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Audio Mastering Engineer Jobs (NOW HIRING)

The Recording Engineer, Audio Technician, & Tyler-Tallman Hall manager is responsible for all live ... Collaborate with Music faculty to train students in audio recording and mastering techniques in the ...

As directed by the Chief Media Engineer, the Assistant Media Engineer will work with faculty ... Experience with audio mixing and mastering. * Experience using iZotope RX Advanced for audio ...

Systems Engineer

Annapolis Junction, MD · On-site

$180K - $235K/yr

Our team is passionate about defending national security and mastering new tech, so we give our ... audio encoding/decoding (7 years) • Specific communications protocols (e.g. GSM, CDMA, 5G, HTS ...

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Voice Designer

Fremont, CA · On-site

$45 - $50/hr

... engineers, and product managers Responsible for defining creative and technical voice design ... mastering Proficiency in digital audio workstations and editing tools (Pro Tools and Izotope RX ...

... engineering discipline, and consistent system performance at the highest level of residential ... Continually learning and mastering new skills in the evolving A/V landscape. Qualifications * 2+ ...

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... engineering discipline, and consistent system performance at the highest level of residential ... Continually learning and mastering new skills in the evolving A/V landscape. Qualifications * 2+ ...

Apply Early

... engineering discipline, and consistent system performance at the highest level of residential ... Continually learning and mastering new skills in the evolving A/V landscape. Qualifications * 2+ ...

Apply Early

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Audio Mastering Engineer information

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$29.5K

$84.5K

$171.5K

How much do audio mastering engineer jobs pay per year?

As of Jul 7, 2026, the average yearly pay for audio mastering engineer in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive in the Audio Mastering Engineer position, and why are they important?

To thrive as an Audio Mastering Engineer, you need advanced knowledge in audio engineering, critical listening, signal processing, and an in-depth understanding of acoustics, usually acquired through relevant degrees or significant industry experience. Mastery of digital audio workstations (DAWs), specialized mastering software, and familiarity with hardware like compressors and equalizers are essential; industry certifications can be beneficial but are not always mandatory. A keen attention to detail, strong communication skills, and the ability to collaborate closely with artists and producers are key soft skills for this role. These competencies ensure high-quality, industry-standard audio output and successful client collaboration in a competitive music and sound production environment.

What does an Audio Mastering Engineer do?

An Audio Mastering Engineer is responsible for the final stage of audio production, ensuring a polished and professional sound. They apply equalization, compression, stereo enhancement, and other processing techniques to balance the mix and optimize it for various playback systems. Mastering also involves sequencing tracks for albums, adjusting volume levels for consistency, and preparing the final audio files for distribution. The goal is to enhance clarity, depth, and overall impact while maintaining the artistic intent of the music.

What are some common challenges Audio Mastering Engineers face in their day-to-day work?

Audio Mastering Engineers often encounter challenges such as managing a diverse range of audio material, meeting tight deadlines, and balancing the creative vision of artists with industry loudness and quality standards. They must quickly adapt to different genres, client preferences, and technical requirements, sometimes working with less-than-ideal mix quality. Additionally, staying current with rapidly evolving technologies and audio formats can be demanding. These challenges make adaptability, continuous learning, and strong client communication critical to success in this field.

What cities are hiring for Audio Mastering Engineer jobs? Cities with the most Audio Mastering Engineer job openings:
What are the most commonly searched types of Audio Mastering Engineer jobs? The most popular types of Audio Mastering Engineer jobs are:
What states have the most Audio Mastering Engineer jobs? States with the most job openings for Audio Mastering Engineer jobs include:
Infographic showing various Audio Mastering Engineer job openings in the United States as of July 2026, with employment types broken down into 77% Full Time, 20% Part Time, 1% Temporary, and 2% Contract. Highlights an 89% Physical, 1% Hybrid, and 10% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.
Recording Engineer

