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Live Audio Jobs (NOW HIRING)

ANAKEESTA

Audio Technician

Gatlinburg, TN

$20/hr

Mix live audio for stage and roaming performances * Perform daily rehearsal support consisting of audio and stage set up * Perform pre and post show checks to ensure correct and smooth execution of ...

Apple

Audio Engineer

Cupertino, CA

$146K - $221K/yr

The Audio Engineer is a hands on technical leadership role responsible for delivering premium live and broadcast audio experiences for Apple's Worldwide Events. This role owns the operation ...

Bethel University

Events Audio Technician

Saint Paul, MN · On-site

$23/hr

Whether you're configuring an audio network or mixing a live musical, you bring a "can-do" spirit to a Christ-centered community that values your craft. Because our events schedule spans days, nights ...

Lakepointe Church

Audio Director - Central

Rockwall, TX · On-site

Develop resources, systems, initiatives, and training strategies that help equip volunteers and staff to grow in the discipline of live audio production * Create scalable workflows and standards that ...

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Live Audio information

See salary details

$29.5K

$84.5K

$171.5K

How much do live audio jobs pay per year?

As of Jun 28, 2026, the average yearly pay for live audio in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as a Live Audio Engineer, and why are they important?

To thrive as a Live Audio Engineer, you need a solid understanding of audio signal flow, acoustics, and sound mixing, often supported by formal training or a relevant audio engineering certification. Proficiency with digital and analog mixing consoles, wireless microphone systems, and audio editing software like Pro Tools or QLab is typically required. Strong problem-solving abilities, attention to detail, and effective communication are essential soft skills for this fast-paced environment. These skills ensure high-quality sound production, minimize technical issues, and enable clear collaboration with performers and event staff.

What is a live audio engineer?

A live audio engineer is a professional responsible for managing and controlling sound quality during live events such as concerts, theater performances, conferences, and broadcasts. They operate soundboards, microphones, amplifiers, and other audio equipment to ensure clear and balanced sound for both the audience and performers. Live audio engineers work closely with performers and event staff to meet specific audio needs and quickly troubleshoot any technical issues that arise during a show.

What are some common challenges faced by professionals working in live audio, and how can they be addressed?

Professionals in live audio often encounter challenges such as last-minute technical issues, managing sound quality in varying venues, and coordinating with performers and other technical teams under tight timelines. To address these, it's important to conduct thorough sound checks, maintain clear communication with all team members, and have contingency plans for equipment failures. Staying adaptable and continuously updating technical skills can also help ensure smooth live productions and enhance job performance.

What is the difference between Live Audio vs Audio Technician?

AspectLive AudioAudio Technician
Required CredentialsAudio engineering certifications, technical trainingAudio certifications, technical skills
Work EnvironmentConcerts, live events, festivalsRecording studios, broadcast stations, events
Employer & Industry UsageEvent companies, concert venues, festivalsMedia companies, production houses, broadcast
Common Search & Comparison IntentUnderstanding live sound setup and rolesTechnical support for audio systems

Live Audio professionals focus on managing sound during live events, ensuring optimal audio quality in real-time. Audio Technicians may work in both live and studio settings, handling audio equipment, recording, and post-production. While both roles require technical skills and certifications, Live Audio specialists are primarily involved in live event sound management, whereas Audio Technicians often support various audio-related tasks across different environments.

More about Live Audio jobs
What cities are hiring for Live Audio jobs? Cities with the most Live Audio job openings:
What states have the most Live Audio jobs? States with the most job openings for Live Audio jobs include:
What job categories do people searching Live Audio jobs look for? The top searched job categories for Live Audio jobs are:
Live Audio jobs near you
Infographic showing various Live Audio job openings in the United States as of June 2026, with employment types broken down into 9% Full Time, and 91% Part Time. Highlights an 89% Physical, 1% Hybrid, and 10% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.

On Call Head Audio

Madison Elementary District

Phoenix, AZ • On-site

$30/hr

Other

Posted 15 days ago

Job description

Madison Elementary School District #38
Position Title: On Call Head Audio
Length of Work Year: On Call/Substitute
Salary Information: $30.00/hour
Department: Madison Center for the Arts
Supervision: Supervised by Technical Director
Reports To: Stage Manager, Technical Director and Lighting Designer
This position is an on-call, activated on a show-by-show basis.
Overview: The Head of Audio oversees the audio needs for the event or show, ensuring smooth operations. They are responsible for managing audio systems and structures for crew and production.
QUALIFICATIONS:
  1. 1-2 years experience of live audio mixing.
  2. Experience with Qlab, TheatreMix, and other professional live entertainment computer software.
  3. Professional experience with Yamaha Digital consoles
  4. Experience with Dante networks and Dante Controller (At least Dante Level 2 Certification preferred)
  5. Experience with and working knowledge of live entertainment multi projector systems and programming.
  6. Experience with both Audio and Video system network setup and troubleshooting.
  7. Experience with Shure ULXD, and Wireless Workbench a plus.
  8. Ability to work closely with people in a professional and positive manner.
  9. Ability to work closely and creatively with design teams, directors, and other members of the staff.
  10. Proficiency with computers and standard office suite, ability to generate and maintain professional level paperwork and tracking for each production.
  11. Ability to multitask while maintaining productivity.
  12. Ability to remain levelheaded in high-stress environments.
  13. Ability to troubleshoot under pressure and remain composed.
  14. Ability to work independently and meet deadlines.
RESPONSIBILITIES:
  1. Coordinate with production staff, designers, and performers, overseeing sound setup, operation, and strike for rehearsals and performances, ensuring sound quality, and troubleshooting any issues that arise.
  2. Ensure compliance with safety protocols and industry best practices is crucial.
  1. Serve as the primary audio contact for the event or show.
  2. Assist with event load-in, setup, operation, and load-out.
  3. Manage and maintain the venue's audio systems and equipment.
  4. Troubleshoot and resolve technical issues efficiently under time-sensitive conditions.
  5. Supervise and mentor the audio team.
  6. Ensure compliance with safety protocols.
  7. Lead in facilitating all audio needs for all rental events/productions, including the testing, maintenance and upkeep of all audio equipment, projectors, and sound equipment in The Madison.
  8. Review sound plots to evaluate feasibility and implementation in The Madison
  9. Lead in preparing and installing equipment based on plots and designer supplied specifications; including but not limited to tech table set-up, i.e. tables, headsets, and video monitors, god mic, etc.
  10. Collaborate to produce show-related audio paperwork.
  11. Maintain organized and accurate records of design execution for a given production. Make archival copies of all paperwork and show files.
  12. Adhere to the proper shut-down of all audio, special effects, stage equipment and other electrical appliances, assuring that the theatre is left in a safe, secure, and appropriately lit manner and that equipment is locked in a secure place.

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