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Music Recording Engineer Jobs (NOW HIRING)

This position provides support for Music faculty, staff, lesson instructors, and students on the ... Recording Engineer * Provide high quality digital recording, mixing, and editing for Music ...

This position provides support for Music faculty, staff, lesson instructors, and students on the ... Recording Engineer * Provide high quality digital recording, mixing, and editing for Music ...

The audio and video recording engineer oversees many technical and aesthetic aspects of a recording ... Music producers oversee and direct recording projects for musical artists. Although their roles ...

$15/hr

AND POSITION REQUIREMENTS The School of Music seeks qualified graduate and undergraduate students to act as recording engineers. These students will provide recording engineering services for select ...

... recording and live sound services for special university events that occur for KU School of Music ... engineer and outside production entities in recording and editing album recordings by KU Faculty ...

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Music Recording Engineer information

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$5

$48

$76

How much do music recording engineer jobs pay per hour?

As of Jul 3, 2026, the average hourly pay for music recording engineer in the United States is $48.17, according to ZipRecruiter salary data. Most workers in this role earn between $39.18 and $60.10 per hour, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as a Music Recording Engineer, and why are they important?

A Music Recording Engineer needs a solid understanding of audio engineering principles, acoustics, and recording techniques, often supported by a degree or certification in audio production. Familiarity with digital audio workstations (DAWs) such as Pro Tools or Logic Pro, as well as audio interfaces, microphones, and mixing consoles, is essential. Excellent attention to detail, creativity, and strong communication skills help engineers collaborate effectively with artists and producers. These skills ensure the delivery of high-quality recordings that meet artistic and technical standards in a competitive music industry.

What are some common challenges Music Recording Engineers face when working with artists in the studio?

Music Recording Engineers often encounter challenges such as managing differing creative visions between artists, producers, and record labels, as well as handling technical issues like equipment malfunctions or acoustical problems. They must balance delivering high-quality sound with meeting tight deadlines, which can require quick problem-solving and adaptability. Additionally, engineers need strong communication skills to guide artists through the recording process and create a comfortable, productive studio environment. Overcoming these challenges is key to producing outstanding recordings and building lasting professional relationships.

What is the difference between Music Recording Engineer vs Sound Technician?

AspectMusic Recording EngineerSound Technician
CredentialsTypically requires a degree or certification in audio engineering or music productionOften has technical training or certifications in sound systems or audio technology
Work EnvironmentRecording studios, music production facilitiesLive events, concerts, broadcast environments
Industry UsageMusic industry, recording labels, production companiesEvent venues, broadcasting stations, live sound companies

While both roles involve working with audio equipment, a Music Recording Engineer focuses on capturing and mixing music in studio settings, whereas a Sound Technician primarily manages sound during live events or broadcasts. The roles often overlap but differ in environment and specific responsibilities.

What does a Music Recording Engineer do?

A Music Recording Engineer is responsible for capturing, mixing, and editing audio during music recording sessions. They operate recording equipment, set up microphones, and work closely with artists and producers to achieve the desired sound quality. Their expertise ensures that all elements of a song are recorded clearly and balanced properly. They may also handle post-production tasks like mixing and mastering to prepare music for release. Overall, they play a crucial role in the technical and creative aspects of music production.
More about Music Recording Engineer jobs
What cities are hiring for Music Recording Engineer jobs? Cities with the most Music Recording Engineer job openings:
What states have the most Music Recording Engineer jobs? States with the most job openings for Music Recording Engineer jobs include:
Infographic showing various Music Recording Engineer job openings in the United States as of June 2026, with employment types broken down into 92% Full Time, 5% Part Time, and 3% Contract. Highlights an 94% Physical, 1% Hybrid, and 5% Remote job distribution, with an average salary of $100,198 per year, or $48.2 per hour.
Recording Engineer

Full-time

Posted 22 days ago


Job description

The Recording Engineer, Audio Technician, & Tyler-Tallman Hall manager is responsible for all live event recording, studio recording, audio archival maintenance, and recording distribution for the Music Department and events co-sponsored by the Music Department. This position provides support for Music faculty, staff, lesson instructors, and students on the integration of existing and emerging audio technologies to support instruction and performance. The position will provide technical support for the Electronic Music & Recording Studio and Digital Music Laboratory. The position also includes serving as a manager for Tyler-Tallman Recital Hall and running the sound board for Music events in that space. The position will train and manage any necessary work study students.

