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Audio Engineer Sports Jobs (NOW HIRING)

Report/shoot/edit video and audio content of varying lengths/formats to meet the requirements of ... Willingness to learn and understand the IT and engineering elements required for successful ...

Sports Broadcaster

Wheeling, WV · On-site

  • Medical

  • Dental

  • Vision

  • Retirement

The audio revolution is here - and iHeart is leading it! iHeartMedia, the number one audio company ... Regulate program timing, operates syndicated programming, and plays commercials. * Monitor the ...

Part Time Video/Audio Producer

Portland, OR

$16.30 - $22/hr

  • Medical

  • Dental

  • Vision

  • Life

  • Retirement

  • PTO

Programming Reporting To: Brand Manager Employment Type: Part Time Location(s): Portland, OR. Work ... React quickly to breaking sports news and activate digital coverage across platforms. * Set-up ...

Part Time Video/Audio Producer

Portland, OR

$16.30 - $22/hr

  • Medical

  • Dental

  • Vision

  • Life

  • Retirement

  • PTO

Programming Reporting To: Brand Manager Employment Type: Part Time Location(s): Portland, OR. Work ... React quickly to breaking sports news and activate digital coverage across platforms. * Set-up ...

Showing results 41-60

Audio Engineer Sports information

See salary details

$29.5K

$84.5K

$171.5K

How much do audio engineer sports jobs pay per year?

As of Aug 13, 2026, the average yearly pay for audio engineer sports in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What are some unique challenges that audio engineers face when working on live sports broadcasts?

Audio engineers in live sports environments often encounter challenges such as managing unpredictable crowd noise, quickly adapting to changing weather conditions, and ensuring clear communication between commentators, referees, and production staff. They must work efficiently under tight time constraints, frequently setting up and troubleshooting complex audio equipment on-site. Collaboration with camera operators, directors, and technical crews is essential to deliver seamless, high-quality sound despite the fast-paced and dynamic nature of live sports events.

What does an audio engineer do in sports broadcasting?

An Audio Engineer in sports broadcasting is responsible for capturing, mixing, and delivering high-quality sound for live or recorded sports events. They manage microphones for commentators and athletes, handle crowd noise, and ensure that all audio elements are balanced and clear for viewers at home. Their work involves setting up equipment, troubleshooting technical issues, and collaborating with other production team members to create an immersive audio experience. The role requires technical expertise, quick problem-solving, and the ability to work under pressure, especially during live broadcasts.

What are the key skills and qualifications needed to thrive as an audio engineer in sports?

To thrive as an Audio Engineer in Sports, you need a solid understanding of audio signal flow, live sound mixing, and a background in audio engineering or a related field. Familiarity with broadcast audio consoles, wireless microphone systems, and digital audio workstations (DAWs) is typically required, along with relevant certifications such as AVIXA or Dante. Excellent problem-solving, communication, and the ability to stay calm under pressure are crucial soft skills for managing live events. These skills ensure seamless audio production, quick troubleshooting, and high-quality broadcasts in fast-paced, dynamic sports environments.

What is the difference between Audio Engineer Sports vs Audio Engineer Live Events?

AspectAudio Engineer SportsAudio Engineer Live Events
CredentialsAudio engineering certification, audio production experienceAudio engineering certification, live sound experience
Work EnvironmentSports stadiums, arenas, broadcast boothsConcert halls, festivals, live venues
Industry UsageSports broadcasting, stadium eventsMusic concerts, festivals, live shows

Audio Engineer Sports primarily focuses on sound for sporting events and broadcasts within stadiums and arenas, while Audio Engineer Live Events covers a broader range of live performances like concerts and festivals. Both roles require similar certifications and technical skills but differ mainly in the work environment and industry focus.

More about Audio Engineer Sports jobs
What cities are hiring for Audio Engineer Sports jobs? Cities with the most Audio Engineer Sports job openings:
What states have the most Audio Engineer Sports jobs? States with the most job openings for Audio Engineer Sports jobs include:
What job categories do people searching Audio Engineer Sports jobs look for? The top searched job categories for Audio Engineer Sports jobs are:
Infographic showing various Audio Engineer Sports job openings in the United States as of August 2026, with employment types broken down into 4% Internship, 72% Full Time, 20% Part Time, and 4% Contract. Highlights an 100% In-person job distribution, with an average salary of $84,456 per year, or $40.6 per hour.

