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Fiction Editor Jobs (NOW HIRING)

Associate Editor

Salt Lake City, UT · On-site

  • Medical

  • Dental

  • Life

  • Retirement

  • PTO

Associate Editor Reports to Editorial Director Location Deseret Book Corporate Office Salt Lake ... fiction and nonfiction for adults, young adults, and middle-grade readers. Our titles regularly ...

Editor, Del Rey (Open to Remote)

Manhattan, NY · On-site +1

  • Medical

  • Dental

  • Vision

  • Life

  • Retirement

  • PTO

Del Rey Books, a premiere publisher of science fiction, fantasy, and horror, is excited to hire an Editor to join our team. The Editor will acquire 10-12 titles per year with an emphasis on ...

Novelist Cowriter - Crime Fiction

KY · Remote

$23.56 - $27.40/hr

Bring Crime Fiction to Life As a cowriter for Mary Stone Publishing, you will collaborate closely with your assigned Developmental Editor (DE) and other team members using our online platform. You'll ...

Editor - Romance

Naperville, IL · On-site

$55K - $70K/yr

  • Medical

  • Dental

  • Vision

  • Life

  • Retirement

  • PTO

The Editor, Bloom Books and Bloom YA will acquire, edit, and manage both adult fiction and young adult authors. Bloom Books has experienced mind-blowing growth in the last two years with our adult ...

Video Editor

Indianapolis, IN · On-site

  • Retirement

  • PTO

Demonstrated professional experience editing scripted non-fiction or format-driven video content * Experience in digital series, documentary, or structured non-fiction episodic environments preferred

Senior Editor

New York, NY

  • Medical

  • Retirement

Long nonfiction, fiction, short nonfiction, paired texts, plays, debates, and poems. This should be ... The editor must work on deadline and keep the articles going independently, being aware of the ...

Senior Editor

New York, NY · On-site

  • Medical

  • Retirement

Long nonfiction, fiction, short nonfiction, paired texts, plays, debates, and poems. This should be ... The editor must work on deadline and keep the articles going independently, being aware of the ...

Tor Publishing Group is looking to hire a senior editor to publish fantasy and science fiction. This role will primarily acquire for the Tor Books imprint, with additional opportunities to acquire ...

Senior Editor, TOR

Manhattan, NY · On-site

$80K - $90K/yr

Tor Publishing Group is looking to hire a senior editor to publish fantasy and science fiction. This role will primarily acquire for the Tor Books imprint, with additional opportunities to acquire ...

Experience in editing fiction, poetry, and prose, published media, or related. * Expertise in word processing software Preferred Qualifications: * Bachelor's Degree in English, Literature, Rhetoric ...

This editor will work with a small team responsible for making regular selections of books, under ... A well-developed point of view about literature-fiction and nonfiction alike-a willingness to argue ...

Senior Editor

Washington, DC · On-site

$105K - $180K/yr

This editor will work with a small team responsible for making regular selections of books, under ... A well-developed point of view about literature-fiction and nonfiction alike-a willingness to argue ...

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Fiction Editor information

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$11K

$59.6K

$65K

How much do fiction editor jobs pay per year?

As of Aug 16, 2026, the average yearly pay for fiction editor in the United States is $59,622.00, according to ZipRecruiter salary data. Most workers in this role earn between $58,000.00 and $60,000.00 per year, depending on experience, location, and employer.

What does a fiction editor do?

A fiction editor is responsible for reviewing and improving works of fiction, such as novels and short stories, before they are published. Their tasks include assessing plot structure, character development, pacing, and overall storytelling to ensure the manuscript is engaging and cohesive. Fiction editors also check for grammar, style, and consistency, and may provide feedback to authors to help refine their work. They play a crucial role in shaping a story to meet both the author’s vision and the expectations of readers.

What does a fiction editor do?

