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Temporary Podcast Audio Engineer Jobs (NOW HIRING)

The New York Times

Audio Engineer, Newsroom

New York, NY · Hybrid

  • Medical

  • Dental

  • Vision

  • Retirement

  • PTO

The New York Times is seeking an Audio Engineer to work across all current and future products in the Newsroom audio and video podcast portfolio. You will play a crucial role in our post-production ...

The New York Times

Audio Engineer, Newsroom

New York, NY · On-site

$93K - $110K/yr

  • Medical

  • Dental

  • Vision

  • Retirement

  • PTO

The New York Times is seeking an Audio Engineer to work across all current and future products in the Newsroom audio and video podcast portfolio. You will play a crucial role in our post-production ...

Crooked Media

Audio Engineer

Los Angeles, CA

$90K/yr

  • Medical

  • Retirement

  • PTO

Job Summary: Crooked is hiring for an Audio Engineer on the Audio department reporting to the ... Experience mixing variety shows for live audience and podcast recording simultaneously is a plus

Crooked Media

Audio Engineer

Los Angeles, CA · On-site

$90K/yr

  • Medical

  • Retirement

  • PTO

Job Summary: Crooked is hiring for an Audio Engineer on the Audio department reporting to the ... Experience mixing variety shows for live audience and podcast recording simultaneously is a plus

Jacob's Pillow Dance

Head Audio Engineer

MA · On-site

$23.58 - $26/hr

Head Audio Engineer STATUS: Seasonal LOCATION: Becket, MA REPORTS TO: Production Manager of ... and temporary tents. * Support audio activity during load-ins, load-outs, work calls, focuses ...

War on the Rocks

Podcast Engineer

Washington, DC · On-site +1

  • Medical

  • Dental

  • Vision

  • PTO

This role requires deep audio engineering expertise, creative problem-solving, and the ability to ... Edit and mix podcast episodes for clarity, consistency, and pacing, ensuring professional broadcast ...

War on the Rocks

Podcast Engineer

Washington, DC · On-site

  • Medical

  • Dental

  • Vision

  • PTO

This role requires deep audio engineering expertise, creative problem-solving, and the ability to ... Edit and mix podcast episodes for clarity, consistency, and pacing, ensuring professional broadcast ...

War on the Rocks

Podcast Engineer

Washington, DC · On-site

  • Medical

  • Dental

  • Vision

  • PTO

This role requires deep audio engineering expertise, creative problem-solving, and the ability to ... Edit and mix podcast episodes for clarity, consistency, and pacing, ensuring professional broadcast ...

Paramount

Podcast Operations Assistant

Manhattan, NY · On-site

$30 - $35/hr

Traffic audio promo campaigns for all CBS News series to ensure proper placement and scheduling ... From the programming and movies we create to employee benefits/programs and social impact outreach ...

Paramount

Podcast Operations Assistant

Manhattan, NY · On-site

$30 - $35/hr

... Hours podcast programming calendars. • Support team coordination, meeting prep, and other ... Traffic audio promo campaigns for all CBS News series to ensure proper placement and scheduling ...

Luson Media, LLC

Podcast CoHost

Arden Hills, MN · On-site

$50K - $60K/yr

  • Medical

  • Dental

  • Vision

  • Life

  • Retirement

  • PTO

Join our team where you'll partner with Financial Services Professionals to coordinate podcast ... Partner with audio engineer to provide technical support for audio recording equipment, recording ...

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Temporary Podcast Audio Engineer information

See salary details

$29.5K

$84.5K

$171.5K

How much do temporary podcast audio engineer jobs pay per year?

As of Aug 14, 2026, the average yearly pay for temporary podcast audio engineer in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What is the difference between Temporary Podcast Audio Engineer vs Freelance Podcast Producer?

AspectTemporary Podcast Audio EngineerFreelance Podcast Producer
CredentialsAudio engineering certifications, technical skillsProject management, audio editing, content planning
Work EnvironmentStudio or remote, technical setupRemote or on-site, overseeing entire podcast production
Employer & Industry UsageMedia companies, podcast studios, broadcastersIndependent creators, media agencies, production companies

The Temporary Podcast Audio Engineer primarily focuses on technical audio tasks like recording, editing, and mixing for a specific project duration. In contrast, a Freelance Podcast Producer manages the entire podcast production process, including content planning, guest coordination, and post-production. While both roles require audio skills, the engineer emphasizes technical execution, whereas the producer oversees the overall project. Understanding these differences helps employers and freelancers choose the right role for their podcast needs.

