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Audio Editor Jobs in Oregon (NOW HIRING)

Care Access

OR · On-site

Aspiring to be an award-winning editor, you've already written the acceptance speech. Flexibility ... Ingest, organize, and sync footage/audio; manage projects efficiently * Edit long-form and short ...

Deloitte

Editor, Consumer Industry

Portland, OR

Editor, Consumer Industry - Senior Specialist | Deloitte Insights Deloitte Insights is Deloitte's global publishing imprint for business research and insights. We publish 400+ articles, reports, and ...

Fox

OR · On-site

$85K - $113K/yr

Outkick Media is looking for an experienced Senior Editor to join ourOutkick.comteam.You have previously led a desk or large team of reporters and editors in a major newsroom or organization. You ...

Audacy, Inc.

Part Time Video/Audio Producer

Portland, OR · On-site

$16.30 - $22/hr

Experience shooting and/or editing video. * Strong writing skills with the ability to create ... About Us Audacy is a leading audio content and entertainment company. As champions of audio, we ...

Audacy, Inc.

Part Time Video/Audio Producer

Portland, OR · On-site

$16.30 - $22/hr

Experience shooting and/or editing video. * Strong writing skills with the ability to create ... About Us Audacy is a leading audio content and entertainment company. As champions of audio, we ...

Audacy, Inc.

Part Time Video/Audio Producer

Portland, OR · On-site

$16.30 - $22/hr

Experience shooting and/or editing video. * Strong writing skills with the ability to create ... As champions of audio, we connect with people in the moments that matter -- delivering trusted ...

Kalshi

OR

$70K - $150K/yr

Role Roadmap We are looking for a Video Editor who is passionate about creating viral social media content, including TikTok and other user-generated content. We have a massive nationwide campaign ...

Noisy Creek

Music Editor

Portland, OR · On-site

$70K/yr

The Role The Portland Mercury is currently looking for a full-time Music Editor to join our small, dynamic, hard-working editorial staff. Are you a smart, thoughtful writer filled with passion ...

Noisy Creek

Music Editor

Portland, OR · On-site

The Role The Portland Mercury is currently looking for a full-time Music Editor to join our small, dynamic, hard-working editorial staff. Are you a smart, thoughtful writer filled with passion ...

NOISY CREEK

Music Editor

Portland, OR · On-site

The Role The Portland Mercury is currently looking for a full-time Music Editor to join our small, dynamic, hard-working editorial staff. Are you a smart, thoughtful writer filled with passion ...

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Showing results 1-20

All JobsAudio Editor JobsAudio Editor Jobs in Oregon

Audio Editor information

See Oregon salary details

$19K

$76.2K

$118.9K

How much do audio editor jobs pay per year?

As of Jun 15, 2026, the average yearly pay for audio editor in Oregon is $76,184.00, according to ZipRecruiter salary data. Most workers in this role earn between $52,300.00 and $99,400.00 per year, depending on experience, location, and employer.

What Does an Audio Editor Do?

As an audio editor, your primary responsibilities include listening, reviewing, and preparing sound for post-production. This position is commonly found in broadcasting for sports and other TV and radio news. Your duties are to watch and listen to feeds to coordinate synchronization, edit audio, add in sound bites, and record audio for specific clips. You work with the producer and graphic designer to develop appropriate sound options for the overall vision. With live sports games, you also work around replays and ensure that the correct cuts occur, so the sound matches the image.

What qualifications do you need to be a sound editor?

To be a sound editor, candidates typically need a bachelor's degree in audio engineering, film production, or a related field. Proficiency with digital audio workstations (DAWs) like Pro Tools or Adobe Audition and strong editing skills are essential, along with experience in sound design and post-production processes.

What is the difference between Audio Editor vs Sound Designer?

