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Podcast Audio Engineer Remote Jobs (NOW HIRING)

About This Role We are seeking a Sr Audio Intelligence Engineer to build conversational and audio ... The position will start remote and then will move into the hybrid schedule. NRG Energy is committed ...

You'll record conversational audio from provided scripts, feeding directly into the training loops ... Remote. Flexible. Project-based. Built for students. What You'll Do AI Voice Data Generation

Our vision is to shape the future of audio, where everyone can be effortlessly connected to the ... SiriusXM's subsidiaries Simplecast and AdsWizz make it a leader in podcast hosting, production ...

Our vision is to shape the future of audio, where everyone can be effortlessly connected to the ... SiriusXM's subsidiaries Simplecast and AdsWizz make it a leader in podcast hosting, production ...

Our vision is to shape the future of audio, where everyone can be effortlessly connected to the ... SiriusXM's subsidiaries Simplecast and AdsWizz make it a leader in podcast hosting, production ...

... podcast campaigns. This is a US-based, fully remote role. What you'll do: * Respond to client ... audio channels, we'd love to meet you. Magellan AI is an equal opportunity employer; in keeping ...

Measurement Success Manager

New York, NY · On-site +1

$60K - $90K/yr

... podcast campaigns. This is a US-based, fully remote role. What you'll do: * Respond to client ... audio channels, we'd love to meet you. Magellan AI is an equal opportunity employer; in keeping ...

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Podcast Audio Engineer Remote information

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$29.5K

$84.5K

$171.5K

How much do podcast audio engineer remote jobs pay per year?

As of Jul 4, 2026, the average yearly pay for podcast audio engineer remote in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What are some common challenges faced by remote Podcast Audio Engineers, and how can they be addressed?

Remote Podcast Audio Engineers often encounter challenges such as coordinating with hosts and guests across different time zones, maintaining consistent audio quality with varied recording setups, and managing real-time technical troubleshooting from a distance. Effective communication, using collaborative tools (like shared project management platforms and cloud storage), and setting up clear guidelines for recording can help address these issues. Regular check-ins with the production team and investing in reliable remote recording software are also key to ensuring smooth workflow and high-quality episodes.

What are Podcast Audio Engineers (Remote)?

Podcast Audio Engineers (Remote) are professionals who specialize in recording, editing, mixing, and enhancing audio specifically for podcasts, all while working from a remote location. Their responsibilities include cleaning up audio tracks, balancing sound levels, adding effects or music, and ensuring the final product meets broadcast quality standards. Working remotely, they collaborate with hosts, producers, and other team members using digital tools and cloud-based platforms. Their expertise ensures that listeners enjoy clear, engaging, and professional-sounding podcasts.

How much do podcast engineers make?

Podcast audio engineers typically earn between $40,000 and $80,000 annually, depending on experience, location, and whether they work freelance or full-time. Skilled engineers with proficiency in editing software and audio equipment can command higher salaries, especially in remote or specialized roles.

What engineer makes $500,000 a year?

In the field of podcast audio engineering, earning $500,000 annually is uncommon and typically requires extensive experience, high-profile projects, or ownership of a successful business. Most audio engineers earn significantly less, with top professionals in specialized or executive roles potentially reaching high six-figure incomes. Achieving such a salary often involves additional skills, certifications, or entrepreneurial ventures beyond standard audio engineering work.

Is there a high demand for audio engineers?

The demand for audio engineers, including those working on podcasts, is growing due to the increasing popularity of digital media and content creation. Remote audio engineering roles are expanding as companies seek skilled professionals with proficiency in editing software and audio production tools. Job opportunities are available across various industries, with a focus on versatile skills and experience.

What are the key skills and qualifications needed to thrive as a Podcast Audio Engineer in a remote setting, and why are they important?

To excel as a Podcast Audio Engineer remotely, you need expertise in audio editing, mixing, and mastering, often backed by experience or a relevant degree in audio production. Familiarity with digital audio workstations (DAWs) like Adobe Audition, Pro Tools, or Audacity, and proficiency with remote collaboration tools are typically required. Outstanding time management, communication skills, and attention to detail help you meet deadlines and collaborate effectively with hosts and producers. These competencies ensure the delivery of high-quality audio content and seamless remote production workflows.

What is the difference between Podcast Audio Engineer Remote vs Podcast Sound Technician?

AspectPodcast Audio Engineer RemotePodcast Sound Technician
CredentialsAudio engineering certification, relevant experienceAudio or sound technology background, certifications optional
Work EnvironmentRemote, home studio setupStudio or remote, depending on employer
Industry UsageCommon in podcast production companies, freelancersUsed in live events, studio recordings, podcast setups
Search & Comparison IntentHigh overlap in audio skills, remote work focusSimilar audio skills, often in different settings

The main difference is that Podcast Audio Engineer Remote typically involves remote audio editing, mixing, and mastering for podcasts, often requiring specialized certifications. Podcast Sound Technicians may work in studio or live environments, focusing on sound setup and recording. Both roles share core audio skills but differ mainly in work setting and specific responsibilities.

Can you work from home as an audio engineer?

