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Audio Engineer Sports Jobs (NOW HIRING)

AEG

Audio Engineer

Wheeling, WV · On-site

The Audio Engineer is responsible for the setup, operation, monitoring, and maintenance of ... Knowledge of live sports and entertainment production workflows. * Experience supporting radio ...

AEG

Audio Engineer

Glendale, AZ · On-site

Audio Manager Summary: The Audio Engineer provides operational support for the planning ... The ideal candidate has experience supporting live sports and event production, a strong ...

Musco Sports Lighting

Senior Audio Engineer

Oskaloosa, IA · On-site

$98K - $134K/yr

The Senior Audio Engineer designs, develops, tests, and optimizes professional audio systems and technologies that support Musco's entertainment, sports, and large-venue solutions. This role provides ...

Musco Sports Lighting

Senior Audio Engineer

Oskaloosa, IA · On-site

$98K - $134K/yr

The Senior Audio Engineer designs, develops, tests, and optimizes professional audio systems and technologies that support Muscos entertainment, sports, and large-venue solutions. This role provides ...

Musco Sports Lighting

Senior Audio Engineer

Oskaloosa, IA · On-site

$98K - $134K/yr

The Senior Audio Engineer designs, develops, tests, and optimizes professional audio systems and technologies that support Musco's entertainment, sports, and large-venue solutions. This role provides ...

New York Racing Association

$32.69 - $44.14/hr

Interface with broadcast production trucks and engineering teams to integrate Belmont Park ... Experience with large-scale sports, broadcast, entertainment, or live event venues * Position ...

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Audio Engineer Sports information

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$29.5K

$84.5K

$171.5K

How much do audio engineer sports jobs pay per year?

As of Sep 3, 2026, the average yearly pay for audio engineer sports in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What does an audio engineer do in sports broadcasting?

An Audio Engineer in sports broadcasting is responsible for capturing, mixing, and delivering high-quality sound for live or recorded sports events. They manage microphones for commentators and athletes, handle crowd noise, and ensure that all audio elements are balanced and clear for viewers at home. Their work involves setting up equipment, troubleshooting technical issues, and collaborating with other production team members to create an immersive audio experience. The role requires technical expertise, quick problem-solving, and the ability to work under pressure, especially during live broadcasts.

What are the key skills and qualifications needed to thrive as an audio engineer in sports?

To thrive as an Audio Engineer in Sports, you need a solid understanding of audio signal flow, live sound mixing, and a background in audio engineering or a related field. Familiarity with broadcast audio consoles, wireless microphone systems, and digital audio workstations (DAWs) is typically required, along with relevant certifications such as AVIXA or Dante. Excellent problem-solving, communication, and the ability to stay calm under pressure are crucial soft skills for managing live events. These skills ensure seamless audio production, quick troubleshooting, and high-quality broadcasts in fast-paced, dynamic sports environments.

What are some unique challenges that audio engineers face when working on live sports broadcasts?

Audio engineers in live sports environments often encounter challenges such as managing unpredictable crowd noise, quickly adapting to changing weather conditions, and ensuring clear communication between commentators, referees, and production staff. They must work efficiently under tight time constraints, frequently setting up and troubleshooting complex audio equipment on-site. Collaboration with camera operators, directors, and technical crews is essential to deliver seamless, high-quality sound despite the fast-paced and dynamic nature of live sports events.

What is the difference between Audio Engineer Sports vs Audio Engineer Live Events?

AspectAudio Engineer SportsAudio Engineer Live Events
CredentialsAudio engineering certification, audio production experienceAudio engineering certification, live sound experience
Work EnvironmentSports stadiums, arenas, broadcast boothsConcert halls, festivals, live venues
Industry UsageSports broadcasting, stadium eventsMusic concerts, festivals, live shows

Audio Engineer Sports primarily focuses on sound for sporting events and broadcasts within stadiums and arenas, while Audio Engineer Live Events covers a broader range of live performances like concerts and festivals. Both roles require similar certifications and technical skills but differ mainly in the work environment and industry focus.