AspectAudio EditorSound Designer
Primary RoleEditing and assembling audio recordings for clarity and qualityCreating and designing original sound effects and audio elements
Skills & ToolsProficiency in audio editing software (e.g., Pro Tools, Audacity)Sound design software, creativity, and sound synthesis skills
Work EnvironmentPost-production studios, media companies, broadcastingFilm, video game, advertising, and multimedia production
CredentialsAudio editing experience, sometimes certifications in audio productionSound design experience, often with a background in audio engineering or music

While both Audio Editors and Sound Designers work with audio, Audio Editors focus on refining and assembling existing recordings, whereas Sound Designers create new sound effects and audio elements to enhance media projects. The roles often overlap but serve different stages of the audio production process.

What are the key skills and qualifications needed to thrive as an Audio Editor, and why are they important?

To thrive as an Audio Editor, you need a strong grasp of audio editing principles, an ear for detail, and typically a background in audio production or a related field. Familiarity with digital audio workstations (DAWs) such as Pro Tools, Adobe Audition, or Logic Pro, as well as knowledge of audio formats and plugins, is essential. Strong communication, creativity, and time management skills help audio editors collaborate effectively and meet tight deadlines. These skills ensure the delivery of high-quality, polished audio content that meets project requirements and industry standards.

Are audio editors in demand?

Audio editors are in demand across industries such as entertainment, media, and advertising, especially with the growth of digital content creation. Skilled audio editors who are proficient with editing software like Pro Tools or Adobe Audition and have a good understanding of sound design are sought after, with job opportunities available in studios, production companies, and freelance markets.

What does an audio editor do?

An audio editor is responsible for editing, mixing, and enhancing audio recordings for use in various media, such as music, podcasts, films, and commercials. They use specialized software to cut, arrange, and clean up audio tracks, removing unwanted noise and ensuring high sound quality. Audio editors may also add sound effects, adjust levels, and synchronize audio with video. Their work is essential for creating clear, professional-sounding audio productions.

How do you become an audio editor?

To become an audio editor, you typically need a high school diploma or equivalent, along with proficiency in audio editing software such as Pro Tools, Adobe Audition, or Audacity. Gaining experience through internships, freelance projects, or a related degree in audio production, sound engineering, or media arts can improve job prospects; strong attention to detail and good listening skills are essential.

How much does a sound editor get paid?

The average salary for an audio editor ranges from $40,000 to $80,000 annually, depending on experience, location, and industry. Entry-level positions typically pay less, while experienced editors working on high-profile projects can earn higher wages, especially if they have skills in editing software like Pro Tools or Adobe Audition.

What are some common challenges Audio Editors face when working with remote teams?

Audio Editors collaborating with remote teams often encounter challenges like inconsistent audio quality from different contributors, managing large file transfers, and coordinating feedback across time zones. Clear communication and efficient use of collaborative tools are essential to ensure project consistency and timely delivery. Many Audio Editors use cloud-based platforms to streamline workflow and maintain organized version control, which helps mitigate these challenges and keeps projects on track.
More about Audio Editor jobs
What are the most commonly searched types of Audio Editor jobs in Oregon? The most popular types of Audio Editor jobs in Oregon are:
What are popular job titles related to Audio Editor jobs in Oregon? For Audio Editor jobs in Oregon, the most frequently searched job titles are:
What job categories do people searching Audio Editor jobs in Oregon look for? The top searched job categories for Audio Editor jobs in Oregon are:
What cities in Oregon are hiring for Audio Editor jobs? Cities in Oregon with the most Audio Editor job openings:
Audio Editor jobs near you
Infographic showing various Audio Editor job openings in Oregon as of June 2026, with employment types broken down into 70% Full Time, 10% Part Time, 10% Temporary, and 10% Contract. Highlights an 80% In-person, 10% Hybrid, and 10% Remote job distribution, with an average salary of $76,184 per year, or $36.6 per hour.
Podcast Recording Engineer & Editor

