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Fiction Editor Jobs (NOW HIRING)

... fiction and licensed content, targeting readers from preschool to young adult. This position ... Meet with editors, find and hire illustrators /packagers and freelance designers. Manage schedules ...

... fiction and licensed content, targeting readers from preschool to young adult. This position ... Meet with editors, find and hire illustrators /packagers and freelance designers. Manage schedules ...

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Fiction Editor information

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$11K

$59.6K

$65K

How much do fiction editor jobs pay per year?

As of Sep 5, 2026, the average yearly pay for fiction editor in the United States is $59,622.00, according to ZipRecruiter salary data. Most workers in this role earn between $58,000.00 and $60,000.00 per year, depending on experience, location, and employer.

What does a fiction editor do?

A fiction editor is responsible for reviewing and improving works of fiction, such as novels and short stories, before they are published. Their tasks include assessing plot structure, character development, pacing, and overall storytelling to ensure the manuscript is engaging and cohesive. Fiction editors also check for grammar, style, and consistency, and may provide feedback to authors to help refine their work. They play a crucial role in shaping a story to meet both the author’s vision and the expectations of readers.

What does a fiction editor do?

As a fiction editor, you may work in-house at a publishing company or on a freelance basis. Your duties include reading and evaluating a manuscript for possible publication. You edit work, which may include correcting grammar and spelling, and give feedback to authors. Your responsibilities may include creating an original cover copy for titles and working directly with the marketing department before publishing a fiction work. Depending on your employer, you may research information and make recommendations to senior staff members. Your job tasks are often dependent on your experience as an editor or the size of the company in which you work.

What are the key skills and qualifications needed to thrive as a fiction editor?

To thrive as a Fiction Editor, you need a strong command of grammar, narrative structure, and literary analysis, often supported by a degree in English, literature, or a related field. Familiarity with editing software like Microsoft Word, Adobe Acrobat, and platforms such as Track Changes or editorial management systems is typically required. Exceptional communication, attention to detail, and the ability to give constructive feedback set standout editors apart. These skills ensure manuscripts are polished, coherent, and engaging, facilitating successful publication and author-editor collaboration.

What are some common challenges a fiction editor faces when working with authors on manuscript revisions?

A Fiction Editor often navigates the delicate balance between preserving an author's unique voice and ensuring the manuscript meets industry standards for storytelling, pacing, and character development. One common challenge is providing constructive feedback that encourages authors while addressing areas needing improvement. Additionally, editors may need to manage tight deadlines and coordinate with multiple stakeholders, including authors, agents, and publishing teams, to keep projects on track. Strong communication and empathy are essential for fostering productive partnerships and bringing out the best in each manuscript.

What is the difference between Fiction Editor vs Copy Editor?

AspectFiction EditorCopy Editor
Primary FocusDeveloping and shaping fiction manuscripts, improving story structure, character development, and styleCorrecting grammar, punctuation, spelling, and ensuring clarity and consistency in the text
Required SkillsStrong storytelling, literary analysis, editing for narrative flowAttention to detail, grammar expertise, style guides knowledge
Work EnvironmentPublishing houses, literary agencies, freelancePublishing, media, corporate editing
Common UsageAssessing creative content, manuscript developmentPolishing final drafts, ensuring technical accuracy

Fiction Editors focus on shaping and improving the storytelling aspects of manuscripts, working closely with authors to develop compelling narratives. Copy Editors concentrate on correcting language errors and ensuring clarity. Both roles require editing skills but serve different stages of the publishing process.

How much do fiction editors make?

Fiction editors typically earn between $40,000 and $70,000 annually, depending on experience, location, and the employer. Senior or specialized editors can earn higher salaries, especially in large publishing houses or with extensive industry experience.

What cities are hiring for Fiction Editor jobs?

Cities with the most Fiction Editor job openings:

What are the most commonly searched types of Fiction Editor jobs?

The most popular types of Fiction Editor jobs are:

What states have the most Fiction Editor jobs?

States with the most job openings for Fiction Editor jobs include:

Infographic showing various Fiction Editor job openings in the United States as of August 2026, with employment types broken down into 83% Full Time, and 17% Contract. Highlights an 100% In-person job distribution, with an average salary of $59,622 per year, or $28.7 per hour.

Editor, Books Desk New York, NY

New York Times

Manhattan, NY • On-site

$200 - $320/hr

Other

Medical, Dental, Vision, Retirement, PTO

Posted 4 days ago


Job description

Office: New York, NY

Department: Journalism — Editing

Job Description

The mission of The New York Times is to seek the truth and help people understand the world. That means independent journalism is at the heart of all we do as a company. It’s why we have a world-renowned newsroom that sends journalists to report on the ground from nearly 160 countries. It’s why we focus deeply on how our readers will experience our journalism, from print to audio to a world-class digital and app destination. And it’s why our business strategy centers on making journalism so good that it’s worth paying for.

The New York Times is seeking a visionary, deeply collaborative, and strategically minded editor to lead its coverage of books.