As a fiction editor, you may work in-house at a publishing company or on a freelance basis. Your duties include reading and evaluating a manuscript for possible publication. You edit work, which may include correcting grammar and spelling, and give feedback to authors. Your responsibilities may include creating an original cover copy for titles and working directly with the marketing department before publishing a fiction work. Depending on your employer, you may research information and make recommendations to senior staff members. Your job tasks are often dependent on your experience as an editor or the size of the company in which you work.

What are the key skills and qualifications needed to thrive as a fiction editor?

To thrive as a Fiction Editor, you need a strong command of grammar, narrative structure, and literary analysis, often supported by a degree in English, literature, or a related field. Familiarity with editing software like Microsoft Word, Adobe Acrobat, and platforms such as Track Changes or editorial management systems is typically required. Exceptional communication, attention to detail, and the ability to give constructive feedback set standout editors apart. These skills ensure manuscripts are polished, coherent, and engaging, facilitating successful publication and author-editor collaboration.

What are some common challenges a fiction editor faces when working with authors on manuscript revisions?

A Fiction Editor often navigates the delicate balance between preserving an author's unique voice and ensuring the manuscript meets industry standards for storytelling, pacing, and character development. One common challenge is providing constructive feedback that encourages authors while addressing areas needing improvement. Additionally, editors may need to manage tight deadlines and coordinate with multiple stakeholders, including authors, agents, and publishing teams, to keep projects on track. Strong communication and empathy are essential for fostering productive partnerships and bringing out the best in each manuscript.

What is the difference between Fiction Editor vs Copy Editor?

AspectFiction EditorCopy Editor
Primary FocusDeveloping and shaping fiction manuscripts, improving story structure, character development, and styleCorrecting grammar, punctuation, spelling, and ensuring clarity and consistency in the text
Required SkillsStrong storytelling, literary analysis, editing for narrative flowAttention to detail, grammar expertise, style guides knowledge
Work EnvironmentPublishing houses, literary agencies, freelancePublishing, media, corporate editing
Common UsageAssessing creative content, manuscript developmentPolishing final drafts, ensuring technical accuracy

Fiction Editors focus on shaping and improving the storytelling aspects of manuscripts, working closely with authors to develop compelling narratives. Copy Editors concentrate on correcting language errors and ensuring clarity. Both roles require editing skills but serve different stages of the publishing process.

What cities are hiring for Fiction Editor jobs?

Cities with the most Fiction Editor job openings:

What are the most commonly searched types of Fiction Editor jobs?

The most popular types of Fiction Editor jobs are:

What states have the most Fiction Editor jobs?

States with the most job openings for Fiction Editor jobs include:

Infographic showing various Fiction Editor job openings in the United States as of August 2026, with employment types broken down into 75% Full Time, 17% Temporary, and 8% Contract. Highlights an 83% In-person, and 17% Remote job distribution, with an average salary of $59,622 per year, or $28.7 per hour.

Senior Editor, Quirk Books Imprint

ANDREWS MCMEEL UNIVERSAL INC

Philadelphia, PA • On-site

Full-time

Re-posted 21 days ago


Job description

Quirk Books, an imprint of Andrews McMeel Publishing, is seeking a Senior Editor to develop, acquire, and manage Quirk’s unconventional list of commercial fiction and select nonfiction titles, while leading the strategic growth of Quirk’s signature fiction publishing program.

This creative role is made for an idea person–an experienced writer/editor who has strong creative instincts, sharp market awareness, and a demonstrated ability to both originate concepts and acquire outside projects, strengthening both along the way. The Senior Editor will oversee Quirk’s fiction list, including approximately 4–6 original titles annually in horror, mystery, and adjacent commercial genres distinguished by playful and humorous tones, high-concept hooks, reimaginations of pop-cultural tropes, inventive storytelling, and Quirk’s aim to live up to its name and publish cross-genre breakout books.

The ideal candidate is a strong creative collaborator, working closely with the in-house team as well as authors and creators to build projects from the ground up, in addition to acquiring and editing agented manuscripts. 

