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Remote Freelance Audio Mixing Jobs (NOW HIRING)

Perle AI

Freelance Audio Contributor - US English

... Freelance Audio Contributors. This is your chance to be on the front lines of how AI learns to ... Remote. Flexible. Project-based. Built for students. What You'll Do AI Voice Data Generation

AGBO

Audio Director (Remote)

Raleigh, NC · Remote

Manage relationships with external audio studios and freelance sound designers * Set and manage ... Set and uphold quality bars for mixing, spatial audio, and platform-specific audio requirements

AGBO

Audio Director

Raleigh, NC · On-site +1

Manage relationships with external audio studios and freelance sound designers * Set and manage ... Set and uphold quality bars for mixing, spatial audio, and platform-specific audio requirements

AGBO Films LLC

Audio Director

Raleigh, NC · On-site +1

Manage relationships with external audio studios and freelance sound designers * Set and manage ... Set and uphold quality bars for mixing, spatial audio, and platform-specific audio requirements

Danbren Media

Wedding Video Editor

Dallas, TX · Remote

$27/hr

Strong sense of pacing, music selection, color grading, and audio mixing (clean ceremony/toast ... Fully remote (work from home) * Footage delivery: Raw files provided via Dropbox * Schedule:

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Remote Freelance Audio Mixing information

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$84.5K

$171.5K

How much do remote freelance audio mixing jobs pay per year?

As of Aug 23, 2026, the average yearly pay for remote freelance audio mixing in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What is remote freelance audio mixing?

Remote freelance audio mixing is the process where an audio engineer or mixing specialist works independently, often from their own studio, to mix audio tracks for clients located anywhere in the world. This work is facilitated through online collaboration, file sharing, and digital communication tools. Remote freelance audio mixers balance and process recorded audio, enhancing sound quality for music, podcasts, films, or commercials according to client specifications. This role offers flexibility in terms of location and schedule, and it typically involves working on a project-by-project basis.

What are the key skills and qualifications needed to thrive as a remote freelance audio mixing engineer?

To excel as a Remote Freelance Audio Mixing Engineer, you need a solid understanding of audio engineering principles, a portfolio demonstrating mixing proficiency, and experience with various music genres. Expertise in digital audio workstations (DAWs) such as Pro Tools, Logic Pro, or Ableton Live, along with knowledge of plugins and audio editing tools, is crucial. Strong communication, time management, and client collaboration skills help you stand out in managing projects remotely. These skills are vital for delivering high-quality mixes, meeting client expectations, and building a sustainable freelance career.

What are some common challenges faced by remote freelance audio mixing engineers, and how can they be addressed?

Remote freelance audio mixing engineers often encounter challenges such as inconsistent client communication, varying audio quality of source material, and the need to manage multiple projects simultaneously. To address these, it’s important to establish clear communication channels and expectations with clients from the outset, request high-quality stems or tracks, and use project management tools to stay organized. Additionally, investing in reliable monitoring equipment and acoustically treating your workspace can help ensure consistent mix quality across different projects.

What is the difference between Remote Freelance Audio Mixing vs Remote Audio Editing?

AspectRemote Freelance Audio MixingRemote Audio Editing
CredentialsAudio engineering certifications, DAW proficiencyAudio editing skills, DAW knowledge
Work EnvironmentHome studio, remote collaborationHome studio, remote collaboration
Industry UsageMusic, film, podcast productionPost-production, podcast, film editing
Common Search IntentMixing services, sound balanceEditing, cleaning audio

Remote Freelance Audio Mixing involves balancing and blending multiple audio tracks to create a polished sound, often requiring advanced audio engineering skills. Remote Audio Editing focuses on cleaning, cutting, and arranging audio clips for clarity and flow. While both roles require DAW proficiency and remote work setup, mixing emphasizes sound balance, whereas editing centers on audio cleanup and arrangement.

More about Remote Freelance Audio Mixing jobs

What cities are hiring for Remote Freelance Audio Mixing jobs?

Cities with the most Remote Freelance Audio Mixing job openings:

What states have the most Remote Freelance Audio Mixing jobs?

States with the most job openings for Remote Freelance Audio Mixing jobs include:

What job categories do people searching Remote Freelance Audio Mixing jobs look for?

