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Audio Engineer Sports Jobs (NOW HIRING)

Broadcast Management Group (BMG) is a full-service media production company that provides managed services and live News, Sports, music, and Entertainment production. The Assistant Audio Engineer ...

Senior Audio Engineer

Atlanta, GA · On-site

$100K - $138K/yr

The Senior Audio Engineer is responsible for the maintenance, reliability, and continuous improvement of all in-venue audio systems supporting Atlanta Falcons, Atlanta United, NWSL Atlanta (2028 ...

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Audio Engineer Sports information

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$29.5K

$84.5K

$171.5K

How much do audio engineer sports jobs pay per year?

As of Jun 9, 2026, the average yearly pay for audio engineer sports in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What are some unique challenges that audio engineers face when working on live sports broadcasts?

Audio engineers in live sports environments often encounter challenges such as managing unpredictable crowd noise, quickly adapting to changing weather conditions, and ensuring clear communication between commentators, referees, and production staff. They must work efficiently under tight time constraints, frequently setting up and troubleshooting complex audio equipment on-site. Collaboration with camera operators, directors, and technical crews is essential to deliver seamless, high-quality sound despite the fast-paced and dynamic nature of live sports events.

What does an Audio Engineer do in sports broadcasting?

An Audio Engineer in sports broadcasting is responsible for capturing, mixing, and delivering high-quality sound for live or recorded sports events. They manage microphones for commentators and athletes, handle crowd noise, and ensure that all audio elements are balanced and clear for viewers at home. Their work involves setting up equipment, troubleshooting technical issues, and collaborating with other production team members to create an immersive audio experience. The role requires technical expertise, quick problem-solving, and the ability to work under pressure, especially during live broadcasts.

What are the key skills and qualifications needed to thrive as an Audio Engineer in Sports, and why are they important?

To thrive as an Audio Engineer in Sports, you need a solid understanding of audio signal flow, live sound mixing, and a background in audio engineering or a related field. Familiarity with broadcast audio consoles, wireless microphone systems, and digital audio workstations (DAWs) is typically required, along with relevant certifications such as AVIXA or Dante. Excellent problem-solving, communication, and the ability to stay calm under pressure are crucial soft skills for managing live events. These skills ensure seamless audio production, quick troubleshooting, and high-quality broadcasts in fast-paced, dynamic sports environments.

What is the difference between Audio Engineer Sports vs Audio Engineer Live Events?

AspectAudio Engineer SportsAudio Engineer Live Events
CredentialsAudio engineering certification, audio production experienceAudio engineering certification, live sound experience
Work EnvironmentSports stadiums, arenas, broadcast boothsConcert halls, festivals, live venues
Industry UsageSports broadcasting, stadium eventsMusic concerts, festivals, live shows

Audio Engineer Sports primarily focuses on sound for sporting events and broadcasts within stadiums and arenas, while Audio Engineer Live Events covers a broader range of live performances like concerts and festivals. Both roles require similar certifications and technical skills but differ mainly in the work environment and industry focus.

More about Audio Engineer Sports jobs
What cities are hiring for Audio Engineer Sports jobs? Cities with the most Audio Engineer Sports job openings:
What states have the most Audio Engineer Sports jobs? States with the most job openings for Audio Engineer Sports jobs include:
What job categories do people searching Audio Engineer Sports jobs look for? The top searched job categories for Audio Engineer Sports jobs are:
Infographic showing various Audio Engineer Sports job openings in the United States as of May 2026, with employment types broken down into 86% Full Time, and 14% Contract. Highlights an 86% In-person, and 14% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.
A1 (Broadcast Audio Engineer)

A1 (Broadcast Audio Engineer)

Broadcast Management Group, Inc.