Audio-Video Technician | Part-Time | Ryan Field at Northwestern University

Oak View Group

Evanston, IL

$28 - $34/hr

Part-time

Retirement

Posted 6 days ago


Oak View Group rating

6.2

Company rating: 6.2 out of 10

Based on 83 frontline employees who took The Breakroom Quiz

23rd of 36 rated event venues


Job description

Oak View Group (OVG) is the global leader in premium live entertainment infrastructure and services, with a platform spanning venue development and end-to-end capabilities across venue management, hospitality, and sponsorship sales. Founded in 2015, the company serves a collection of seven world-class owned venues and a client roster of the most iconic arenas, stadiums, convention centers, music festivals, performing arts centers, and cultural institutions, spanning four continents. 


The control room Audio Video Technician supports live sports, concerts, and special events at New Ryan Field and Welsh-Ryan Arena. This part-time, seasonal position operates assigned control room, camera, audio, intercom, or production equipment based on event needs. We are seeking dependable, hardworking production professionals who communicate well, take direction, and perform calmly in fast-paced live-event environments.

 
This role pays an hourly rate of $28.00-$34.00
 

Benefits for Part-Time roles: 401(k) Savings Plan, 401(k) matching.

This position will remain open until November 6, 2026.


The new Ryan Field will create a world-class home for Northwestern University Athletics and a best-in-the-nation football experience for fans and players and be a year-round asset for the community.


  • Support assigned technical and production responsibilities before, during, and after live events.
  • Follow direction from producers, directors, engineers, and event leadership while communicating technical issues promptly.
  • Contribute to a professional, collaborative, and customer-service-oriented production environment, including sponsorship activations, special events, and revenue-generating opportunities.
  • Set up, operate, and strike audio, video, broadcast, and production equipment for live events, including sporting events, concerts, and special events.
  • Execute assigned technical production duties, including camera operation, video switching, replay, graphics, audio support, and other broadcast systems based on event requirements.
  • Perform system testing, signal verification, equipment checks, and basic troubleshooting to ensure production readiness before and during events.
  • Follow production cues and communicate effectively with directors, producers, and production teams using intercom and other communication systems to deliver seamless live productions.
  • Provide technical support during live events, quickly resolving issues while maintaining a “fans first” mindset and delivering a high-quality guest and client experience.
  • Reliable, punctual, and willing to assist outside a primary assigned role when needed.

  • 2-3 years of live sports, entertainment, concert, or event-production experience.
  • A “fans first” customer-service mindset with the creativity and business awareness to support client service, sponsorship execution, special events, and revenue opportunities.
  • Ability to remain calm, collaborative, and decisive during live events and other time-sensitive situations.
  • Ability to independently complete assigned technical responsibilities with limited supervision, including equipment setup, system testing, operation, breakdown, and basic troubleshooting.
  • Ability to follow cues, communicate over intercom, and work effectively as part of a production team.
  • Previous experience in one or more of the following areas: Grass Valley K-Frame production switchers, Ross Carbonite production switchers, Evertz DreamCatcher replay, Ross XPression, XPression Tessera, DashBoard control, ENG, long-lens or RF camera operation, remote camera shading, A1 operation using Yamaha or Allen & Heath consoles, A2 support and portable sound-system setup, Riedel intercom and Bolero wireless, PTZ camera operation, and/or IPTV.

At OVG, we understand that to continue positively disrupting the sports and live entertainment industry, we need a diverse team to help us do it. We also believe that inclusivity drives innovation, strengthens our people, improves our service, and raises our excellence. Our success is rooted in creating environments that reflect and celebrate the diverse communities in which we operate and serve, and this is the reason we are committed to amplifying voices from all different backgrounds.


Oak View Group is committed to equal employment opportunity. We will not discriminate against employees or applicants for employment on any legally recognized basis (“protected class”) including, but not limited to veteran status, uniform service member status, race, color, religion, sex, national origin, age, physical or mental disability, genetic information or any other protected class under federal, state, or local law.


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