Key Responsibilities

Acquisitions & List Development

  • Acquire approximately 8–10 titles annually across fiction and select nonfiction categories aligned with Quirk’s publishing strategy.
  • Lead and manage Quirk’s fiction program, publishing 4–6 original fiction titles annually.
  • Identify market opportunities in horror, mystery, suspense, humor, speculative, and crossover commercial fiction.
  • Develop compelling P&Ls, acquisition memos, positioning rationale, and sales arguments for proposed titles.
  • Build and maintain strong relationships with literary agents, authors, and entertainment/creative partners.

Concept Creation & Creator Collaboration

  • Generate original book concepts rooted in Quirk’s brand strengths: playful twists, pop-cultural fluency, mash-ups, format innovation, and fresh takes on familiar genres or classics.
  • Collaborate with writers, IP holders, illustrators, and creators to shape proposals and manuscripts from early stages.
  • Pair clever concepts with talent and guide projects from ideation through publication.
  • Identify opportunities for reimaginations of classic literature, pop cultural tropes, nostalgic formats, and genre conventions. Remember that sometimes a great title gets you halfway there.

Editorial Management

  • Edit acquired manuscripts and proposals through all stages: developmental editing, line editing, copy preparation, and production handoff.
  • Manage schedules, author communication, contracts coordination, and title progress against deadlines.
  • Present projects effectively to internal stakeholders including sales, marketing, publicity, and design teams.
  • Write jacket copy, positioning documents, metadata guidance, and launch materials as needed.

Cross-Functional Leadership

  • Partner with Marketing, Publicity, Design, Production, and Sales to maximize title performance.
  • Help shape seasonal list balance and long-range publishing strategy.
  • Mentor junior editorial staff or interns as assigned.
  • Serve as a visible internal advocate for fiction publishing opportunities and trends.

 
Qualifications & Requirements

  • 5+ years of book publishing editorial experience, with meaningful acquisitions responsibility.
  • Proven track record acquiring and/or editing successful commercial fiction.
  • Strong knowledge of horror, mystery, suspense, and adjacent genre fiction markets.
  • Demonstrated ability to develop original concepts and collaborate creatively with authors.
  • Experience working with literary agents and negotiating acquisitions internally.
  • Excellent editorial skills, including developmental editing and manuscript shaping.
  • Strong understanding of positioning, audience targeting, and marketplace trends.
  • Ability to manage multiple projects simultaneously and meet deadlines.
  • Strong written, verbal, and presentation skills.

 
Preferred Qualifications

  • Experience with humor-forward or genre-blending fiction–ideas that “so crazy they just might work.”
  • Proven experience in adaptation, licensing, and IP-driven publishing opportunities.
  • A passion for pop-culture publishing and inventive concepts and formats.
  • Existing relationships with agents representing commercial fiction.

 
Core Competencies

  • Creative Development: Builds killer ideas into viable books through collaboration and iteration.
  • Commercial Instinct: Understands audience demand, positioning, and breakout sales potential.
  • Editorial Judgment: Identifies potentially strong concepts, talent, and marketable manuscripts and knows how to improve them.
  • Relationship Management: Builds and retains trust with agents, authors, and internal partners.
  • Project Management: Keeps multiple books moving on schedule and on budget.
  • Communication: Clear, persuasive, professional, and positive across all settings.
  • Initiative: Proactively generates opportunities
  • Adaptability: Responds effectively to changing market conditions and priorities.

 
Salary Range: $70,000-90,000 annually
Status: Full-time, exempt
Work Model: Hybrid; on-site expectations based on team needs

EEO Statement

Andrews McMeel Publishing and Quirk Books are committed to building a diverse, equitable, and inclusive workplace. We welcome applicants from all backgrounds and do not discriminate on the basis of race, color, religion, sex, sexual orientation, gender identity, age, national origin, disability, veteran status, or any other protected status.