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Audio Engineer Sports Jobs (NOW HIRING)

Associate Producer - 98.5 The Sports Hub 98.5 The Sports Hub is seeking an experienced, energetic ... Operate the Wheatstone audio board during live broadcasts. * Support live programming and ...

... sports. Our full-service team delivers stage lighting, professional audio, LED video walls, and ... and engineering events, as well as, executing the Audio Visual elements during the event. This ...

Midco Sports Events Associate

Sioux Falls, SD · On-site

$18.25 - $21/hr

Job Summary: Midco Sports showcases a wide array of sporting events and syndicated sports ... Audio 1 * Primary audio operator for the event. Also assists engineering team with setup.

Midco Sports Event Associate

Grand Forks, ND · On-site

$18 - $20.75/hr

Midco Sports produces a wide array of live sporting events and syndicated sports programming ... Audio 1 * Primary audio operator for the event. Also assists engineering team with setup.

... and audio engineer on content • Partner with Market President, Senior Vice President of ... sports • Familiarity with internet radio and music streaming • Strong managerial skills ...

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Audio Engineer Sports information

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$29.5K

$84.5K

$171.5K

How much do audio engineer sports jobs pay per year?

As of Jul 23, 2026, the average yearly pay for audio engineer sports in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What are some unique challenges that audio engineers face when working on live sports broadcasts?

Audio engineers in live sports environments often encounter challenges such as managing unpredictable crowd noise, quickly adapting to changing weather conditions, and ensuring clear communication between commentators, referees, and production staff. They must work efficiently under tight time constraints, frequently setting up and troubleshooting complex audio equipment on-site. Collaboration with camera operators, directors, and technical crews is essential to deliver seamless, high-quality sound despite the fast-paced and dynamic nature of live sports events.

What does an Audio Engineer do in sports broadcasting?

An Audio Engineer in sports broadcasting is responsible for capturing, mixing, and delivering high-quality sound for live or recorded sports events. They manage microphones for commentators and athletes, handle crowd noise, and ensure that all audio elements are balanced and clear for viewers at home. Their work involves setting up equipment, troubleshooting technical issues, and collaborating with other production team members to create an immersive audio experience. The role requires technical expertise, quick problem-solving, and the ability to work under pressure, especially during live broadcasts.

What are the key skills and qualifications needed to thrive as an Audio Engineer in Sports, and why are they important?

To thrive as an Audio Engineer in Sports, you need a solid understanding of audio signal flow, live sound mixing, and a background in audio engineering or a related field. Familiarity with broadcast audio consoles, wireless microphone systems, and digital audio workstations (DAWs) is typically required, along with relevant certifications such as AVIXA or Dante. Excellent problem-solving, communication, and the ability to stay calm under pressure are crucial soft skills for managing live events. These skills ensure seamless audio production, quick troubleshooting, and high-quality broadcasts in fast-paced, dynamic sports environments.

What is the difference between Audio Engineer Sports vs Audio Engineer Live Events?

AspectAudio Engineer SportsAudio Engineer Live Events
CredentialsAudio engineering certification, audio production experienceAudio engineering certification, live sound experience
Work EnvironmentSports stadiums, arenas, broadcast boothsConcert halls, festivals, live venues
Industry UsageSports broadcasting, stadium eventsMusic concerts, festivals, live shows

Audio Engineer Sports primarily focuses on sound for sporting events and broadcasts within stadiums and arenas, while Audio Engineer Live Events covers a broader range of live performances like concerts and festivals. Both roles require similar certifications and technical skills but differ mainly in the work environment and industry focus.

More about Audio Engineer Sports jobs
What cities are hiring for Audio Engineer Sports jobs? Cities with the most Audio Engineer Sports job openings:
What states have the most Audio Engineer Sports jobs? States with the most job openings for Audio Engineer Sports jobs include:
What job categories do people searching Audio Engineer Sports jobs look for? The top searched job categories for Audio Engineer Sports jobs are:
Infographic showing various Audio Engineer Sports job openings in the United States as of July 2026, with employment types broken down into 54% Full Time, 23% Part Time, 8% Temporary, and 15% Contract. Highlights an 92% In-person, and 8% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.
Associate Producer

Associate Producer

Beasley Media Group

Boston, MA • On-site

Full-time

Posted 15 days ago


Job description

Associate Producer – 98.5 The Sports Hub

98.5 The Sports Hub is seeking an experienced, energetic, and highly motivated Associate Producer to join our award-winning team. This role is ideal for a sports media professional who thrives in a fast-paced environment, enjoys collaborating with on-air talent, and has a passion for creating engaging audio, video, and digital content.

Key Responsibilities
  • Collaborate with show hosts and producers to develop, research, and prepare compelling show content and topics.
  • Produce and edit audio and video content using industry-standard editing software.
  • Contribute content across the station’s digital and social media platforms.
  • Operate the Wheatstone audio board during live broadcasts.
  • Support live programming and occasionally provide on-air contributions.
  • Manage multiple assignments simultaneously while maintaining accuracy and meeting deadlines.
  • Work closely with talent and staff to ensure smooth execution of daily programming.
Qualifications
  • Prior experience producing audio and/or video content is required.
  • Proficiency operating a Wheatstone audio board.
  • Strong audio and video editing skills; experience with Adobe Audition, WideOrbit, NewsBoss, and DaVinci Resolve is preferred.
  • Ability to work effectively and collaboratively with on-air talent and production teams.
  • Excellent verbal and written communication skills.
  • Strong knowledge of local and national sports, current events, and pop culture.
  • Team-oriented mindset with the ability to collaborate across multiple departments.
  • Strong organizational skills and the ability to prioritize competing responsibilities in a dynamic environment.

Application Deadline: Position will remain open until filled.

To Apply:
Please submit your resume and cover letter to:

Email: BostonJobs@bbgi.com

Mail:
Beasley Media Group, LLC
Attn: Programming – Sports Hub
1075 Main Street, Suite 300
Waltham, MA 02451

No phone calls, please.
 


Beasley Media Group, LLC is an Equal Opportunity Employer. We celebrate diversity and are committed to creating an inclusive environment for all employees.

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