More about Temporary Podcast Audio Engineer jobs

What cities are hiring for Temporary Podcast Audio Engineer jobs?

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What are the most commonly searched types of Podcast Audio Engineer jobs?

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Temporary Podcast Audio Engineer jobs near you
Infographic showing various Temporary Podcast Audio Engineer job openings in the United States as of August 2026, with employment types broken down into 92% Full Time, 2% Part Time, and 6% Contract. Highlights an 86% Physical, 5% Hybrid, and 9% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.

Audio Engineer, Newsroom

The New York Times

New York, NY • Hybrid

Full-time

Medical, Dental, Vision, Retirement, PTO

Posted 21 days ago

Job description

The New York Times is seeking an Audio Engineer to work across all current and future products in the Newsroom audio and video podcast portfolio. You will play a crucial role in our post-production processes, and play a significant role in the ongoing development of audio best-practices and video integration by working closely with the audio engineering team, show producers and editors, as well as New York Times reporters and contributors.

You will be the main point of contact for one or more shows. The right candidate can demonstrate the ability to clearly discuss audio engineering techniques, and steer technical conversations with producers and editors. As a key player on the team, you will develop strong working relationships with producers and editors in a creative environment. In addition, you will be expected to have a working knowledge of NYT studio systems to provide tapings support as needed, and the ability to contribute adaptive and creative original music composition across NYT projects.

This is an in-office position, based in New York City and includes regular attendance in the office four days each week. There may be some flexibility to work remotely per your departmental guidance.

Responsibilities:

  • Be a point person for show teams and mix daily/weekly shows as directed
  • Lead show-specific workflow and project management in collaboration with Engineering leadership
  • Contribute to the development of changing formats and workflows, particularly video podcasting
  • Organize audio and video media ingest across platforms and stakeholders
  • Act as first line of defense in troubleshooting studio and Pro Tools workflow issues
  • Help train and assist staff in all aspects of production
  • General technical support including audio restoration, file management, host/guest recording setup, and SOP documentation
  • Help develop and deploy Pro Tools templates, SOPs, and other team-wide tools
  • Collaborate with Sound Designer/Composers as directed
  • Occasional evening and weekend technical support
  • Demonstrate support and understanding of our value of journalistic independence and a strong commitment to our mission to seek the truth and help people understand the world
  • You will report to the Senior Audio Engineer, Newsroom

Basic Qualifications:

  • 5+ years of experience as an audio engineer (or equivalent position) required - podcast or broadcast environment preferred
  • Strong knowledge of Pro Tools, iZotope RX, and other creative plugins
  • Comfortable with concept of Loudness and mixing to different specs
  • Familiarity with mixing for video, specifically .aaf formats, Premiere Pro audio suite, etc.
  • Demonstrated knowledge of media asset management systems and file organization

Preferred Qualifications:

  • Quickly, calmly and creatively troubleshoot complex issues under pressure
  • Demonstrated ability to manage multiple priorities and follow through on projects to completion
  • Excellent attention to detail, with good organization and time management skills
  • Collaborative attitude and strong communication skills; with the ability to communicate complex technical information to people with technical and nontechnical backgrounds
  • High level of proficiency with Apple computers
  • Believes in the New York Times' mission and is dedicated to being part of our innovation and growth
  • Uphold the existing editorial standards of The Times

((#LI-Hybrid))

REQ-020439

Additional Compensation and Benefits

For roles in the U.S., dependent on your role, you may be eligible for variable pay, such as an annual bonus and restricted stock. Benefits may include medical, dental and vision benefits, Flexible Spending Accounts (F.S.A.s), a company-matching 401(k) plan, employee stock purchase plan, paid vacation, paid sick days, paid parental leave, tuition reimbursement and professional development programs. 

For roles outside of the U.S., information on benefits will be provided during the interview process.

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