More about Audio Engineer Sports jobs

What cities are hiring for Audio Engineer Sports jobs?

Cities with the most Audio Engineer Sports job openings:

What states have the most Audio Engineer Sports jobs?

States with the most job openings for Audio Engineer Sports jobs include:

What job categories do people searching Audio Engineer Sports jobs look for?

The top searched job categories for Audio Engineer Sports jobs are:

Audio Engineer Sports jobs near you
Infographic showing various Audio Engineer Sports job openings in the United States as of August 2026, with employment types broken down into 93% Full Time, 3% Part Time, and 4% Contract. Highlights an 86% Physical, 5% Hybrid, and 9% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.

Audio Engineer

AEG

Wheeling, WV • On-site

Full-time

Re-posted 18 days ago

Job description

Position Summary
The Wheeling Nailers are expanding their game day broadcast and looking to hire experienced Audio Engineers for the 2026-2027 home season.
The Audio Engineer is responsible for the setup, operation, monitoring, and maintenance of professional audio systems supporting live broadcasts, radio programming, and arena events. This role ensures high-quality sound production for live audiences, broadcast listeners, and streaming platforms by managing audio consoles, signal routing, microphones, playback systems, intercom communications, and recording equipment.
Essential Duties and Responsibilities:
  • Operate digital and analog audio consoles for live broadcasts, radio shows, sporting events, concerts, and arena productions.
  • Mix live audio for in-house public address (PA), broadcast, radio, and streaming platforms.
  • Set up, configure, and maintain microphones, wireless systems, intercoms, and audio playback equipment.
  • Monitor audio quality throughout productions and make real-time adjustments to ensure optimal sound.
  • Coordinate with producers, directors, talent, announcers, DJs, stage managers, and technical crews during live productions.
  • Route and manage audio signals between control rooms, studios, arena systems, and press box.
  • Record live events and maintain audio archives when required.
  • Perform pre-event equipment testing, sound checks, and post-event equipment breakdown.
  • Troubleshoot technical issues quickly to minimize production interruptions.
  • Maintain and organize audio equipment inventory and recommend repairs or replacements when necessary.
  • Assist with installation, maintenance, and upgrades of audio systems.

Required Qualifications
  • 1+ years of audio engineering experience.
  • Experience operating professional digital mixing consoles (Behringer X32).
  • Working knowledge of audio signal flow, gain structure, equalization, compression, and digital networking.
  • Experience with wireless microphone systems and RF coordination.
  • Ability to diagnose and resolve audio equipment failures under time-sensitive conditions.
  • Strong communication, teamwork, and organizational skills.
  • Ability to lift up to 50 pounds.
  • Ability to work evenings, weekends, holidays, and flexible schedules based on event requirements.

Preferred Skills
  • Knowledge of live sports and entertainment production workflows.
  • Experience supporting radio automation and broadcast systems.
  • Familiarity with streaming and webcast production.
  • Understanding of video production workflows as they relate to audio.
  • Basic networking and IT troubleshooting skills.
  • Experience with intercom systems, matrix routing, and broadcast communications.
  • Ability to multitask while maintaining attention to detail in high-pressure environments.

Working Conditions
  • Fast-paced live production environment.
  • Frequent standing, lifting, bending, and equipment setup.
  • Exposure to high sound levels during concerts, sporting events, and live productions.
  • Flexible schedule including nights, weekends, holidays, and extended event hours.

The Wheeling Nailers may require an employee to perform duties outside his/her normal description. The Nailers are an equal opportunity employer, and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, disability status, protected veteran status, or any other characteristic protected by law.
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About AEG

Sourced by ZipRecruiter

Industry

Recruiting and staffing services

Company size

51 - 200 Employees

Headquarters location

Saint Louis, MO, US

Year founded

1992

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