Chicago, IL • On-site

Full-time

Posted 4 days ago


Job description

Audio Technician / A1 (Broadcast Audio Engineer)
Broadcast Management Group (BMG) is a full-service media production company providing managed services and live production solutions across News, Sports, Entertainment, Music, and Digital Streaming. We support some of the industry's leading broadcast and media organizations through innovative production workflows and technical excellence.
Position Summary
The Audio Technician / A1 is responsible for the setup, operation, maintenance, and troubleshooting of audio systems for live television broadcasts, digital streaming productions, and special events. This position plays a critical role in ensuring broadcast-quality audio for talent, guests, remote contributors, and audiences across multiple platforms.
The ideal candidate thrives in fast-paced live production environments, possesses strong technical skills, remains calm under pressure, and delivers exceptional communication and client service.
Key Responsibilities
Set up, operate, and monitor audio systems for live television broadcasts, digital streaming productions, and special events.
Mix live audio sources including talent microphones, remote guests, IFBs, playback, music, and studio feeds.
Maintain consistent broadcast-quality audio levels throughout live productions.
Monitor audio signals and quickly diagnose and resolve issues before they impact air.
Guest & Talent Coordination
Coordinate guests ahead of live appearances and scheduled segments.
Conduct pre-show audio and video checks ("faxing out" guests) to ensure technical readiness.
Prepare and hand off guests for live broadcasts.
Set up and manage lavalier microphones, IFBs, wireless microphone systems, and talent communication devices.
Manage microphone batteries, wireless frequencies, and talent audio requirements.
Escort and assist guests as needed while maintaining a professional on-air experience.
Remote Production Support
Configure and manage Zoom, Skype, Teams, LiveU, and other remote contribution systems.
Establish and troubleshoot remote guest connections for live broadcasts.
Monitor remote audio quality and coordinate with guests and production staff to ensure successful live hits.
Support hybrid and remote production workflows.
Audio Networking & Communications
Configure, operate, and troubleshoot Dante audio networks.
Operate and support RTS intercom systems and communications workflows.
Understand and manage audio signal flow, routing, patching, and IP-based audio infrastructure.
Support communications between control rooms, studios, and remote production teams.
Equipment Maintenance & Technical Support
Perform routine maintenance, testing, and quality control on audio equipment.
Troubleshoot audio consoles, microphones, wireless systems, IFBs, codecs, routers, and communications systems.
Assist with equipment upgrades, installations, and studio maintenance projects.
Maintain accurate equipment inventory and documentation.
Ensure all audio systems are operational and production-ready.
Production Support
Assist with studio setup, strike, and production preparation.
Collaborate closely with Producers, Directors, Technical Directors, Engineers, and Talent.
Follow show rundowns and production schedules while adapting to last-minute changes.
Support special productions, remote broadcasts, and field operations as assigned.
Contribute to a positive team environment and assist across departments when needed.
Required Qualifications
Experience working in live television, broadcast, streaming, or live event production environments.
Strong knowledge of live audio mixing and broadcast audio workflows.
Experience operating professional digital audio consoles.
Experience with Dante audio networking.
Experience with RTS intercom systems.
Familiarity with LiveU and remote production technologies.
Experience managing Zoom, Skype, Teams, and other remote guest platforms.
Understanding of signal flow, audio routing, patching, and troubleshooting.
Strong organizational and communication skills.
Excellent client-facing and talent-facing professionalism.
Ability to remain calm and make decisions under live broadcast pressure.
Preferred Qualifications
Experience in a live television control room environment.
Knowledge of wireless microphone coordination and RF management.
Familiarity with audio-over-IP workflows.
Experience with news, sports, or entertainment broadcasts.
Understanding of broadcast networking infrastructure.
Experience supporting multiple studios or control rooms.
Skills & Competencies
Strong troubleshooting abilities
Excellent attention to detail
Effective communication skills
Professional guest and client management
Ability to multitask in high-pressure environments
Team-oriented mindset
Adaptability and willingness to learn new technologies

Broadcast Management Group logo

About Broadcast Management Group

Sourced by ZipRecruiter

We are a video production company dedicated to solving technical and creative challenges of any scale or complexity At Broadcast Management Group, we believe there is no one-size-fits-all solution to production. Every project requires a unique approach. And every client has different desires and objectives. Our job is to understand those goals, desires, and dreams and craft a custom production solution that delivers results. This philosophy applies to all facets of our organization, from live production, consulting, and integration to events, staffing, and creative. We’ve spent nearly two decades helping clients across the globe achieve their production goals. From large-scale, multi-camera productions, engineering technical facilities, and launching OTT networks from the ground up. Our work tells the story of what we’ve done, where we’ve been, and the clients we’ve been fortunate to collaborate with.

Industry

Broadcasting

Company size

51 - 200 Employees

Headquarters location

Washington, DC, US

Year founded

2005

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