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Part Time Audio Visual Engineer Jobs in Oregon (NOW HIRING)

Programming Reporting To: Brand Manager Employment Type: Part Time Location(s): Portland, OR. Work ... The Video/Audio Producer helps bring the station's on-air brand to life online; creating, curating ...

Programming Reporting To: Brand Manager Employment Type: Part Time Location(s): Portland, OR. Work ... The Video/Audio Producer helps bring the station's on-air brand to life online; creating, curating ...

Programming Reporting To: Brand Manager Employment Type: Part Time Location(s): Portland, OR. Work ... The Video/Audio Producer helps bring the station's on-air brand to life online; creating, curating ...

... weekends. Part time and/or seasonal. Banquet and Audio Visual experience a plus but not required. Oregon Food Handler's Card a plus, or will be required after hire. Pay based on experience and ...

BANQUET SERVER

Hood River, OR · On-site

$15.05/hr

... weekends. Part time and/or seasonal. Banquet and Audio Visual experience a plus but not required. Oregon Food Handler's Card a plus, or will be required after hire. Pay based on experience and ...

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Part Time Audio Visual Engineer information

What is the difference between Part Time Audio Visual Engineer vs Part Time AV Technician?

AspectPart Time Audio Visual EngineerPart Time AV Technician
CredentialsRelevant certifications (e.g., CTS), technical trainingBasic technical training, certifications less common
Work EnvironmentEvent venues, conference centers, corporate settingsEvent setups, live events, installations
Employer UsageEvent companies, corporate event teams, rental servicesAV rental companies, event production firms
Search & Comparison IntentUnderstanding roles, qualifications, job scopeTechnical skills, daily responsibilities

While both roles involve supporting audio-visual setups, the Part Time Audio Visual Engineer typically requires more specialized certifications and handles more complex technical tasks. The Part Time AV Technician focuses on installation and operation of AV equipment, often with less formal certification. Both roles are essential in event and corporate environments, but the engineer often takes on higher-level technical responsibilities.

What are the most commonly searched types of Audio Visual Engineer jobs in Oregon? The most popular types of Audio Visual Engineer jobs in Oregon are:
What are popular job titles related to Part Time Audio Visual Engineer jobs in Oregon? For Part Time Audio Visual Engineer jobs in Oregon, the most frequently searched job titles are:
What job categories do people searching Part Time Audio Visual Engineer jobs in Oregon look for? The top searched job categories for Part Time Audio Visual Engineer jobs in Oregon are:
What cities in Oregon are hiring for Part Time Audio Visual Engineer jobs? Cities in Oregon with the most Part Time Audio Visual Engineer job openings:
Podcast Recording Engineer & Editor

Podcast Recording Engineer & Editor

Bible Project

Portland, OR • On-site

$31 - $45/hr

Part-time

Retirement

Posted 4 days ago


Job description

Podcast Audio Editor
Part-Time • 20 hours/week
About This Role
As our Podcast Recording Engineer & Editor, you will own the weekly audio post-production pipeline for the BibleProject Podcast-from recording intake through final review handoff. You will spend most of your time editing and restoring long-form spoken-word conversations inside Pro Tools, using iZotope RX to solve real-world audio problems and delivering episodes that feel natural, transparent, and emotionally intact.
To thrive here, you need professional-level Pro Tools fluency-not occasional familiarity-along with deep dialogue editing instincts drawn from broadcast, radio, film, post-production, documentary, or a comparable environment. You should be comfortable working independently inside a structured weekly cadence and an established AAF-to-Pro Tools workflow.
In all your work, you will bring your skills and experience to help further our mission of helping people experience the Bible as a unified story that leads to Jesus.
This is a part-time role with no guarantee of becoming a full-time role. It is a great fit if you genuinely want consistent, meaningful part-time production work.
What You'll Be Doing
Core Responsibilities
Leadership
  • Communicate proactively about episode status, blockers, restoration concerns, AAF/session issues, and handoff timing so the team can plan around deadlines.
  • Protect the established level of audio quality and advocate for workflow improvements that make weekly podcast production more sustainable.
  • Work within systems with consistency and reliability, flagging issues rather than improvising around them.
Responsibility
  • Edit and clean long-form podcast conversations with a high level of transparency-preserving natural speech, pacing, tone, breath, room tone, and intent.
  • Apply audio processing and restoration tools to repair real-world problems and achieve BibleProject's established podcast sound.
  • Build episode elements: main conversation body, intro/outro voiceovers, music breaks, and additional sound design.
  • Conduct recording sessions-microphone setup, gain staging, routing, headphone monitoring, and level monitoring.
  • Manage media files, AAF import/export, session structure, and file organization across Descript, Pro Tools, and Dropbox-maintaining the established system from intake through handoff.
Expertise
  • Perform difficult audio repairs cleanly and confidently-including light pacing edits and transcript-aligned assembly-while preserving the speakers' rhythm and conversational flow.
  • Produce mix-ready, loudness-compliant deliverables that meet broadcast and podcast standards.

What We're Looking For
  • 3+ years of professional Pro Tools experience as a primary dialogue-editing environment, with the ability to build, organize, and troubleshoot sessions independently.
  • 3+ years editing long-form, multi-speaker audio (45+ min) in at least one of the following: broadcast, radio, podcast, documentary, or film post-production.
  • Proficient in iZotope RX 9 or later, including Dialogue De-noise, De-hum, De-clip, De-mouth, Spectral Repair, and Ambience Match.
  • Able to execute AAF export/import, media relinking, and session handoff between Descript and Pro Tools without supervision.
  • Familiar with podcast loudness standards (-16 LUFS stereo / -19 LUFS mono) and able to deliver mix-ready files that meet those targets consistently.
  • Able to maintain consistent output within a recurring weekly deadline with limited flexibility.
  • Clear communicator who works well asynchronously and handles biblical and theological content with care.

About BibleProject
Portland, Oregon, Founded 2014
BibleProject is an educational technology and media studio whose mission is to help people experience the Bible as a unified story that leads to Jesus.
We have grown significantly in the area of multimedia technology. What began with two animated videos now encompasses multiple platforms and products-including over 200 videos. Our website and app serve as connection hubs to our ever-growing library of resources. Classroom, our online learning platform, offers accessible, graduate-level Bible classes.
These, and all of our supporting products, continue to be completely free to audiences around the world, thanks to the ongoing generosity of our patrons.
Location: Portland, Oregon
Reporting to: Cooper Peltz, Director of Production, Live Action and Audio
Compensation & Benefits
  • The hourly range for this position is $31.00 - $45.00.
    • Competitive wages that scales with experience directly related to this role. Top tier in non-profit market but will not match similar roles in for-profit companies.
  • State-regulated sick leave
  • 401k matching program (Eligible 6 months from start date)
  • Random employee perks (swag, meals and other surprises)

BibleProject is an equal opportunity employer.