In this role, you will oversee the Books desk for The New York Times, managing a stellar team of editors, critics, reporters and contributors. You will define and execute the editorial strategy of the prestigious New York Times Book Review while also steering the evolution of our coverage across our website and app, newsletters, audio, video and social platforms.

The Times plays an essential role in answering the questions that so many smart readers have: What should I read, and why? The Books editor will help us sharpen how we connect readers to the expertise, recommendations and insights on books that our journalists and critics possess, and help The Times inspire conversations and foster community around the books that evoke passion and interest.

The ideal candidate is a cultural trendspotter with impeccable editorial judgment, a passion for both nonfiction writing and literature, news energy and a proven track record of managing high-performing creative teams in a fast-paced digital newsroom. They have a deep, comprehensive knowledge of the publishing industry, contemporary literature, publishing trends, and the cultural conversations surrounding books.

This is an in-office position, based in New York and includes regular attendance in the office at least four days each week.

Responsibilities:
  • Define and execute the overarching editorial strategy for books coverage, balancing the authoritative, deeply analytical tradition of The Book Review with innovative, inviting and accessible digital offerings.
  • Ensure coverage reflects a wide, diverse range of voices, genres, backgrounds, and ideological perspectives, and reflects the broad world of publishing, from mainstream blockbusters to important literary and non-fiction works.
  • Oversee the selection of books to be reviewed, ensuring the Times remains the definitive voice in the literary world.
  • Direct high-profile projects, including the "10 Best Books of the Year," the "100 Notable Books," and develop new books franchises, in collaboration with our newly created modern canon team.
  • Produce aggressive coverage of the publishing industry, from the economics of bookselling and marketing to debates about writing, plagiarism, artificial intelligence, ideological disputes, marquee authors and more.
  • Collaborate with product, audio, video, and design teams to expand the Books desk’s footprint across formats (e.g., The Book Review Podcast, newsletters, interactive graphics, and social media platforms).
  • Use audience insights to understand reader behavior and optimize headline writing, packaging, and publishing schedules while maintaining editorial integrity.
  • Manage, mentor, and inspire a dedicated team of editors, staff critics, and reporters, fostering a culture of excellence and continuous growth.
  • Demonstrate support and understanding of our value of journalistic independence and a strong commitment to our mission to seek the truth and help people understand the world.
  • You will report to a Masthead Editor.
Basic Qualifications:
  • 15+ years of experience in journalism or cultural criticism
  • 5+ years in a significant leadership or managerial role within a major media organization.
  • Deep, comprehensive knowledge of the publishing industry, contemporary literature, publishing trends, and the cultural conversations surrounding books.
  • Proven experience leading digital transformations, with a sophisticated vision and understanding of audience engagement and digital storytelling.
  • Demonstrated exceptional editing skills, with the ability to sharpen complex critiques, elevate prose, and guide writers toward their best work under tight deadlines.
  • Experience successfully navigating complex, matrixed organizational structures.
Preferred Qualifications:

A collaborative, diplomatic leadership style

Additional Compensation and Benefits

For roles in the U.S., dependent on your role, you may be eligible for variable pay, such as an annual bonus and restricted stock. Benefits may include medical, dental and vision benefits, Flexible Spending Accounts (F.S.A.s), a company-matching 401(k) plan, paid vacation, paid sick days, paid parental leave, tuition reimbursement and professional development programs.

For roles outside of the U.S., information on benefits will be provided during the interview process.

Candidate Use of GenAI Tools

We’re excited to learn more about you and your experience. To keep our hiring process as fair and authentic as possible, we ask that you submit your own work and not use GenAI tools to generate substantive content during the application and interview process.

If you’re an Engineering candidate, we’ll let you know what specific GenAI tools you are permitted to use for your technical assessment.

The New York Times Company is committed to being the world’s best source of independent, reliable and quality journalism. To do so, we embrace a diverse workforce that has a broad range of backgrounds and experiences across our ranks, at all levels of the organization. We encourage people from all backgrounds to apply.

We are an Equal Opportunity Employer and do not discriminate on the basis of an individual's sex, age, race, color, creed, national origin, alienage, religion, marital status, pregnancy, sexual orientation or affectional preference, gender identity and expression, disability, genetic trait or predisposition, carrier status, citizenship, veteran or military status and other personal characteristics protected by law. All applications will receive consideration for employment without regard to legally protected characteristics. The U.S. Equal Employment Opportunity Commission (EEOC)’s Know Your Rights Poster is availablehere .

The New York Times Company will provide reasonable accommodations as required by applicable federal, state, and/or local laws. Individuals seeking an accommodation for the application or interview process should email reasonable.accommodations@nytimes.com. Emails sent for unrelated issues, such as following up on an application, will not receive a response.

The Company encourages those with criminal histories to apply, and will consider their applications in a manner consistent with applicable "Fair Chance" laws, including but not limited to the NYC Fair Chance Act, the Los Angeles Fair Chance Initiative for Hiring Ordinance, the San Francisco Fair Chance Ordinance, the Los Angeles County Fair Chance Ordinance for Employers, and the California Fair Chance Act.

For information about The New York Times' privacy practices for job applicants clickhere .

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