... cables, audio boards, intercoms, microphones, routers, monitors, and related production systems ... or temporary equipment, including assisting with copper and fiber optic cabling for event needs ...
... cables, audio boards, intercoms, microphones, routers, monitors, and related production systems ... or temporary equipment, including assisting with copper and fiber optic cabling for event needs ...
... cables, audio boards, intercoms, microphones, routers, monitors, and related production systems ... temporary equipment, including assisting with copper and fiber optic cabling for event needs. · ...
... cables, audio boards, intercoms, microphones, routers, monitors, and related production systems ... temporary equipment, including assisting with copper and fiber optic cabling for event needs. · ...
... audio) to be shared with partners and stakeholders for news stories and publications, on social ... The Senior Video and Multimedia Producer serves as an expert among Engineering Communicators for ...
... audio) to be shared with partners and stakeholders for news stories and publications, on social ... The Senior Video and Multimedia Producer serves as an expert among Engineering Communicators for ...
Temporary Audio Engineer information
See Indiana salary details
$37.1K - $45.6K
3% of jobs
$45.6K - $54.2K
3% of jobs
$54.2K - $62.7K
4% of jobs
$62.7K - $71.2K
7% of jobs
$71.2K - $79.7K
6% of jobs
$80.4K is the 25th percentile. Wages below this are outliers.
$79.7K - $88.2K
6% of jobs
The median wage is $95.9K / yr.
$88.2K - $96.8K
21% of jobs
$96.8K - $105.3K
4% of jobs
$110.8K is the 75th percentile. Wages above this are outliers.
$105.3K - $113.8K
29% of jobs
$113.8K - $122.3K
2% of jobs
$122.3K - $130.8K
13% of jobs
$37.1K
$96.8K
$130.8K
How much do temporary audio engineer jobs pay per year?
As of Jul 31, 2026, the average yearly pay for temporary audio engineer in Indiana is $96,824.00, according to ZipRecruiter salary data. Most workers in this role earn between $79,900.00 and $110,900.00 per year, depending on experience, location, and employer.
What does a Temporary Audio Engineer do?
A Temporary Audio Engineer is responsible for setting up, operating, and maintaining audio equipment for events, productions, or broadcasts on a short-term or contract basis. Their duties include mixing sound, troubleshooting technical issues, and ensuring high-quality audio output. They may work for concerts, conferences, theater productions, or recording sessions, adapting quickly to different environments and equipment. Temporary Audio Engineers are expected to have strong technical knowledge and the ability to work efficiently under tight deadlines.
Can you work from home as an audio engineer?
Temporary audio engineers typically work on-site to set up, operate, and troubleshoot audio equipment during live events, recordings, or broadcasts. While some tasks like editing or mixing can be done remotely with proper software and high-quality audio files, most roles require physical presence for equipment handling and real-time adjustments.
What are some common challenges faced by Temporary Audio Engineers when adapting to new venues or teams?
Temporary Audio Engineers often need to quickly familiarize themselves with different audio equipment and acoustics unique to each venue. They may also work with new teams, requiring strong communication skills to understand event requirements and preferences. Time constraints and limited setup access can make troubleshooting and soundchecks more challenging, but adaptability and a collaborative attitude help ensure smooth event execution. Building rapport with venue staff and maintaining a flexible mindset are key to overcoming these challenges.
What are the key skills and qualifications needed to thrive as a Temporary Audio Engineer, and why are they important?
To thrive as a Temporary Audio Engineer, you need a solid understanding of audio signal flow, sound mixing, and troubleshooting, often supported by experience or a relevant audio engineering qualification. Familiarity with digital audio workstations (DAWs), mixing consoles, microphones, and audio processing software is typically required. Strong communication, adaptability, and problem-solving skills help you work efficiently in changing environments and with various teams. These skills ensure high-quality audio production and seamless event or studio operations despite the temporary nature of the role.
How much does an audio engineer charge per hour?
The hourly rate for a temporary audio engineer typically ranges from $25 to $100, depending on experience, location, and the complexity of the project. Freelance audio engineers may charge higher rates for specialized skills or urgent work, while entry-level professionals tend to charge toward the lower end of the spectrum.
