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Assistant Fiction Editor Jobs (NOW HIRING)

Editor

Longmont, CO ยท On-site

As a Fact & Fiction Editor, you live in the cut and you care about every frame. You're a ... Experience mentoring or directing junior editors and assistants This role starts as a contract-to ...

Editor

Niwot, CO ยท On-site +1

$350 - $450/day

As a Fact & Fiction Editor, you live in the cut and you care about every frame. You're a ... Experience mentoring or directing junior editors and assistants This role starts as a contract-to ...

Editor

Niwot, CO ยท On-site

$350 - $450/day

As a Fact & Fiction Editor, you live in the cut and you care about every frame. You're a ... Experience mentoring or directing junior editors and assistants This role starts as a contract-to ...

ASSISTANT EDITOR

San Francisco, CA ยท On-site

$27.41 - $31.50/hr

... fiction categories. Our titles are contagious, thoughtfully designed, funny, and commercial. We ... Under supervision of the Publishing Director, this Assistant Editor will be responsible for ...

ASSISTANT EDITOR

San Francisco, CA ยท Hybrid

$27.41 - $31.50/hr

... fiction categories. Our titles are contagious, thoughtfully designed, funny, and commercial. We ... Under supervision of the Publishing Director, this Assistant Editor will be responsible for ...

ASSISTANT EDITOR

San Francisco, CA ยท On-site

$27.41 - $31.50/hr

... fiction categories. Our titles are contagious, thoughtfully designed, funny, and commercial. We ... Under supervision of the Publishing Director, this Assistant Editor will be responsible for ...

We are looking for an Editor to assist the editorial team with cinematics for our upcoming title ... Post-production experience with live-action-either fiction or documentary * Experience working at a ...

Cinematics Editor

Santa Monica, CA ยท On-site

$36.25 - $54.32/hr

We are looking for an Editor to assist the editorial team with cinematics for our upcoming title ... Post-production experience with live-action-either fiction or documentary * Experience working at a ...

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Assistant Fiction Editor information

See salary details

$23.5K

$51.2K

$65K

How much do assistant fiction editor jobs pay per year?

As of Jul 3, 2026, the average yearly pay for assistant fiction editor in the United States is $51,214.00, according to ZipRecruiter salary data. Most workers in this role earn between $41,500.00 and $59,000.00 per year, depending on experience, location, and employer.

What are Assistant Fiction Editors?

Assistant Fiction Editors are publishing professionals who support senior editors in managing fiction manuscripts and working with authors. Their tasks often include reading and evaluating submissions, proofreading, coordinating with authors and agents, and helping with the editorial process from acquisition to publication. They play a crucial role in ensuring the quality and marketability of fiction books and may also assist in preparing materials for meetings and marketing. This position is typically an entry- or mid-level role for those interested in a career in editing or publishing.

What are the main challenges an Assistant Fiction Editor may encounter when balancing creative vision with commercial demands?

Assistant Fiction Editors often face the challenge of supporting authors' creative ideas while ensuring the manuscript aligns with the publisher's target audience and market trends. Balancing these priorities requires strong communication skills and the ability to provide constructive feedback that respects the writer's voice but also addresses editorial and commercial considerations. Additionally, Assistant Fiction Editors must work closely with senior editors, marketing teams, and authors to ensure manuscripts are both artistically compelling and marketable, often within tight deadlines.

What is the difference between Assistant Fiction Editor vs Associate Fiction Editor?

AspectAssistant Fiction EditorAssociate Fiction Editor
ResponsibilitiesSupports senior editors, reviews submissions, assists in editing storiesManages editing process, makes editorial decisions, oversees submissions
CredentialsBachelor's degree, editing experience, strong writing skillsSimilar credentials, often with more experience or advanced education
Work EnvironmentPublishing houses, literary magazines, online platformsSame as Assistant, often with increased responsibility

The main difference between an Assistant Fiction Editor and an Associate Fiction Editor lies in their level of responsibility. The Assistant typically supports senior staff and handles initial review tasks, while the Associate takes on more decision-making and editing duties. Both roles require similar qualifications and work in comparable environments, but the Associate position involves greater oversight and editorial authority.

What are the key skills and qualifications needed to thrive as an Assistant Fiction Editor, and why are they important?

To thrive as an Assistant Fiction Editor, you need a keen eye for detail, strong command of grammar and style, and a background in English, journalism, or a related field. Familiarity with editing software like Microsoft Word, Track Changes, and content management systems is typically required. Exceptional communication, time management, and the ability to collaborate with authors and senior editors set standout candidates apart. These skills are vital for ensuring manuscripts are polished, deadlines are met, and the overall quality of published fiction is maintained.
What cities are hiring for Assistant Fiction Editor jobs? Cities with the most Assistant Fiction Editor job openings:
What are the most commonly searched types of Fiction Editor jobs? The most popular types of Fiction Editor jobs are:
What states have the most Assistant Fiction Editor jobs? States with the most job openings for Assistant Fiction Editor jobs include:
Editor

Editor

Fact & Fiction

Longmont, CO โ€ข On-site

Contractor

Medical, Dental, Vision, Life, Retirement, PTO

Posted 10 days ago


Job description

Salary:

As a Fact & Fiction Editor, you live in the cut and you care about every frame. You're a craftsperson who can take a project from string-out to final master, shaping story in the edit and carrying it through color, mix, graphics, and online finishing. You'll work closely with Creatives, Producers, and our wider post team to turn footage into work that stands out.


