Assistant Audio Engineer is responsible for working in a studio environment mixing/editing and ... Pro-Tools and mastering software for DVD production. * CD production and digital platforms: Pro ...
Assistant Audio Engineer is responsible for working in a studio environment mixing/editing and ... Pro-Tools and mastering software for DVD production. * CD production and digital platforms: Pro ...
Assistant Audio Engineer
Bedford, TX · On-site
Assistant Audio Engineer is responsible for working in a studio environment mixing/editing and ... Pro-Tools and mastering software for DVD production. * CD production and digital platforms: Pro ...
Assistant Audio Engineer
Bedford, TX · On-site
Assistant Audio Engineer is responsible for working in a studio environment mixing/editing and ... Pro-Tools and mastering software for DVD production. * CD production and digital platforms: Pro ...
Assistant Audio Engineer
Bedford, TX · On-site
$27/hr
Assistant Audio Engineer is responsible for working in a studio environment mixing/editing and ... Pro-Tools and mastering software for DVD production. · CD production and digital platforms: Pro ...
Quick apply
Assistant Audio Engineer
Bedford, TX · On-site
$27/hr
Assistant Audio Engineer is responsible for working in a studio environment mixing/editing and ... Pro-Tools and mastering software for DVD production. · CD production and digital platforms: Pro ...
Lecturer/ Senior Lecturer of Sound/Audio Engineering Employee Classification: Senior Lecturer ... mastering), mixing and mastering, album production, digital orchestration, and Dolby Atmos for ...
Lecturer/ Senior Lecturer of Sound/Audio Engineering Employee Classification: Senior Lecturer ... mastering), mixing and mastering, album production, digital orchestration, and Dolby Atmos for ...
Lecturer/ Senior Lecturer of Sound/Audio Engineering Employee Classification: Senior Lecturer ... mastering), mixing and mastering, album production, digital orchestration, and Dolby Atmos for ...
Lecturer/ Senior Lecturer of Sound/Audio Engineering Employee Classification: Senior Lecturer ... mastering), mixing and mastering, album production, digital orchestration, and Dolby Atmos for ...
Lecturer/ Senior Lecturer of Sound/Audio Engineering Employee Classification: Senior Lecturer ... mastering), mixing and mastering, album production, digital orchestration, and Dolby Atmos for ...
Lecturer/ Senior Lecturer of Sound/Audio Engineering Employee Classification: Senior Lecturer ... mastering), mixing and mastering, album production, digital orchestration, and Dolby Atmos for ...
Audio Mastering Engineer information
See Texas salary details
$27.5K - $39.5K
16% of jobs
$45K is the 25th percentile. Wages below this are outliers.
$39.5K - $51.5K
19% of jobs
$51.5K - $63.6K
13% of jobs
The median wage is $65K / yr.
$63.6K - $75.6K
14% of jobs
$75.6K - $87.6K
10% of jobs
$93.1K is the 75th percentile. Wages above this are outliers.
$87.6K - $99.6K
6% of jobs
$99.6K - $111.7K
4% of jobs
$111.7K - $123.7K
5% of jobs
$123.7K - $135.7K
4% of jobs
$135.7K - $147.8K
8% of jobs
$147.8K - $159.8K
0% of jobs
$27.5K
$78.7K
$159.8K
How much do audio mastering engineer jobs pay per year?
What are the key skills and qualifications needed to thrive in the Audio Mastering Engineer position, and why are they important?
To thrive as an Audio Mastering Engineer, you need advanced knowledge in audio engineering, critical listening, signal processing, and an in-depth understanding of acoustics, usually acquired through relevant degrees or significant industry experience. Mastery of digital audio workstations (DAWs), specialized mastering software, and familiarity with hardware like compressors and equalizers are essential; industry certifications can be beneficial but are not always mandatory. A keen attention to detail, strong communication skills, and the ability to collaborate closely with artists and producers are key soft skills for this role. These competencies ensure high-quality, industry-standard audio output and successful client collaboration in a competitive music and sound production environment.
What does an Audio Mastering Engineer do?
An Audio Mastering Engineer is responsible for the final stage of audio production, ensuring a polished and professional sound. They apply equalization, compression, stereo enhancement, and other processing techniques to balance the mix and optimize it for various playback systems. Mastering also involves sequencing tracks for albums, adjusting volume levels for consistency, and preparing the final audio files for distribution. The goal is to enhance clarity, depth, and overall impact while maintaining the artistic intent of the music.
What are some common challenges Audio Mastering Engineers face in their day-to-day work?
Audio Mastering Engineers often encounter challenges such as managing a diverse range of audio material, meeting tight deadlines, and balancing the creative vision of artists with industry loudness and quality standards. They must quickly adapt to different genres, client preferences, and technical requirements, sometimes working with less-than-ideal mix quality. Additionally, staying current with rapidly evolving technologies and audio formats can be demanding. These challenges make adaptability, continuous learning, and strong client communication critical to success in this field.

Job description
- Work alongside Audio Supervisor and Producers to manage and meet audio post needs as determined by regular workflow and project/deadline driven needs.
- Ensures final live audio mixes are consistent with overall vision of the program.
- Uses creativity and audio skills to provide the final mixes required to complete the project.
- Creative and knowledgeable in the concepts of audio recording.
- Works with Audio Supervisor, other members of Audio, Production, IT, and Engineering to maintain and support audio and networking functions to keep audio post systems in good working order.
- Proficient in technical aspects of audio including:
- Music: Pro-Tools, vocal tuning, editing, mixing, techniques, and more.
- Video: Pro-Tools, forensic, audio cleanup techniques, mixing techniques, for dialog and dialog with music, and more.
- DVD production and digital platforms: Pro-Tools and mastering software for DVD production.
- CD production and digital platforms: Pro-Tools and mastering software for CD production.
- Music: capable of hearing and understanding the basics of music theory, specifically 3- and 4-part harmony.
- A valid Texas Driver’s License
- Bachelor’s Degree and/or proven advanced experience in Music, Audio Post-Production, TV production, or a related field.
- A positive attitude (a must)
- 1-3 years’ experience (preferred)
- Experience working with a team to bring a project from Pre-Production through Post-Production.
- Exemplary related skills (i.e., EFP Recording, Live Mixing, Music Production)
- Problem solver with the ability to adapt to ever-changing environments of production that can be caused by unforeseen factors.
- Efficient time management skills and able to work with deadlines.
- Exceptional organization skills
- Must be able to sit, stand, and walk for extended periods of time.
- Must be able to lift to 25 lbs.
- Requires normal range of hearing and vision.
- Must be able to work shifts as scheduled.
- Must be able to work extended hours during events.
About Daystar Television Network
Sourced by ZipRecruiter
Industry
Religious organizations
Company size
201 - 500 Employees
Headquarters location
Bedford, TX, US
Year founded
1997