ZipRecruiter

Log In

2

Afternoon Remote Audio Mixing Jobs (NOW HIRING)

Danbren Media

Wedding Video Editor

Dallas, TX · Remote

$27/hr

Strong sense of pacing, music selection, color grading, and audio mixing (clean ceremony/toast ... Fully remote (work from home) * Footage delivery: Raw files provided via Dropbox * Schedule:

AGBO

Audio Director (Remote)

Raleigh, NC · Remote

Set and uphold quality bars for mixing, spatial audio, and platform-specific audio requirements * Represent audio in cross-departmental creative reviews * Stay current with industry trends and ...

Mercor

Music Audio Expert - Evaluator

New York, NY · Remote

$39/hr

Remote Duration: Up to 6 months Commitment: 10+ hours/week Role Responsibilities * Evaluate AI ... mixer. * College degree in music, involving performance, theory, and lyrics. * Native or near ...

next page

Showing results 1-20

All Jobsremote Jobsafternoon JobsArts and Entertainment JobsAfternoon Remote Audio Mixing Jobs

Afternoon Remote Audio Mixing information

See salary details

$29.5K

$84.5K

$171.5K

How much do afternoon remote audio mixing jobs pay per year?

As of Aug 23, 2026, the average yearly pay for afternoon remote audio mixing in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What is an afternoon remote audio mixing job?

An Afternoon Remote Audio Mixing job involves mixing and editing audio tracks or recordings from a remote location, typically during afternoon hours. This work can include balancing levels, applying effects, and ensuring high-quality sound for music, podcasts, or other audio projects. Professionals in this role often collaborate with clients and artists online, using digital audio workstations (DAWs) and other audio software. The remote aspect allows flexibility in location, while the afternoon schedule caters to specific client or project needs. Strong technical skills and reliable internet access are essential for success in this position.

What are the key skills and qualifications needed to thrive as an afternoon remote audio mixing engineer?

To excel as an Afternoon Remote Audio Mixing Engineer, you need strong audio engineering knowledge, experience with multi-track mixing, and a background in music or sound production. Familiarity with digital audio workstations (DAWs) like Pro Tools or Ableton Live, as well as proficiency in using plugins and remote collaboration tools, is essential. Excellent communication, time management, and attention to detail help you interpret client feedback and deliver high-quality mixes on tight deadlines. These abilities are crucial for producing polished audio that meets client expectations while efficiently collaborating from a remote setting.

What are some common challenges faced by remote audio mixing engineers working afternoon shifts, and how can they be managed?

Remote audio mixing engineers working afternoon shifts often encounter challenges such as coordinating with clients or team members in different time zones, managing potential distractions in a home environment, and ensuring consistent audio quality across various listening devices. To address these, it's important to establish clear communication channels with collaborators, set up a dedicated and acoustically treated workspace, and use reference tracks or calibrated monitors to maintain sound consistency. Regularly scheduled check-ins and project management tools can also help streamline workflow and keep projects on track.

What is the difference between Afternoon Remote Audio Mixing vs Remote Audio Editing?

AspectAfternoon Remote Audio MixingRemote Audio Editing
CredentialsAudio engineering certifications, DAW proficiencyAudio editing certifications, DAW skills
Work EnvironmentRemote, studio or home setupRemote, home or studio setup
Industry UsageMusic, film, broadcastMusic, podcast, film post-production
Primary FocusBalancing and blending audio tracksCutting, arranging, and cleaning audio clips

Afternoon Remote Audio Mixing involves balancing and blending multiple audio tracks to achieve a polished sound, often requiring advanced audio engineering skills. Remote Audio Editing focuses on cutting, arranging, and cleaning audio clips, emphasizing precision editing. Both roles are performed remotely, share similar credentials, and are used across media industries, but they differ in their core tasks and focus areas.

More about Afternoon Remote Audio Mixing jobs

What cities are hiring for Afternoon Remote Audio Mixing jobs?

Cities with the most Afternoon Remote Audio Mixing job openings:

What are the most commonly searched types of Remote Audio Mixing jobs?

The most popular types of Remote Audio Mixing jobs are:

What states have the most Afternoon Remote Audio Mixing jobs?

States with the most job openings for Afternoon Remote Audio Mixing jobs include:

What job categories do people searching Afternoon Remote Audio Mixing jobs look for?