  • Recording Engineer
    • Provide high quality digital recording, mixing, and editing for Music Department and Music Department co-sponsored events in Tyler-Tallman Hall (TTH), Duke Family Performance Hall (DFPH), Davidson College Presbyterian Church (DCPC), other campus spaces, and Recording Studio for archive.
    • Manage and backup data to Music Department archival hard drives and cloud.
    • Serve as backup videographer for TTH performances (not video editing).
    • Hire, train, and supervise any necessary work study students.
  • Sound Board Operator for all Music Department and Music Department co-sponsored events in TTH and DCPC
    • Run pre-performance sound checks for performances in TTH requiring live mics.
    • Coordinate with Tech Services' Sound Board Operator for events in DFPH.
    • Coordinate with DCPC staff to run DCPC soundboard.
  • Tyler-Tallman Hall Manager
    • Serve as point person for Music events in TTH (approximately 40 per week during academic year) and non-Music events in TTH (approximately 2 per week during the academic year and sporadically throughout the summer), coordinating with the Director of Production & Promotion as necessary.
    • Serve as point person for any TTH lighting board technical issues.
    • Coordinate with T&I for Crestron migration and projector maintenance in TTH.

Classroom & Lab Maintenance

  • Assist the Music Department in the development and maintenance of the Electronic Music & Recording Studio and Digital Music Laboratory, staying abreast of emerging audio/multimedia software and technologies.
  • Serve as primary technician and provide maintenance for new Digital Creation Space in Sloan expected in summer/fall 2027 or 2028 (which will be approximately double the number of stations of current Digital Music Studio/"Keyboard Lab")
  • Coordinate with T&I for Music Department computer hardware replacements and upgrades in Sloan classrooms, current Digital Music/Keyboard Lab, future Digital Creation Space, and Electronic Music & Recording studio.
  • Manage and oversee departmental software purchases, upgrades, renewals, and master accounts for software subscriptions.
  • Coordinate with T&I and Physical Plant for Crestron migration and other upgrades and projects involving audio technologies in Sloan classrooms.
  • Troubleshoot speaker issues in Sloan classrooms.
  • Coordinate with Physical Plant and campus electricians for any necessary adjustments to infrastructure of wires within Sloan.
  • Maintain a budget for purchasing equipment, hardware, software, keyboards, and accessories necessary for event recording and studio, lab, and classroom maintenance and instruction.
  • Recycle, trade up, upcycle, or find ways to appropriately dispose of obsolete electronics.

Faculty & Staff Support

  • Offer guest sessions on recording for music classes.
  • Collaborate with Music faculty to train students in audio recording and mastering techniques in the recording studio.
  • Assist Appalachian Ensemble Director with creating audio clips for rehearsal purposes.
  • Record DCSO student composition reading sessions in Sloan 200.
  • Serve as Sound Operator for Theatre's & Music's collaborations on musicals.
  • Assist faculty with emergency recordings or livestreams in case of a global pandemic.


Required

  • B.M., B.S., or B.A. in Sound Recording, Sound Engineering, Audio Engineering, Recording Arts, or similar field
  • Five years of relevant hands-on experience required, which may include an M.M., M.S., or M.F.A.; Significant live event audio recording and production experience in orchestral, choral, and jazz big band music and experience working with faculty, preferably in a college environment. Ability to manage a digital recording studio. Excellent audio recording and mastering skills, interpersonal, organizational, and leadership skills, and experience with recent developments in audio technology. Strong oral and written communication skills with a solid customer service orientation.

Preferred

  • Basic skills in audio circuitry, electrical engineering, and soldering.

Information about how to submit an application can be found at https://employment.davidson.edu.

Davidson is a highly selective, nationally ranked, residential liberal arts college located in Davidson, North Carolina, near Charlotte. We seek to hire talented faculty and staff who are committed to achieving excellence within an inclusive community where diverse backgrounds and perspectives are valued.