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Studio Grip Jobs (NOW HIRING)

Studio Technician

Manhattan, NY · On-site

$62.50 - $68.75/hr

Terms: 3 Month contract, with possibility to extend JOB PURPOSE The Studio Technician provides ... Primary focus is on the operation of camera and lighting/grip equipment. May also be expected to ...

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Studio Grip information

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$11

$26

$45

How much do studio grip jobs pay per hour?

As of Aug 25, 2026, the average hourly pay for studio grip in the United States is $26.86, according to ZipRecruiter salary data. Most workers in this role earn between $18.99 and $45.67 per hour, depending on experience, location, and employer.

What is a studio grip?

Studio grips are essential crew members on film and television sets who handle the setup, adjustment, and maintenance of equipment that supports cameras and lighting. They are responsible for building rigs, moving and securing gear, and ensuring the safe operation of dollies, cranes, and other support structures. Grips work closely with the camera and lighting departments to achieve the director's vision, often solving physical and technical challenges on set. Their work is crucial for creating stable shots, managing lighting modifiers, and ensuring the safety of cast and crew during production.

What skills and qualifications are needed to thrive as a studio grip?

To thrive as a Studio Grip, you need a solid understanding of lighting, rigging, and set safety, often gained through on-the-job experience or vocational training. Familiarity with industry-standard equipment such as dollies, cranes, lighting stands, and various rigging systems is crucial. Strong teamwork, problem-solving abilities, and good communication help grips adapt to changing production needs and collaborate effectively with other crew members. These skills ensure smooth, efficient, and safe production environments, directly impacting the quality and timeliness of filming.

What are common challenges faced by a studio grip and how can they be addressed on set?

Studio Grips often encounter challenges such as working under tight deadlines, adapting quickly to last-minute changes, and maintaining safety while handling heavy equipment. Effective communication with the camera and lighting departments is crucial to ensure smooth adjustments during shoots. Staying organized, being proactive about safety protocols, and continuously learning new rigging techniques help Grips overcome these challenges and contribute to a productive set environment.

What is the difference between Studio Grip vs Camera Assistant?

AspectStudio GripCamera Assistant
CredentialsExperience in grip work, sometimes certifications in rigging or safetyCamera-specific certifications, such as camera operation or maintenance
Work EnvironmentFilm/TV studios, on set for lighting, rigging, and equipment setupOn set alongside camera operators, handling camera equipment and focus
Industry UsageCommon in film, TV, and commercial productions for rigging and lighting supportCommon in film and TV for assisting camera departments

The main difference is that a Studio Grip focuses on rigging, lighting support, and equipment setup, while a Camera Assistant primarily handles camera equipment, focus, and maintenance. Both roles are essential on set but serve different technical functions within the production process.

More about Studio Grip jobs

What cities are hiring for Studio Grip jobs?

Cities with the most Studio Grip job openings:

What are the most commonly searched types of Studio Grip jobs?

The most popular types of Studio Grip jobs are:

What states have the most Studio Grip jobs?

States with the most job openings for Studio Grip jobs include:

Infographic showing various Studio Grip job openings in the United States as of August 2026, with employment types broken down into 1% Internship, 71% Full Time, 23% Part Time, 1% Temporary, and 4% Contract. Highlights an 89% Physical, 3% Hybrid, and 8% Remote job distribution, with an average salary of $55,874 per year, or $26.9 per hour.

Freelance Studio and Equipment Coordinator

TheLab

Manhattan, NY • On-site

$300 - $350/day

Contractor

Posted 28 days ago


Job description

Freelance Studio & Equipment Coordinator
Wellcom is looking for an experienced Photo Studio & Equipment Coordinator to join our New York based team working onsite at an international auction house. Responsibilities include studio prep, lighting setup, equipment maintenance (lighting/grip/camera/digital), equipmentcheck-in and check-out and organization,among other daily studio operation needs.
The right candidate will have prior experience working in a studio, equipment room and/orset assistant role.The role is physicallyactive, desk time isminimaland limited to light administrative work. The role is onsite at our client locations in Midtown Manhattan and Red Hook, Brooklyn.
Being a team player with a positive attitude and willingness to be flexible and get the job done is essential.
You will be working with a team which includes full time producers, full time and freelance photographers, marketing creatives, art handlers and client personnel.
Core Responsibilities
  • Studio maintenance and daily studio prep/reset; Including active set days anddark dayprojects
  • Maintain functionality and overall cleanliness ofon-siteequipment room; check in/out rentals
  • Pack and deliver studio jobsonsite
  • Setup of studios for all production types (photography & video capture, styling, production, cyc painting)
  • Maintain functionality and overall cleanliness of studios and equipment rooms
  • Organise and track equipment repairs and maintenance schedules
  • Assist Photographers on location shoot as needed. (typically ½-1 day shoots within NYC)

Required experience and skills
  • 1-3 Years in a studio, equipment environment; with on set experience
  • Present professionally to our client and our crews
  • Working knowledge of lighting and camera platforms (Broncolor, Profoto, Arri, Phase One, Canon and Sony)
  • Simple set build skills (quick set changes - walls, backdrops, etc.)
  • Ability to set up to a lighting diagram and paintcyc
  • Interest in Photography trends and emerging equipment, camera systems
  • Proficient with Capture One, Google Suite and Adobe Creative Cloud
  • Ability to remain productive on dark days
  • An interest in art is a bonus
  • Must be able to lift 50lbs

Who are we?
We are a creative production agency that specializes in creating high-performing content across all channels both locally and globally partnering directly with agencies and clients to help build brands.
Our ethos is simple: we work with super-talented people and clients to produce content that drives measurable results.
Rate is $300-$350/day commensurate with experience