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Director Film Tv Development Jobs (NOW HIRING)

Keckins Projects, Ltd

Be Seen First

Independent Film Production Company seeking an Assistant

Manhattan, NY · On-site

$17/hr

Will be working directly with the Director, Associate Producer, and other members of the development and production team. This position is best suited for someone interested in film and television ...

APM Music

Sales Development Representative

Los Angeles, CA · On-site

$57K - $60K/yr

This role is primarily responsible for prospecting, lead generation, pipeline development, and qualified lead handoff for APM's Film/TV business. The role also provides supplemental administrative ...

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Director Film Tv Development information

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$16K

$95.7K

$178K

How much do director film tv development jobs pay per year?

As of Jun 9, 2026, the average yearly pay for director film tv development in the United States is $95,708.00, according to ZipRecruiter salary data. Most workers in this role earn between $74,000.00 and $114,500.00 per year, depending on experience, location, and employer.

What are some common challenges faced by a Director of Film and TV Development when bringing new projects to life?

A Director of Film and TV Development often encounters challenges such as aligning creative vision with commercial viability, managing multiple projects at different stages, and navigating feedback from various stakeholders, including writers, producers, and network executives. Balancing the need for originality with market trends and network demands can be complex. Additionally, maintaining strong relationships with talent and staying ahead of industry shifts are crucial for successfully shepherding projects from concept to greenlight.

What is the difference between Director Film Tv Development vs Producer Film Tv?

AspectDirector Film Tv DevelopmentProducer Film Tv
Primary RoleOversees the development of film and TV projects, focusing on creative concepts and scriptsManages the production process, including budgeting, scheduling, and overseeing the entire project execution
Required CredentialsTypically a background in film/TV, strong creative portfolio, industry experienceExperience in production management, industry knowledge, often a background in film/TV
Work EnvironmentCreative offices, development departments, studiosOn-set, production offices, post-production facilities
Industry UsageCommonly used in development phases, creative planningUsed throughout production, post-production, and distribution

The main difference is that the Director Film Tv Development focuses on creating and developing new projects, while the Producer Film Tv manages the overall production process. Both roles require industry experience and a background in film or TV, but their responsibilities and work environments differ significantly.

What are the key skills and qualifications needed to thrive as a Director of Film and TV Development, and why are they important?

To thrive as a Director of Film and TV Development, you need a deep understanding of storytelling, script analysis, industry trends, and development processes, often supported by a degree in film, media, or a related field. Familiarity with screenwriting software (like Final Draft), project management tools, and industry databases is typically required. Exceptional interpersonal skills, creative vision, and the ability to collaborate and negotiate with writers, producers, and executives are crucial. These skills ensure the successful identification, development, and shepherding of compelling projects that align with business goals and audience demand.

What does a Director of Film and TV Development do?

A Director of Film and TV Development oversees the creation and development of new film and television projects. They are responsible for identifying promising scripts, working with writers and producers to refine concepts, and shepherding projects from initial idea to production. Their work involves evaluating pitches, managing development budgets, and collaborating with key stakeholders to ensure that projects align with the company's creative and business goals. This role requires strong industry knowledge, creative vision, and excellent communication skills.
What cities are hiring for Director Film Tv Development jobs? Cities with the most Director Film Tv Development job openings:
What are the most commonly searched types of Film Tv Development jobs? The most popular types of Film Tv Development jobs are:
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Director Film Tv Development jobs near you

Film/TV Director

Rocket Launch Pictures

Washington, DC

Other

Posted 15 days ago

Job description

Sight is a new scifi and fantasy web series being produced in Washington, D.C. The first six episodes, based on a short story by Justin McLachlan, debuted at the Mead Theatre Lab at Flashpoint in May as a stage reading, thanks to a grant from the DC Commission on the Arts & Humanities. More details: http://www.washingtoncitypaper.com/blogs/artsdesk/theater/2013/05/24/justin-mclachlans-superhero-stories-hit-flashpoint-this-weekend/ The producers are looking to attach a director to handle eight, 15 - 20 minute episodes

Principal photography is currently slated for the fall, but the schedule is evolving and subject to change. The series is currently in a fundraising phase that involves a combination of grants and crowdfunding. Total project budget is between $20,000 and $30,0000.

Here's what we're hoping for in a candidate: Experience. We're looking for someone with experience and a portfolio, but that doesn't necessarily mean paid work - short films you've done on the side or for things like the 48 Hour Film Festival are acceptable as experience. It's the quality of the work that matters.

Bonus points for significant green screen / compositing work. Resourcefulness. Our budget is really tight and some days you might be working with a small crew or limited equipment.

Excellent Time Management. Our current schedule is ambitious; you'll have a lot of coverage to shoot on a lot of pages per day and your ability to stay on track is super important (see above re: tight budget). Teamwork.

This project is probably a little different than what you're used to doing, especially if you've never worked in episodic television before. A lot of creative decisions, from locations to casting to story, have already been made by the producers. Your primary responsibilities will be to run the set and get the needed coverage each shooting day.

We need someone who can work within this framework. Here's what we need to get started: a portfolio (ideally links to your projects), an idea of your salary requirements (keeping in mind our limited budget), potential scheduling conflicts for the upcoming fall and winter (put those in the cover letter section) and a resume. Members of the DGA are encouraged and welcome to apply, however we are not yet a DGA signatory (we will pursue that if we're interested in working with a DGA member).

Please keep in mind there are no guaranteed minimums on a DGA New Media contract. Sight is a SAG-AFTRA production.

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