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Entertainment Touring Jobs (NOW HIRING)

... every area of the entertainment industry: commercial, broadcast, film, theatre, television ... Buchwald is seeking an experienced Comedy Touring Agent to represent and expand our roster of ...

Agent, Comedy Touring

Manhattan, NY · On-site

$75K - $150K/yr

... every area of the entertainment industry: commercial, broadcast, film, theatre, television ... Buchwald is seeking an experienced Comedy Touring Agent to represent and expand our roster of ...

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Entertainment Touring information

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$21.5K

$59.8K

$120.5K

How much do entertainment touring jobs pay per year?

As of May 28, 2026, the average yearly pay for entertainment touring in the United States is $59,755.00, according to ZipRecruiter salary data. Most workers in this role earn between $36,500.00 and $72,500.00 per year, depending on experience, location, and employer.

What Are Entertainment Touring Jobs?

Entertainment touring jobs focus on assisting in the production of a traveling entertainment show, such as a concert tour or other type of production. Management personnel, technicians, and stage workers all have different duties and responsibilities during a tour. As a stagehand, you handle the setup of the stage area, props, and lighting. Lighting technicians and A/V technicians manage the sound, visuals, and lighting elements of the show. You also make adjustments during the performance. As a tour manager, you oversee operations and handle scheduling duties. A talent manager and production assistant cater to the needs of the performers and management.

What are the key skills and qualifications needed to thrive in Entertainment Touring, and why are they important?

To thrive in Entertainment Touring, you need strong organizational skills, time management, and experience in event production or tour management, often supported by a relevant degree or substantial industry experience. Familiarity with tour routing software, budgeting tools, and logistics management systems is typically required. Excellent communication, problem-solving abilities, and adaptability are vital soft skills for managing diverse teams and rapidly changing situations on the road. These skills ensure smooth tour operations, effective coordination, and successful live events in a demanding, fast-paced environment.

What are some common challenges faced by professionals working in entertainment touring, and how can they prepare for them?

Professionals in entertainment touring often encounter challenges such as frequent travel, long and irregular hours, and adapting quickly to new venues and technical setups. Managing fatigue and maintaining strong communication with both the touring crew and local staff is crucial for a smooth operation. To prepare, it’s helpful to develop strong organizational skills, physical stamina, and a flexible mindset, as well as to become adept at troubleshooting issues on the fly. Building a supportive network within the touring team can also make transitions between locations more manageable.

What is entertainment touring?

Entertainment touring refers to the process of traveling from city to city or country to country for live performances, such as concerts, theatrical productions, or comedy shows. The touring crew includes various professionals like artists, tour managers, technical staff, and support personnel who work together to ensure successful shows at multiple venues. Touring can be demanding due to extensive travel, tight schedules, and adapting to different locations, but it also offers the excitement of live entertainment and connecting with diverse audiences.

What is the difference between Entertainment Touring vs Entertainment Production?

AspectEntertainment TouringEntertainment Production
CredentialsOften requires technical skills, certifications in sound, lighting, or stage managementRequires technical, creative, or managerial certifications depending on role
Work EnvironmentTraveling to various venues, live events, outdoor and indoor settingsStudio, rehearsal spaces, or on-location sets, primarily stationary
Employer & Industry UsageTouring companies, live event organizers, concert promotersProduction companies, TV/film studios, event organizers

Entertainment Touring involves traveling to different locations to perform or support live events, requiring mobility and logistical skills. In contrast, Entertainment Production focuses on creating content or performances in fixed locations, emphasizing technical and creative expertise. Both roles are vital in the entertainment industry but differ mainly in work environment and travel requirements.

What cities are hiring for Entertainment Touring jobs? Cities with the most Entertainment Touring job openings:
What are the most commonly searched types of Entertainment Touring jobs? The most popular types of Entertainment Touring jobs are:
What states have the most Entertainment Touring jobs? States with the most job openings for Entertainment Touring jobs include:
What job categories do people searching Entertainment Touring jobs look for? The top searched job categories for Entertainment Touring jobs are:
Infographic showing various Entertainment Touring job openings in the United States as of May 2026, with employment types broken down into 3% As Needed, 14% Full Time, 74% Part Time, 3% Temporary, and 6% Contract. Highlights an 70% Physical, 10% Hybrid, and 20% Remote job distribution, with an average salary of $59,755 per year, or $28.7 per hour.

Director of Touring Operations for a Well-Known Comedian

Abstraction Media Inc

West Hollywood, CA • On-site

Full-time

This job post has expired today. Applications are no longer accepted.


Job description

Abstraction Media, Inc. — West Hollywood, CA On-site, Los Angeles (this role is not remote and not hybrid)

About Abstraction Media

Abstraction Media is a West Hollywood-based production house creating original content for stage, film, and television. We produce large-scale international tours for a globally touring comedian whose live business spans theaters, performing arts centers, arenas, and international markets across multiple continents.