The top searched job categories for Remote Freelance Audio Mixing jobs are:

Remote Freelance Audio Mixing jobs near you
Infographic showing various Remote Freelance Audio Mixing job openings in the United States as of August 2026, with employment types broken down into 75% Full Time, and 25% Contract. Highlights an 100% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.

Seasonal Part-Time Broadcast Audio 1

The National Football League

Inglewood, CA • Remote

Full-time, Part-time

Re-posted 15 days ago

Job description

NFL Media Technical Operations is seeking an experienced Audio 1 (A1) to lead audio production for live and recorded programming across NFL Media platforms. This position serves as the primary audio lead responsible for the planning, execution, mixing, and overall quality of audio elements supporting studio, remote, and special event productions. 

The ideal candidate possesses extensive live broadcast audio experience, strong technical expertise in modern IP-based audio environments, and a proven ability to perform in fast-paced, high-profile sports production settings. Production services will be based at NFL Media's state-of-the-art broadcast facility in Inglewood, California. 

Responsibilities

  • Serve as the lead audio mixer for live and recorded productions, ensuring the highest level of audio quality and operational excellence.
  • Design, configure, and execute complex audio workflows for studio shows, remote broadcasts, special events, and digital productions.
  • Operate and mix live productions utilizing broadcast audio consoles, playback systems, communication systems, and IP-based audio infrastructure.
  • Collaborate closely with producers, directors, technical directors, engineering teams, and production personnel to deliver consistent and impactful audio experiences.
  • Develop and maintain show-specific audio configurations, routing strategies, and operational workflows.
  • Lead audio planning for remote productions, transmission paths, venue integration, and signal management.
  • Troubleshoot and resolve technical audio issues in real time while maintaining on-air continuity.
  • Oversee proper setup, operation, and optimization of communications systems, including Riedel intercom platforms.
  • Ensure compliance with broadcast audio standards and best practices across stereo, surround sound, and emerging audio formats.
  • Provide guidance, mentorship, and operational direction to A2 and A3 personnel and freelance audio staff as needed.
  • Maintain proficiency in emerging broadcast technologies, IP networking standards, and audio production workflows.
  • Perform other duties as assigned. 

Required Qualifications

  • 7+ years of professional broadcast audio experience, including significant experience mixing live sports and studio productions.
  • Proven experience serving as an Audio 1 (A1) or senior-level broadcast audio mixer in a professional television, streaming, or live event environment.
  • Advanced experience operating SSL audio consoles; experience with SSL System T and S500 platforms strongly preferred.
  • Demonstrated expertise in stereo, 5.1 surround, and multi-channel broadcast audio mixing.
  • Extensive knowledge of IP-based audio infrastructures, including AES67, Dante, SMPTE 2110, and related broadcast networking technologies.
  • Experience supporting complex remote productions, transmission workflows, and large-scale live event broadcasts.
  • Strong understanding of broadcast signal flow, routing, communications systems, and troubleshooting methodologies.
  • Proficiency with playback systems, audio servers, and broadcast production technologies.
  • Experience working with Riedel communications systems and networked intercom environments preferred. 

Qualifications

  • Experience supporting national sports broadcasts and large-scale live events.
  • Dante Certification or equivalent IP audio networking credentials.
  • Experience with EVS audio workflows and replay systems.
  • Familiarity with cloud-based or remote production environments.
  • CTS, Dante, or other relevant industry certifications. 

Other Key Attributes / Characteristics

  • Exceptional leadership, communication, and collaboration skills.
  • Ability to remain calm and make sound decisions in high-pressure live production environments.
  • Demonstrated attention to detail and commitment to operational excellence.
  • Strong troubleshooting and problem-solving capabilities.
  • Ability to prioritize multiple competing demands while maintaining production quality.
  • Strong technical proficiency with broadcast systems, production software, and collaboration tools. 

Terms / Expected Hours of Work

  • Availability to work flexible schedules, including evenings, weekends, holidays, and special events.
  • Ability to support remote productions and occasional travel as business needs require.
  • Seasonal employment up to 7 months. 

Salary / Pay Range

This job posting contains a pay range, which represents the range of salaries or hourly rates that the NFL believes, in good faith, at the time of this posting that it might be willing to pay for the posted job in the location(s) specified. The NFL expects to hire for this position near the middle of the range. Only in truly rare and exceptional circumstances, where an external candidate has experience, credentials or expertise that far exceed those required or expected for the position, would the NFL consider paying a salary or rate near the higher end of the range.

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