Podcast Recording Engineer & Editor

Bible Project

Portland, OR • On-site

$31 - $45/hr

Part-time

Retirement

Posted 19 days ago

Job description

Podcast Audio Editor
Part-Time • 20 hours/week
About This Role
As our Podcast Recording Engineer & Editor, you will own the weekly audio post-production pipeline for the BibleProject Podcast-from recording intake through final review handoff. You will spend most of your time editing and restoring long-form spoken-word conversations inside Pro Tools, using iZotope RX to solve real-world audio problems and delivering episodes that feel natural, transparent, and emotionally intact.
To thrive here, you need professional-level Pro Tools fluency-not occasional familiarity-along with deep dialogue editing instincts drawn from broadcast, radio, film, post-production, documentary, or a comparable environment. You should be comfortable working independently inside a structured weekly cadence and an established AAF-to-Pro Tools workflow.
In all your work, you will bring your skills and experience to help further our mission of helping people experience the Bible as a unified story that leads to Jesus.
This is a part-time role with no guarantee of becoming a full-time role. It is a great fit if you genuinely want consistent, meaningful part-time production work.
What You'll Be Doing
Core Responsibilities
Leadership
  • Communicate proactively about episode status, blockers, restoration concerns, AAF/session issues, and handoff timing so the team can plan around deadlines.
  • Protect the established level of audio quality and advocate for workflow improvements that make weekly podcast production more sustainable.
  • Work within systems with consistency and reliability, flagging issues rather than improvising around them.
Responsibility
  • Edit and clean long-form podcast conversations with a high level of transparency-preserving natural speech, pacing, tone, breath, room tone, and intent.
  • Apply audio processing and restoration tools to repair real-world problems and achieve BibleProject's established podcast sound.
  • Build episode elements: main conversation body, intro/outro voiceovers, music breaks, and additional sound design.
  • Conduct recording sessions-microphone setup, gain staging, routing, headphone monitoring, and level monitoring.
  • Manage media files, AAF import/export, session structure, and file organization across Descript, Pro Tools, and Dropbox-maintaining the established system from intake through handoff.
Expertise
  • Perform difficult audio repairs cleanly and confidently-including light pacing edits and transcript-aligned assembly-while preserving the speakers' rhythm and conversational flow.
  • Produce mix-ready, loudness-compliant deliverables that meet broadcast and podcast standards.

What We're Looking For
  • 3+ years of professional Pro Tools experience as a primary dialogue-editing environment, with the ability to build, organize, and troubleshoot sessions independently.
  • 3+ years editing long-form, multi-speaker audio (45+ min) in at least one of the following: broadcast, radio, podcast, documentary, or film post-production.
  • Proficient in iZotope RX 9 or later, including Dialogue De-noise, De-hum, De-clip, De-mouth, Spectral Repair, and Ambience Match.
  • Able to execute AAF export/import, media relinking, and session handoff between Descript and Pro Tools without supervision.
  • Familiar with podcast loudness standards (-16 LUFS stereo / -19 LUFS mono) and able to deliver mix-ready files that meet those targets consistently.
  • Able to maintain consistent output within a recurring weekly deadline with limited flexibility.
  • Clear communicator who works well asynchronously and handles biblical and theological content with care.

About BibleProject
Portland, Oregon, Founded 2014
BibleProject is an educational technology and media studio whose mission is to help people experience the Bible as a unified story that leads to Jesus.
We have grown significantly in the area of multimedia technology. What began with two animated videos now encompasses multiple platforms and products-including over 200 videos. Our website and app serve as connection hubs to our ever-growing library of resources. Classroom, our online learning platform, offers accessible, graduate-level Bible classes.
These, and all of our supporting products, continue to be completely free to audiences around the world, thanks to the ongoing generosity of our patrons.
Location: Portland, Oregon
Reporting to: Cooper Peltz, Director of Production, Live Action and Audio
Compensation & Benefits
  • The hourly range for this position is $31.00 - $45.00.
    • Competitive wages that scales with experience directly related to this role. Top tier in non-profit market but will not match similar roles in for-profit companies.
  • State-regulated sick leave
  • 401k matching program (Eligible 6 months from start date)
  • Random employee perks (swag, meals and other surprises)

BibleProject is an equal opportunity employer.

Apply