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Summer Film Tv Development Jobs (NOW HIRING)

Wrapbook

Mid-Market Sales Manager, Film & TV

$92K - $144K/yr

Mid-Market Sales Manager, Film & TV (Remote - USA) Wrapbook is looking for a hands-on sales manager ... Build individual development plans for each AE grounded in observed skill gaps, not just quota ...

Legends

$120 - $180/hr

Align workforce development efforts with the needs of the film and television industry, ensuring local talent can competitively support higher-volume and higher-budget productions.* Serve as ...

Chatham

Summer Broadcast Studio Student Assistant

Pittsburgh, PA · On-site

$14.75 - $18.75/hr

Interest in film, television, or technology is helpful, but not required. * Reliable, punctual, and ... Student jobs do not automatically roll over to the next academic year or summer. Chatham University ...

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Summer Film Tv Development information

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$16K

$95.7K

$178K

How much do summer film tv development jobs pay per year?

As of Sep 6, 2026, the average yearly pay for summer film tv development in the United States is $95,708.00, according to ZipRecruiter salary data. Most workers in this role earn between $74,000.00 and $114,500.00 per year, depending on experience, location, and employer.

What is a Summer Film TV Development internship?

A Summer Film TV Development internship is a temporary position, usually held by students or recent graduates, where interns work with production companies, studios, or networks during the summer months. Interns assist in the early stages of film and television projects, including script coverage, research, attending development meetings, and providing creative input. This role provides valuable exposure to how ideas are developed into scripts, and eventually, screen productions. It's a great way to gain hands-on experience, learn about the industry, and build professional connections. These internships can also be a stepping stone to a career in film or television production or development.

What are the typical responsibilities of a Summer Film TV Development intern?

Interns in Summer Film/TV Development often assist with script coverage, participate in pitch meetings, conduct research on trends and talent, and help organize project materials. They may also handle administrative tasks, such as scheduling or preparing development notes. This role provides an inside look at how projects move from concept to pre-production, and interns frequently collaborate with development executives, writers, and other departments. It's a great opportunity to build industry knowledge and foster professional connections.

What skills and qualifications are needed to thrive as a Summer Film TV Development intern?

To thrive as a Summer Film TV Development intern, you need a solid understanding of storytelling, script analysis, and current industry trends, often supported by coursework in film, media studies, or a related field. Familiarity with script coverage formats, industry databases like IMDbPro, and Microsoft Office Suite is highly valued. Strong communication, initiative, and attention to detail set candidates apart in this fast-paced environment. These skills and qualities are crucial for efficiently evaluating projects, supporting creative teams, and contributing meaningful insights to development decisions.

What is the difference between Summer Film Tv Development vs Summer Film Tv Production?

AspectSummer Film Tv DevelopmentSummer Film Tv Production
Primary FocusConcept development, script selection, project planningFilming, editing, post-production
Required SkillsCreative writing, project management, industry knowledgeTechnical filming skills, editing, on-set experience
Work EnvironmentOffice, meetings, script roomsOn set, studio, post-production facilities
Typical EmployersStudios, production companies, networksStudios, production companies, post-production houses

Summer Film Tv Development involves working on the initial stages of projects, focusing on story and concept creation. In contrast, Summer Film Tv Production centers on the actual filming and post-production processes. Both roles require industry knowledge but differ in daily tasks and work environments.

What are the most commonly searched types of Film Tv Development jobs?

The most popular types of Film Tv Development jobs are:

What states have the most Summer Film Tv Development jobs?

States with the most job openings for Summer Film Tv Development jobs include:

Summer Film Tv Development jobs near you
Infographic showing various Summer Film Tv Development job openings in the United States as of August 2026, with employment types broken down into 1% As Needed, 83% Full Time, 14% Part Time, and 2% Contract. Highlights an 86% Physical, 3% Hybrid, and 11% Remote job distribution, with an average salary of $95,708 per year, or $46 per hour.

