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Remote Vfx Production Coordinator Jobs (NOW HIRING)

As a Production Quality Coordinator, within PNC's Dealer Floorplan Operations organization, you may ... This position may be eligible for remote work in select geographic locations, subject to approval ...

Technical Artist

Chicago, IL · On-site +1

$130K - $156K/yr

Remote - US and Canada only thatgamecompany designs and develops artistically crafted, broadly ... Profile and optimize shaders and VFX for optimal performance across a wide range of target ...

... AR/VR products etc. Create high-quality, realistic, optimized, realtime visualizations and ... Including incorporating models, animations, VFX, graphics, audio, video clips and other graphic ...

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Remote Vfx Production Coordinator information

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How much do remote vfx production coordinator jobs pay per hour?

As of Aug 23, 2026, the average hourly pay for remote vfx production coordinator in the United States is $24.47, according to ZipRecruiter salary data. Most workers in this role earn between $19.47 and $28.12 per hour, depending on experience, location, and employer.

What is a remote VFX production coordinator?

A Remote VFX Production Coordinator is a professional who manages and organizes the workflow of visual effects (VFX) projects while working from a remote location. They are responsible for scheduling, tracking progress, communicating between artists and supervisors, and ensuring that project deadlines are met. This role often involves using digital tools to coordinate teams across different locations and time zones, streamlining communication and file sharing. Their work is crucial to keeping VFX projects on track and ensuring the final product meets creative and technical standards.

What are the key skills and qualifications needed to thrive as a remote VFX production coordinator?

To thrive as a Remote VFX Production Coordinator, you need strong organizational skills, attention to detail, and a background in film production or visual effects, often supported by a relevant degree or equivalent experience. Familiarity with project management tools (like ShotGrid or ftrack), video conferencing platforms, and file-sharing systems is essential. Excellent communication, problem-solving abilities, and time management are standout soft skills for coordinating teams across different locations and time zones. These skills are crucial for ensuring seamless collaboration, meeting tight deadlines, and delivering high-quality visual effects projects remotely.

How does a remote VFX production coordinator effectively manage communication and workflow with globally distributed VFX teams?

As a Remote VFX Production Coordinator, maintaining clear and timely communication is essential, especially when working with artists, supervisors, and clients across different time zones. Coordinators typically rely on project management tools, video conferencing, and collaborative platforms to track task progress, share updates, and resolve issues. Regular check-ins, detailed shot tracking, and proactive follow-ups help ensure that everyone stays aligned. Building strong relationships remotely can be challenging, but establishing consistent communication routines and being responsive to team needs are key to successful project delivery.

What is the difference between Remote Vfx Production Coordinator vs Remote Vfx Producer?

AspectRemote Vfx Production CoordinatorRemote Vfx Producer
ResponsibilitiesAssists with scheduling, communication, and tracking VFX tasksOversees entire VFX projects, manages budgets, and client relations
Required SkillsOrganizational skills, communication, knowledge of VFX pipelineLeadership, project management, client management
Work EnvironmentRemote, collaborative with VFX teamsRemote or on-site, higher-level oversight
Industry UsageCommonly used in VFX studios for coordination roles

The Remote Vfx Production Coordinator focuses on supporting the VFX team through scheduling and communication, while the Remote Vfx Producer manages the overall project, including budgets and client interactions. Both roles require strong organizational skills and industry knowledge, but the producer has broader responsibilities and leadership duties.

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Infographic showing various Remote Vfx Production Coordinator job openings in the United States as of August 2026, with employment types broken down into 87% Full Time, 9% Part Time, 2% Contract, and 2% Nights. Highlights an 93% Physical, 2% Hybrid, and 5% Remote job distribution, with an average salary of $50,904 per year, or $24.5 per hour.

Recurring Remote Production Support Graphics Interface Coordinator (GIC)

ESPN

Meriden, CT • Remote

$40 - $60/hr

Full-time

Posted 25 days ago


ESPN rating

8.2

Company rating: 8.2 out of 10

Based on 29 frontline employees who took The Breakroom Quiz

17th of 78 rated media


Job description

A Recurring Remote Production Support Graphics Interface Coordinator (GIC) manages the creation and real-time execution of on-air scoreboard graphics (Score Bug/Clock and Score) and content during live sports broadcasts across ESPN platforms. This role ensures accurate, timely display of live game information including but not limited to score, time, penalties, team/player statistics, and any other pertinent information while troubleshooting systems and coordinating closely with production teams. This requires the ability to be able to react quickly to game action as well as follow along with the production crew to help show the story lines of the game. Additionally, the GIC must have strong computer networking and troubleshooting skills, advanced knowledge of sports rules and scoring systems, and the ability to operate and interface multiple scoring platforms in a live broadcast setting. This role is remote based without a corporate office location.

Responsibilities:

  • Enter scoring data quickly and accurately including any additional content appearing as part of the Score Bug/Clock and Score. This may include showing a wide range of statistical, team, or game reset information as dictated by the game action and production team.
  • Work closely with Producer and Associate Producer on building interface graphics. 
  • Work with the Operations and Technical Teams to properly check Score Bug equipment prior to going live on-air (check comms, tallies, and ensure score bug fires up and displays on screen).
  • The ability to assemble and network multiple computer scoring systems.
  • Troubleshoot system problems and provide quick diagnosis and resolution.
  • Connect to stadium in-house scoreboard for clock and data transfer when applicable.
  • Send Software Engineering team detailed post-game reports after every event.

Required Qualifications:

  • Valid Driver’s License.
  • Basic sports knowledge including format/rules of the game.
  • Ability to follow the game including in-game trends.
  • Careful attention to detail in striving for 100 percent accuracy.
  • Clear, concise, and comprehensive verbal and written communication skills.
  • The ability to work within a team atmosphere consistently being visible and accessible.
  • Conduct oneself with professionalism and integrity within company guidelines and policies.
  • Adaptable, flexible, and motivated to drive results in new and changing environments.
  • Possess a strong computer background with ability to network and troubleshoot.
  • Self-motivated individual who strives to constantly improve processes with new or more efficient uses of technology.
  • Provide technical maintenance for assigned systems and system components.
  • Strong self and time management skills.
  • Ability to work well under pressure in a live production environment.
  • Ability to work weekends, nights and holidays, and travel, when required.
  • An advanced understanding of television production.

Preferred Qualifications:

  • Extensive sport knowledge including historical information.
  • Has worked previously in a stats or graphics role.
  • Has experience working with different television graphics platforms.
  • Advanced technical expertise in computer networking and file management.

Required Education:

  • High School Diploma or Equivalent

Preferred Education:

  • Bachelor's Degree in communications, electronics, television production or related

#ESPNMedia


The pay rate for this remote role is $40.00 to $60.00 per hour. The base pay actually offered may vary depending on the candidate’s geographic region, job-related knowledge, skills, and experience, among other factors.

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