What is the difference between Temporary Audio Engineer vs Freelance Audio Technician?
| Aspect | Temporary Audio Engineer | Freelance Audio Technician |
|---|---|---|
| Credentials | Relevant audio engineering certifications, technical skills | Similar certifications, technical skills, portfolio |
| Work Environment | Event venues, recording studios, broadcast stations | Various locations, client sites, studios |
| Employer & Industry Usage | Temporary staffing agencies, production companies | Independent clients, production projects |
| Search & Comparison Intent | Temporary Audio Engineer vs Freelance Audio Technician |
Temporary Audio Engineers and Freelance Audio Technicians both require technical audio skills and certifications. However, Temporary Audio Engineers are typically hired through staffing agencies for specific projects or events, working in venues or studios. Freelance Audio Technicians operate independently, offering services directly to clients across various locations. Both roles involve similar credentials but differ mainly in employment structure and work setup.
What engineers make $500,000?
Highly experienced engineers in specialized fields such as software engineering, petroleum engineering, or aerospace engineering can earn $500,000 or more annually, often through a combination of base salary, bonuses, and stock options. Senior roles in these areas typically require advanced skills, certifications, and extensive industry experience.
Is there a demand for audio engineers?
Audio engineers are in demand across various industries such as entertainment, broadcasting, and live events, with employment opportunities growing as audio technology advances. Skills in digital audio workstations, sound mixing, and equipment setup are highly valued, and many roles require certification or experience with industry-standard tools.
What are the most commonly searched types of Audio Engineer jobs in Indiana? The most popular types of Audio Engineer jobs in Indiana are:
What are popular job titles related to Temporary Audio Engineer jobs in Indiana? For Temporary Audio Engineer jobs in Indiana, the most frequently searched job titles are:
What job categories do people searching Temporary Audio Engineer jobs in Indiana look for? The top searched job categories for Temporary Audio Engineer jobs in Indiana are:
What cities in Indiana are hiring for Temporary Audio Engineer jobs? Cities in Indiana with the most Temporary Audio Engineer job openings:
Full-time
Posted 21 days ago
Job description
Season Associate Start Date: September 2026
Season Associate End Date: June 2027
Location: on-site in Indianapolis, IN
Anticipated Time Commitment: approximately 25+ hours per week
Summary
The Broadcast Engineering Season Associate is an entry-level role that supports the AVP of Broadcast Engineering and Operations, broadcast engineering staff, and production teams with the setup, operation, and maintenance of television production equipment and event broadcast infrastructure. This position provides hands-on assistance for Indiana Pacers, Indiana Fever, and Noblesville Boom games, as well as other events at Gainbridge Fieldhouse that utilize PSE production services.
Evening and weekend availability is required. Under the direction of full-time broadcast engineering staff, the associate will help configure, install, operate, and maintain broadcast equipment such as cameras, cables, audio boards, intercoms, microphones, routers, monitors, and related production systems. This role is intended for someone seeking practical experience in live sports and event production while supporting smooth technical execution before, during, and after events.
Essential Duties and Responsibilities
• Maintain consistent evening and weekend availability for Pacers, Fever, Boom, and other events supported by PSE production services.
• Assist with setup, strike, and configuration of broadcast equipment for live games and events, including cameras, cables, audio boards, intercoms, microphones, routers, video monitors, audio monitors, and related production equipment.
• Support basic maintenance and organization of editing and production systems, including PC-based editors, servers, archive systems, and related equipment, under staff supervision.
• Help install, configure, label, test, and troubleshoot new or temporary equipment, including assisting with copper and fiber optic cabling for event needs.
• Collaborate with broadcast engineering staff, production teams, facility partners, and outside broadcast partners to support proper deployment of equipment and personnel for games and events.
• Assist with the operation, upkeep, and basic troubleshooting of video coaching facilities and related event production systems as needed.
• Support freelance staff and game day crew by helping with equipment preparation, setup instructions, and event-day technical needs under supervision.
• Serve as an entry-level technical support resource by helping answer basic equipment questions, escalating issues when needed, and relaying information to broadcast engineering staff.
• Help prepare, deploy, test, and collect in-arena production equipment on game days and assist with communicating equipment-use instructions to game day staff.
