management role is preferred.
• Minimum of 4-6 years of large venue experience as FOH engineer/technical engineer required.
• Experience may be considered in lieu of education.
REQUIRED SKILLS
• Positive temperament, dependability, and professionalism with effective interpersonal skills. Willing to follow a vision set by leadership.
• Competent written, verbal, and math skills; capable of reading, interpreting, and composing project workflows.
• Proficient coordination, organizational, and time management skills with ability to sequence tasks by priority.
• Ability to work independently and collaboratively, utilizing critical thinking and problem-solving skills.
• Ability to work effectively under pressure, multi-tasking and troubleshooting complex situations and tight deadlines while maintaining NewSpring established quality standards.
• Excellent musical/mixing skills, adapting them to the "NewSpring sound," with knowledge of both systems FOH, monitor and broadcast engineering.
• Proficiency in large-format digital consoles.
• Working knowledge of audio recording equipment with Pro Tools in post-production.
• Proficient knowledge of large format lighting operation, programing, and engineering.
• Proficient knowledge in ProPresenter software and live video operations.
• Working knowledge of large format video systems engineering.
• Proficient knowledge of electrical power distribution handling and workplace safety regulations.
• Ability to handle confidential information with discretion.
PHYSICAL DEMANDS
The usual and customary methods of performing the job's functions require the following physical demands:
• Ascend and descend stairs and/or ladders.
• Communicate verbally with others to exchange information.
• Remain in a stationary position for prolonged periods of time.
• Ability to view and work with technological devices, sound equipment, audio consoles and other production equipment.
• Move self in different positions to accomplish tasks in various environments including tight and confined spaces.
• Accomplish tasks using near/far field(s) of vision.
• Lift, carry, and move up to 75 pounds.
• Manual dexterity.
• Ability to reach at, below, and above shoulder level.
• Balance and coordination.
• Ability to use depth perception to judge distances.
• Ability to observe environment from long distances with clarity of vision greater than 75 feet.
• Discern colors, sounds, and rhythms for production of creative elements.
• Ability to discern cues and musical timings.
• High quality hearing.
• Must possess the ability to work in environments with theatrical elements, including but not limited to strobing lights and fog.
• Work at elevated distances from the ground using scaffolding or other aerial lifting commercial equipment.
• Ability to work in tight/confined spaces.
• Quick reaction with movement.
WORKING CONDITIONS
• This position works primarily indoors. Occasional outdoor work may be required.