Podcast audio engineers can often work from home, especially when editing, mixing, and mastering audio files using digital audio workstations and remote collaboration tools. However, some roles may require on-site presence for recording sessions or equipment setup, depending on the employer and project needs.
More about Podcast Audio Engineer Remote jobs
What cities are hiring for Podcast Audio Engineer Remote jobs? Cities with the most Podcast Audio Engineer Remote job openings:
What are the most commonly searched types of Podcast Audio Engineer jobs? The most popular types of Podcast Audio Engineer jobs are:
What states have the most Podcast Audio Engineer Remote jobs? States with the most job openings for Podcast Audio Engineer Remote jobs include:
What job categories do people searching Podcast Audio Engineer Remote jobs look for? The top searched job categories for Podcast Audio Engineer Remote jobs are:
Infographic showing various Podcast Audio Engineer Remote job openings in the United States as of June 2026, with employment types broken down into 100% Full Time. Highlights an 100% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.
Production Systems Engineer - Audio REMOTE

Production Systems Engineer - Audio REMOTE

Encore

Coppell, TX • On-site, Remote

Full-time

Posted 25 days ago


Encore Global rating

6.5

Company rating: 6.5 out of 10

Based on 162 frontline employees who took The Breakroom Quiz

18th of 35 rated event venues


Job description

Position Overview
The Production Systems Engineer will have a very strong technical background in the Audio Visual Industry with an expert level skill set and experience in a specific discipline such as Audio, Video, or Lighting; this position must be the subject matter expert for their discipline. Manages all aspects of that discipline as it pertains to event pre-planning, on-site management, equipment maintenance and post show activities. Must have the ability to operate/trouble-shoot high-end equipment and have familiarity with major brands of audiovisual systems and components in a large venue situation. The Systems Engineer will be the key resource of information for the Project Manager(s) and team; will interface with the warehouse leads helping to design systems; and be the product manager for large venue systems. Position reports Director, Production.
Key Job Responsibilities
Event Pre-planning
• Partner with the Project Manager, Account Manager, Creative, Sales Team and end client to design, pre-plan and manage all aspects of their expertise or discipline.
• Complete necessary technical drawings, production plans, labor needs, budgets, equipment selection in R2, and interfacing with Mgr, Inventory Control & Systems, the warehouse leads, and sub rentals.
• Assist and support the other PGE Departments as necessary by making recommendations on technology, processes, and methodologies.
On-site Management/Operation
• Manages their discipline meets or exceeds the client's needs by managing the production plan, budget, and Encore production/safety standards.
• Set and properly test technical components.
• Operate designated equipment for the event, as needed.
• Provides leadership to their assigned crew; such as: A2, V2, Master Electrician, Projectionist, and local union labor.
Post-show Management
• Responsible for post-show management to include: final labor, time sheets, expenses, sub rentals, and any equipment maintenance needs.
• Complete reporting information and feedback from team to the Project Manager(s) for the post show jot form to document for client's future events.
Customer Service
• Provides excellent service and strive to exceed the expectations and needs of internal and external customers.
• Meets with clients on site as necessary to ensure that their needs are met and the equipment setup is working properly.
Job Qualifications
• BA/BS Degreed or equivalent experience
5+ years of live large venue audio visual
5+ years of knowledge of Audio Visual and expert level technical skill set in a discipline AUDIO
• 2+ years crew lead experience
• Strong customer service skills
• Excellent organization skills
• Advanced problem solving skills
• Strong written and oral communications skills
• Ability to travel up to 75%
Competency Group
This section consists of the Competency Group Number that is assigned to the job. Each job at Encore is tied to one of six competency groups. The Competency Group will be determined based on the roles and responsibilities that are required for that job title.
Competency Group = 2
For more information our Competency Group, refer to the Competency Based Talent Management page on Encore Connect by searching for the title or copy & pasting this URL Link: (https://psav.sharepoint.com/sites/HR/SitePages/Competency-Supported-Talent-Management.aspx).
Physical Requirements
Team members must meet the physical demands listed below to successfully perform essential job functions. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.
• Sitting: 4-5 hours per day
• Standing: 2-3 hours per day
• Walking: 2-3 hours per day
• Stooping: 0-1 hour per day
• Crawling: 0-1 hour per day
• Kneeling: 0-1 hour per day
• Bending: 0-1 hour per day
• Reaching (above your head): 0-1 hour per day
• Climbing: 0-1 hour per day
• Grasping: 0-1 hour per day
Lifting Requirements
• 0 - 15 lbs*: Occasionally
• 16 - 50 lbs*: Occasionally
• 51 - 100 lbs: Never
• Over 100 lbs: Never
Carrying Requirements
• 0 - 15 lbs*: Occasionally
• 16 - 50 lbs*: Occasionally
• 51 - 100 lbs: Never
• Over 100 lbs: Never
Auditory/Visual Requirements
• Close Vision: Continuously
• Distance Vision: Continuously
• Color Vision: Continuously
• Peripheral Vision: Continuously
• Depth Perception: Continuously
Pushing/Pulling Requirements
• 0 - 15 lbs*: Occasionally
• 16 - 50 lbs*: Occasionally
• 51 - 100 lbs*: Occasionally
• Over 100 lbs: Never
Note: The physical requirements marked with an asterisk () indicate activities performed without assistance.*
Team members must be able to meet the physical demands above in order to successfully perform the essential job functions. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.
Work Environment
Hotel
Work is performed in a hotel/convention center environment with moderate exposure to outdoor temperatures and to dirt, sand and/or dust. The working conditions will vary between moderately quiet to noisy volumes. Team members will use high-end audio visual equipment and electrical components, and will be exposed to heights via lifts and ladders. Team members may be asked to work in multiple hotel locations. Working times will include irregular hours and on-call status including days, evenings, weekends and holidays. Team members must adhere to appearance guidelines as defined by Encore based on an individual hotel or a representation of hotels in that city or area.
Office
Work is performed primarily in an office environment. Working times may include irregular hours and on-call status including days, evenings, weekends and holidays. Team members must adhere to appearance guidelines as defined by Encore based in an office environment and when traveling, on an individual venue or a representation of venues in that city or area.
#LI-BD1
Equal Opportunity Employer/Protected Veterans/Individuals with Disabilities
This employer is required to notify all applicants of their rights pursuant to federal employment laws. For further information, please review the Know Your Rights notice from the Department of Labor.

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