The top searched job categories for Afternoon Remote Audio Mixing jobs are:

Afternoon Remote Audio Mixing jobs near you
Infographic showing various Afternoon Remote Audio Mixing job openings in the United States as of August 2026, with employment types broken down into 100% Full Time. Highlights an 100% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.

Seasonal Part-Time Broadcast Audio 1

The National Football League

Inglewood, CA • Remote

Full-time, Part-time

Re-posted 15 days ago

Job description

NFL Media Technical Operations is seeking an experienced Audio 1 (A1) to lead audio production for live and recorded programming across NFL Media platforms. This position serves as the primary audio lead responsible for the planning, execution, mixing, and overall quality of audio elements supporting studio, remote, and special event productions. 

The ideal candidate possesses extensive live broadcast audio experience, strong technical expertise in modern IP-based audio environments, and a proven ability to perform in fast-paced, high-profile sports production settings. Production services will be based at NFL Media's state-of-the-art broadcast facility in Inglewood, California. 

Responsibilities

  • Serve as the lead audio mixer for live and recorded productions, ensuring the highest level of audio quality and operational excellence.
  • Design, configure, and execute complex audio workflows for studio shows, remote broadcasts, special events, and digital productions.
  • Operate and mix live productions utilizing broadcast audio consoles, playback systems, communication systems, and IP-based audio infrastructure.
  • Collaborate closely with producers, directors, technical directors, engineering teams, and production personnel to deliver consistent and impactful audio experiences.
  • Develop and maintain show-specific audio configurations, routing strategies, and operational workflows.
  • Lead audio planning for remote productions, transmission paths, venue integration, and signal management.
  • Troubleshoot and resolve technical audio issues in real time while maintaining on-air continuity.
  • Oversee proper setup, operation, and optimization of communications systems, including Riedel intercom platforms.
  • Ensure compliance with broadcast audio standards and best practices across stereo, surround sound, and emerging audio formats.
  • Provide guidance, mentorship, and operational direction to A2 and A3 personnel and freelance audio staff as needed.
  • Maintain proficiency in emerging broadcast technologies, IP networking standards, and audio production workflows.
  • Perform other duties as assigned. 

Required Qualifications

  • 7+ years of professional broadcast audio experience, including significant experience mixing live sports and studio productions.
  • Proven experience serving as an Audio 1 (A1) or senior-level broadcast audio mixer in a professional television, streaming, or live event environment.
  • Advanced experience operating SSL audio consoles; experience with SSL System T and S500 platforms strongly preferred.
  • Demonstrated expertise in stereo, 5.1 surround, and multi-channel broadcast audio mixing.
  • Extensive knowledge of IP-based audio infrastructures, including AES67, Dante, SMPTE 2110, and related broadcast networking technologies.
  • Experience supporting complex remote productions, transmission workflows, and large-scale live event broadcasts.
  • Strong understanding of broadcast signal flow, routing, communications systems, and troubleshooting methodologies.
  • Proficiency with playback systems, audio servers, and broadcast production technologies.
  • Experience working with Riedel communications systems and networked intercom environments preferred. 

Qualifications

  • Experience supporting national sports broadcasts and large-scale live events.
  • Dante Certification or equivalent IP audio networking credentials.
  • Experience with EVS audio workflows and replay systems.
  • Familiarity with cloud-based or remote production environments.
  • CTS, Dante, or other relevant industry certifications. 

Other Key Attributes / Characteristics

  • Exceptional leadership, communication, and collaboration skills.
  • Ability to remain calm and make sound decisions in high-pressure live production environments.
  • Demonstrated attention to detail and commitment to operational excellence.
  • Strong troubleshooting and problem-solving capabilities.
  • Ability to prioritize multiple competing demands while maintaining production quality.
  • Strong technical proficiency with broadcast systems, production software, and collaboration tools. 

Terms / Expected Hours of Work

  • Availability to work flexible schedules, including evenings, weekends, holidays, and special events.
  • Ability to support remote productions and occasional travel as business needs require.
  • Seasonal employment up to 7 months. 

Salary / Pay Range

This job posting contains a pay range, which represents the range of salaries or hourly rates that the NFL believes, in good faith, at the time of this posting that it might be willing to pay for the posted job in the location(s) specified. The NFL expects to hire for this position near the middle of the range. Only in truly rare and exceptional circumstances, where an external candidate has experience, credentials or expertise that far exceed those required or expected for the position, would the NFL consider paying a salary or rate near the higher end of the range.

Apply