Literary & Film/TV Rights Agent

Farhan Faiz Publishing

Manhattan, NY • On-site

Other

Posted yesterday

New

Job description

Literary & Film/TV Rights Agent
Company Description
Farhan Faiz Publishing is an independent publishing entity focused on developing, publishing, and representing original literary works with strong commercial and creative potential.
The company works with authors, creatives, publishers, agents, producers, and other industry professionals to develop literary properties and bring them to appropriate audiences and markets.
Alongside publishing, Farhan Faiz Publishing is actively developing opportunities for selected literary properties across film, television, streaming, international publishing, translation, licensing, and other media.
The company is built around professional representation, transparent communication, creative collaboration, and long-term industry relationships. Operations are primarily remote, with projects, submissions, rights, communications, and business development managed through digital platforms.
Role Description
Farhan Faiz Publishing is seeking an experienced Literary & Film/TV Rights Agent to represent selected literary properties and develop legitimate publishing and entertainment opportunities in international markets.
The role will initially focus on EMPIRE OF BLOOD, a literary property being developed for both publishing and potential screen adaptation.
The successful candidate will identify appropriate publishers, literary agencies, producers, production companies, studios, distributors, and other relevant rights buyers; develop targeted submissions and pitch materials; make professional introductions; present the property to suitable industry contacts; and follow opportunities through the appropriate stages of discussion.
The role may involve opportunities relating to:
• International publishing
• Foreign and translation rights
• Film and television adaptation
• Streaming and screen rights
• Licensing and subsidiary rights
• Option and development opportunities
• Co-production and other media opportunities
The agent will also support rights discussions and commercial negotiations where appropriate, coordinate with legal or business professionals when necessary, maintain accurate records of submissions and rights activity, and provide clear updates on active opportunities and discussions.
This is a representation and business-development role. The expectation is not simply to distribute submissions, but to identify the right opportunities, approach relevant decision-makers, build professional relationships, and develop each opportunity carefully and strategically.
What We Are Looking For
We are looking for an experienced professional with genuine industry knowledge, established relationships, and a strong understanding of literary and screen rights.
The ideal candidate should have:
• Professional experience as a literary agent, rights agent, publishing professional, entertainment professional, producer, literary manager, or in a closely related field.
• Established relationships with publishers, literary agencies, producers, production companies, studios, distributors, streaming platforms, or other relevant industry decision-makers.
• A demonstrable track record of developing or securing publishing, licensing, adaptation, option, foreign-rights, or other intellectual-property opportunities.
• Strong knowledge of copyright, intellectual property, subsidiary rights, licensing, options, and rights management.
• The ability to evaluate a literary property commercially and identify suitable markets, buyers, and strategic opportunities.

• Strong pitching, communication, relationship-management, and negotiation skills.
• Familiarity with international publishing, film, television, and streaming markets.
• The ability to work independently, manage multiple submissions and follow-ups, and maintain clear and professional records.
• A professional network and previous industry work that can be reasonably verified through credits, clients, references, or completed deals.
A degree in Publishing, Law, Business, Communications, Film, Media, or a related field is preferred but not required where substantial relevant industry experience can be demonstrated.
Engagement
This is a remote, independent contract position.
The engagement structure and commercial terms will be discussed with shortlisted candidates based on their experience, professional network, scope of representation, and the opportunities being pursued.
Where appropriate, compensation may include a success-based commission tied to publishing, licensing, adaptation, option, or other rights opportunities successfully developed or secured.

Professional Expectations
The selected candidate will be expected to represent the publishing entity and its literary properties professionally, maintain clear communication, protect confidential information, and handle industry relationships with integrity.
All submissions, introductions, negotiations, and rights-related activities should be conducted with the knowledge and authorization of Farhan Faiz Publishing.
Candidates should be prepared to provide relevant professional credentials, previous work, industry credits, references, or other verifiable evidence of experience.
Important
This is not a social-media promotion, paid-shoutout, marketing, audience-growth, or publicity role.
The focus is on professional representation, rights development, industry introductions, and legitimate publishing and entertainment opportunities for selected literary properties.
We are particularly interested in professionals with genuine industry relationships and a verifiable track record in publishing, literary representation, film/television, entertainment, or intellectual-property rights.
If you have the experience, industry relationships, and professional track record to represent literary properties at an international level, we welcome your application.

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