About the Role

We are hiring a Director of Touring to take full ownership of our touring business: commercial strategy, ticketing performance, promoter and venue relationships, market development, and operational execution across every show on the calendar.

This is a senior live entertainment executive role. It is not a booking agent role, a routing role, or a road-based tour manager role. The person in this seat owns the business of touring so the artist can stay focused on the craft.

You will lead ticketing strategy, sales pacing, pricing, market activation, promoter negotiations, venue deals, settlements, budgets, and tour P&L. You will be the operator who knows, before anyone else does, which markets are pacing soft, which need a marketing intervention, and which need a pricing or scaling adjustment. You will sit at the table with promoters, venue executives, ticketing partners, and agency teams as a peer.

Non-Negotiable Requirements

Two requirements are absolute. Applications that do not meet both will not be reviewed.

1. Based in Los Angeles, working on-site. This role is in-person at our West Hollywood office. We are not considering remote, hybrid, or relocation candidates. You must already live in the Los Angeles area or be prepared to be on-site from day one.

2. Direct experience inside a top-tier live entertainment company. You must have held a meaningful role at one of the following, or a direct equivalent:

  • Live Nation
  • AEG Presents
  • Ticketmaster
  • Nederlander
  • Madison Square Garden Entertainment
  • ASM Global
  • Oak View Group
  • Another Planet Entertainment
  • Outback Presents
  • Feld Entertainment
  • Caesars Entertainment
  • Similar companies

We are looking for someone who has lived inside the systems, relationships, and economics of major live entertainment, not someone who has worked adjacent to them.

What You Will Own

Commercial strategy and tour P&L. Build and execute the touring strategy that maximizes revenue, profitability, and long-term market positioning. Own the tour budget, the P&L, and the financial story of every run.

Ticketing, pricing, and sales pacing. Direct ticketing strategy across pricing, scaling, holds, inventory, on-sale planning, dynamic adjustments, and settlement. Read counts daily. Identify soft markets early. Drive corrective action with promoters, venues, marketing, and ticketing partners before a show is in trouble, not after.

Promoter, venue, and ticketing partner relationships. Lead negotiations and ongoing relationships with promoters, venue executives, ticketing platforms, and agency teams. Structure deals that protect the tour's economics and create leverage for future runs.

Market development and promotion. Partner with internal marketing, paid media, and creative teams to ensure every market has the right audience targeting, creative, paid spend, and local activation strategy. Coordinate with local promoters and media partners to convert awareness into ticket sales.

Vendor and production oversight. Manage sound, lighting, production, travel, security, and operational vendors. Ensure contracts align with tour goals and every partner meets the standard.

Tour logistics. Oversee travel, accommodations, transportation, scheduling, advancing, settlement coordination, and compliance with local regulations across domestic and international shows.

Crisis management. Anticipate problems before they surface. When something breaks mid-tour, you make the decision and move on.

What You Bring
  • 6+ years in live entertainment touring, ticketing, promotion, or venue-side operations at a major company (see list above).
  • Fluency in ticketing systems: Ticketmaster, AXS, Tixr, SeatGeek, Eventbrite, or comparable. You read manifests, holds, scaling maps, and sales reports without hand-holding.
  • A strong commercial instinct for pricing, demand-building, and pacing across markets of different sizes and structures.
  • Proven negotiation track record across venue contracts, promoter deals, vendor agreements, and ticketing terms. You scrutinize the details and you do not concede ground that does not need to be conceded.
  • Existing, active relationships with promoters, venue leadership, ticketing executives, and agency professionals.
  • Sharp written and verbal communication. Your emails, recaps, and reports are clear and decisive.
  • Composure under pressure. Mid-tour problems do not rattle you.
  • Discretion. You will see sensitive contracts, financials, and business affairs every day.
Nice to Have
  • Direct experience with comedy tours, theaters, PACs, arenas, casinos, or international touring circuits.
  • Working knowledge of paid media, local promotion, PR, influencer activation, email and SMS marketing, and audience segmentation.
  • International touring experience across Europe, the Middle East, Asia, or Australia.
  • A genuine appreciation for live comedy and culturally diverse audiences.
What We Offer
  • Competitive salary, depending on experience, plus performance bonus. ($90k-$120k)
  • Direct ownership of a global touring business with significant scale and growth ahead.
  • High-level access to top promoters, venues, ticketing platforms, and agency partners.
  • A creative, fast-moving environment in West Hollywood, building something rare in live comedy.
How to Apply

Send your resume and a brief note on your most relevant tour, venue, or ticketing experience to recruiter@AMediaInc.com.

Subject line: Director of Touring — [Your Name]

Abstraction Media, Inc. is an equal opportunity employer. We welcome applicants from all backgrounds and are committed to building an inclusive team.