Recording Engineer

Davidson College

Davidson, NC • On-site

Full-time

Posted 26 days ago


Job description


The Recording Engineer, Audio Technician, & Tyler-Tallman Hall manager is responsible for all live event recording, studio recording, audio archival maintenance, and recording distribution for the Music Department and events co-sponsored by the Music Department. This position provides support for Music faculty, staff, lesson instructors, and students on the integration of existing and emerging audio technologies to support instruction and performance. The position will provide technical support for the Electronic Music & Recording Studio and Digital Music Laboratory. The position also includes serving as a manager for Tyler-Tallman Recital Hall and running the sound board for Music events in that space. The position will train and manage any necessary work study students.
  • Recording Engineer
    • Provide high quality digital recording, mixing, and editing for Music Department and Music Department co-sponsored events in Tyler-Tallman Hall (TTH), Duke Family Performance Hall (DFPH), Davidson College Presbyterian Church (DCPC), other campus spaces, and Recording Studio for archive.
    • Manage and backup data to Music Department archival hard drives and cloud.
    • Serve as backup videographer for TTH performances (not video editing).
    • Hire, train, and supervise any necessary work study students.
  • Sound Board Operator for all Music Department and Music Department co-sponsored events in TTH and DCPC
    • Run pre-performance sound checks for performances in TTH requiring live mics.
    • Coordinate with Tech Services' Sound Board Operator for events in DFPH.
    • Coordinate with DCPC staff to run DCPC soundboard.
  • Tyler-Tallman Hall Manager
    • Serve as point person for Music events in TTH (approximately 40 per week during academic year) and non-Music events in TTH (approximately 2 per week during the academic year and sporadically throughout the summer), coordinating with the Director of Production & Promotion as necessary.
    • Serve as point person for any TTH lighting board technical issues.
    • Coordinate with T&I for Crestron migration and projector maintenance in TTH.

Classroom & Lab Maintenance
  • Assist the Music Department in the development and maintenance of the Electronic Music & Recording Studio and Digital Music Laboratory, staying abreast of emerging audio/multimedia software and technologies.
  • Serve as primary technician and provide maintenance for new Digital Creation Space in Sloan expected in summer/fall 2027 or 2028 (which will be approximately double the number of stations of current Digital Music Studio/"Keyboard Lab")
  • Coordinate with T&I for Music Department computer hardware replacements and upgrades in Sloan classrooms, current Digital Music/Keyboard Lab, future Digital Creation Space, and Electronic Music & Recording studio.
  • Manage and oversee departmental software purchases, upgrades, renewals, and master accounts for software subscriptions.
  • Coordinate with T&I and Physical Plant for Crestron migration and other upgrades and projects involving audio technologies in Sloan classrooms.
  • Troubleshoot speaker issues in Sloan classrooms.
  • Coordinate with Physical Plant and campus electricians for any necessary adjustments to infrastructure of wires within Sloan.
  • Maintain a budget for purchasing equipment, hardware, software, keyboards, and accessories necessary for event recording and studio, lab, and classroom maintenance and instruction.
  • Recycle, trade up, upcycle, or find ways to appropriately dispose of obsolete electronics.

Faculty & Staff Support
  • Offer guest sessions on recording for music classes.
  • Collaborate with Music faculty to train students in audio recording and mastering techniques in the recording studio.
  • Assist Appalachian Ensemble Director with creating audio clips for rehearsal purposes.
  • Record DCSO student composition reading sessions in Sloan 200.
  • Serve as Sound Operator for Theatre's & Music's collaborations on musicals.
  • Assist faculty with emergency recordings or livestreams in case of a global pandemic.

Required
  • B.M., B.S., or B.A. in Sound Recording, Sound Engineering, Audio Engineering, Recording Arts, or similar field
  • Five years of relevant hands-on experience required, which may include an M.M., M.S., or M.F.A.; Significant live event audio recording and production experience in orchestral, choral, and jazz big band music and experience working with faculty, preferably in a college environment. Ability to manage a digital recording studio. Excellent audio recording and mastering skills, interpersonal, organizational, and leadership skills, and experience with recent developments in audio technology. Strong oral and written communication skills with a solid customer service orientation.

Preferred
  • Basic skills in audio circuitry, electrical engineering, and soldering.

Information about how to submit an application can be found at https://employment.davidson.edu.
About Us
Davidson is a highly selective, nationally ranked, residential liberal arts college located in Davidson, North Carolina, near Charlotte. We seek to hire talented faculty and staff who are committed to achieving excellence within an inclusive community where diverse backgrounds and perspectives are valued.