We're looking for an editor who can own a job end to end and move comfortably between long-form storytelling and quick-turn social cutdowns. The kind of editor who quietly handles the whole pipeline, the cut, the color, the mix, the graphics, the finish, and treats that as just doing the job. Creative, collaborative, detail-obsessed, and able to keep high-quality work moving on time in a fast-paced environment. If this sounds like you, read on.

Day in the Life

  • Take projects from raw footage to final delivery: assembly, story edit, picture lock, color, mix, graphics, and online finishing
  • Cut across formats and lengths, from broadcast and brand films to social cutdowns, product videos, and quick-turn content
  • Collaborate with Creatives and Producers to understand the vision, then bring your own instincts to make the work better, not just execute the boards
  • Manage your own media: organized projects, clean bins, reliable backups, and version control that someone else could pick up without a treasure hunt
  • Handle color grading and audio mixing to a broadcast-ready standard, or know when to hand off to a specialist and prep cleanly for them
  • Build and animate graphics and titles as the job calls for, from lower thirds to light motion design
  • Deliver to spec across platforms and clients, managing the details of codecs, frame rates, aspect ratios, and platform requirements
  • Keep work moving on tight timelines without sacrificing craft, flagging risks early and offering solutions
  • Maintain the standards and best practices that keep our post pipeline efficient and consistent
  • Contribute to a collaborative post culture where the instinct is to make the work better, together

Here's what you need to get our attention:

  • 3+ years of professional editing experience at an agency, production company, post house, or in-house creative team
  • A reel or portfolio link showing range and craft across formats (required applications without one won't be reviewed)
  • Strong command of Adobe Premiere Pro


Here's what will make us call you for sure:

  • An editor who can take a job all the way: edit, color, mix, graphics, and online finishing, without needing to hand it off at every stage
  • Strong story instincts and the ability to find the cut that elevates the creative
  • Color grading skills in Premiere or DaVinci Resolve
  • Audio mixing and sweetening chops, with an ear for clean, polished sound
  • Motion and graphics ability in After Effects, from titles and lower thirds through light motion design
  • Fluency in the rest of the Adobe Creative Suite (Photoshop, Illustrator, Audition)
  • Rock-solid media management, project organization, and version control
  • Working knowledge of delivery specs across broadcast, digital, and social platforms
  • Comfortable taking creative direction and running with it independently, without hand-holding
  • Calm under tight timelines, with a track record of delivering on time and on spec
  • Exceptional communication and collaboration skills

Not required, but itll give you an edge

  • An interest in post-producing your own work: scoping, scheduling, and managing post jobs from intake to delivery
  • Familiarity with VFX, compositing, or more advanced motion design
  • Experience with DaVinci Resolve for finishing and color
  • Knowledge of usage and licensing as it touches stock, music, and footage
  • Experience mentoring or directing junior editors and assistants


This role starts as a contract-to-hire engagement, with a clear path to full-time for the right fit.


We use the initial contract period as a working try-out on both sides. You get a real look at how we operate, the kinds of projects you'll be working on, and the team you'll be working on them with. We get to see your craft in motion, how you navigate a fast-paced post pipeline, and how you show up day to day. When it's working, and we expect it to, we move to a full-time conversation.


Contract terms are competitive and based on experience, with remote eligibility during the engagement. Full-time conversion is hybrid out of our Niwot, CO office and includes the full benefits package below.


Day rate: $350-$450/day DOE, remote eligible.

Full-time conversion (for the right fit): $70-$85K DOE, hybrid out of our Niwot, CO office, plus full benefits below.

What full-time at Fact & Fiction looks like:

    • A clear path from permalancer to full-time for the right person.
    • A killer culture with team members who have your back!
    • Flex PTO plan for work-life balance with supplemental family leave.
    • Generous holidays including a reduced schedule between Christmas and New Years.
    • Strong health plans - We even cover our employees' dental and vision premiums.
    • Long-term and short-term disability.
    • Access to Flexible Spending Accounts Plan.
    • 401(k) with company match (up to 4%), fully vested from day one.
    • Employee Assistance Program.
    • Life Insurance.


COME AS YOU ARE: your gender, your gods, who you love, what you look like, where you came from, or who you know don't make a difference here. Fact & Fiction is an open-minded meritocracy built on good work and good people. If you're smart, kind, and great at what you do, come as you are.