• Identify and report production issues, equipment concerns, damaged gear, or operational needs to the AVP of Broadcast Engineering & Operations or designated broadcast engineering staff.
Note: This seasonal, entry-level role is designed for individuals seeking hands-on experience in broadcast engineering, live sports production, and event operations. Responsibilities may be adjusted based on event needs and may include Pacers, Fever, Boom, and other events at Gainbridge Fieldhouse or other PSE-supported venues.
PHYSICAL & ENVIRONMENTAL DEMANDS:
The physical demands described here are representative of those that must be met by an employee to successfully perform the essential functions of this job. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.
While performing the duties of this job, the employee is regularly required to sit, stand, walk, use a telephone, use a computer, speak, hear, and write.
The noise level in the office work environment is usually moderate. The noise level in the Fieldhouse / game environment is usually loud. The stress level may become high during certain times of the year.
We are an equal opportunity employer, and all qualified applicants will receive consideration for employment without regard to race, color, religion, national origin, sex, sexual orientation, age, gender identity, marital status, disability status, protected veteran status, or any other characteristic protected by law.
Season Associate End Date: June 2027
Location: on-site in Indianapolis, IN
Anticipated Time Commitment: approximately 25+ hours per week
Summary
The Broadcast Engineering Season Associate is an entry-level role that supports the AVP of Broadcast Engineering and Operations, broadcast engineering staff, and production teams with the setup, operation, and maintenance of television production equipment and event broadcast infrastructure. This position provides hands-on assistance for Indiana Pacers, Indiana Fever, and Noblesville Boom games, as well as other events at Gainbridge Fieldhouse that utilize PSE production services.
Evening and weekend availability is required. Under the direction of full-time broadcast engineering staff, the associate will help configure, install, operate, and maintain broadcast equipment such as cameras, cables, audio boards, intercoms, microphones, routers, monitors, and related production systems. This role is intended for someone seeking practical experience in live sports and event production while supporting smooth technical execution before, during, and after events.
Essential Duties and Responsibilities
• Maintain consistent evening and weekend availability for Pacers, Fever, Boom, and other events supported by PSE production services.
• Assist with setup, strike, and configuration of broadcast equipment for live games and events, including cameras, cables, audio boards, intercoms, microphones, routers, video monitors, audio monitors, and related production equipment.
• Support basic maintenance and organization of editing and production systems, including PC-based editors, servers, archive systems, and related equipment, under staff supervision.
• Help install, configure, label, test, and troubleshoot new or temporary equipment, including assisting with copper and fiber optic cabling for event needs.
• Collaborate with broadcast engineering staff, production teams, facility partners, and outside broadcast partners to support proper deployment of equipment and personnel for games and events.
• Assist with the operation, upkeep, and basic troubleshooting of video coaching facilities and related event production systems as needed.
• Support freelance staff and game day crew by helping with equipment preparation, setup instructions, and event-day technical needs under supervision.
• Serve as an entry-level technical support resource by helping answer basic equipment questions, escalating issues when needed, and relaying information to broadcast engineering staff.
• Help prepare, deploy, test, and collect in-arena production equipment on game days and assist with communicating equipment-use instructions to game day staff.
• Identify and report production issues, equipment concerns, damaged gear, or operational needs to the AVP of Broadcast Engineering & Operations or designated broadcast engineering staff.
Note: This seasonal, entry-level role is designed for individuals seeking hands-on experience in broadcast engineering, live sports production, and event operations. Responsibilities may be adjusted based on event needs and may include Pacers, Fever, Boom, and other events at Gainbridge Fieldhouse or other PSE-supported venues.
PHYSICAL & ENVIRONMENTAL DEMANDS:
The physical demands described here are representative of those that must be met by an employee to successfully perform the essential functions of this job. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.
While performing the duties of this job, the employee is regularly required to sit, stand, walk, use a telephone, use a computer, speak, hear, and write.
The noise level in the office work environment is usually moderate. The noise level in the Fieldhouse / game environment is usually loud. The stress level may become high during certain times of the year.
We are an equal opportunity employer, and all qualified applicants will receive consideration for employment without regard to race, color, religion, national origin, sex, sexual orientation, age, gender identity, marital status, disability status, protected veteran status, or any other characteristic protected by law.