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Audio Editor Jobs in Oregon (NOW HIRING)

Oregon Shakespeare Festival

Audio Describer

Ashland, OR

$23.69/hr

Excellent reading, spelling, vocabulary and editing skills. * Ability to learn audio description equipment. * Ability to work with colleagues across the organization. Physical Ability: * Must be able ...

Oregon Shakespeare Festival

Audio Describer

Ashland, OR

$23.69/hr

Excellent reading, spelling, vocabulary and editing skills. * Ability to learn audio description equipment. * Ability to work with colleagues across the organization. Physical Ability: * Must be able ...

Oregon Shakespeare Festival

Audio Describer

Ashland, OR · On-site

$23.69/hr

Excellent reading, spelling, vocabulary and editing skills. * Ability to learn audio description equipment. * Ability to work with colleagues across the organization. Physical Ability: * Must be able ...

WaitWhat

Video Editor

OR · On-site +1

$85K - $100K/yr

This role requires a deep appreciation for visual and audio storytelling, a self-starting mindset ... Receive and prioritize inbound video editing requests, clarifying requirements, specs, and ...

Audacy, Inc.

Part Time Video/Audio Producer

Portland, OR · On-site

$16.30 - $22/hr

Experience shooting and/or editing video. * Strong writing skills with the ability to create ... About Us Audacy is a leading audio content and entertainment company. As champions of audio, we ...

Da Francesco's

Public Safety Coverage Editor

Portland, OR · On-site

$75K - $95K/yr

This editor should be able to elevate quick hits but also have the ambition to take on investigations and multipart series - and a keen sense of which stories will most benefit from more time and ...

Kalshi

Video Editor

OR · On-site +1

$70K - $150K/yr

Role Roadmap We are looking for a Video Editor who is passionate about creating viral social media content, including TikTok and other user-generated content. We have a massive nationwide campaign ...

Oregon Catholic Press

Music Editor I

Lake Oswego, OR

$60K - $64K/yr

Description PRIMARY PURPOSE Music Editors at OCP are the frontline stewards of both the musical integrity of a song and all its relevant metadata, including credits, copyrights, and royalty shares.

Oregon Catholic Press

Music Editor I

Lake Oswego, OR

$60K - $64K/yr

Description PRIMARY PURPOSE Music Editors at OCP are the frontline stewards of both the musical integrity of a song and all its relevant metadata, including credits, copyrights, and royalty shares.

Motive

Video Editor & Motion Designer, Brand Studio

OR · On-site +1

As our Video Editor & Motion Designer, you'll shape how Motive shows up in motion-turning ideas, footage, scripts, sound, and motion graphics into compelling stories that connect with our audiences ...

OCP

Music Editor I

Lake Oswego, OR · On-site

$60K - $64K/yr

PRIMARY PURPOSE Music Editors at OCP are the frontline stewards of both the musical integrity of a song and all its relevant metadata, including credits, copyrights, and royalty shares. Preserving ...

OCP

Music Editor I

Lake Oswego, OR · On-site

$60K - $64K/yr

Job Type Full-time Description PRIMARY PURPOSE Music Editors at OCP are the frontline stewards of both the musical integrity of a song and all its relevant metadata, including credits, copyrights ...

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All JobsAudio Editor JobsAudio Editor Jobs in Oregon

Audio Editor information

See Oregon salary details

$19K

$76.2K

$118.9K

How much do audio editor jobs pay per year?

As of Aug 17, 2026, the average yearly pay for audio editor in Oregon is $76,184.00, according to ZipRecruiter salary data. Most workers in this role earn between $52,300.00 and $99,400.00 per year, depending on experience, location, and employer.

What does an audio editor do?

As an audio editor, your primary responsibilities include listening, reviewing, and preparing sound for post-production. This position is commonly found in broadcasting for sports and other TV and radio news. Your duties are to watch and listen to feeds to coordinate synchronization, edit audio, add in sound bites, and record audio for specific clips. You work with the producer and graphic designer to develop appropriate sound options for the overall vision. With live sports games, you also work around replays and ensure that the correct cuts occur, so the sound matches the image.

What does an audio editor do?

An audio editor is responsible for editing, mixing, and enhancing audio recordings for use in various media, such as music, podcasts, films, and commercials. They use specialized software to cut, arrange, and clean up audio tracks, removing unwanted noise and ensuring high sound quality. Audio editors may also add sound effects, adjust levels, and synchronize audio with video. Their work is essential for creating clear, professional-sounding audio productions.

What are the key skills and qualifications needed to thrive as an audio editor, and why are they important?

To thrive as an Audio Editor, you need a strong grasp of audio editing principles, an ear for detail, and typically a background in audio production or a related field. Familiarity with digital audio workstations (DAWs) such as Pro Tools, Adobe Audition, or Logic Pro, as well as knowledge of audio formats and plugins, is essential. Strong communication, creativity, and time management skills help audio editors collaborate effectively and meet tight deadlines. These skills ensure the delivery of high-quality, polished audio content that meets project requirements and industry standards.

What are some common challenges audio editors face when working with remote teams?

Audio Editors collaborating with remote teams often encounter challenges like inconsistent audio quality from different contributors, managing large file transfers, and coordinating feedback across time zones. Clear communication and efficient use of collaborative tools are essential to ensure project consistency and timely delivery. Many Audio Editors use cloud-based platforms to streamline workflow and maintain organized version control, which helps mitigate these challenges and keeps projects on track.

What is the difference between Audio Editor vs Sound Designer?

AspectAudio EditorSound Designer
Primary RoleEditing and assembling audio recordings for clarity and qualityCreating and designing original sound effects and audio elements
Skills & ToolsProficiency in audio editing software (e.g., Pro Tools, Audacity)Sound design software, creativity, and sound synthesis skills
Work EnvironmentPost-production studios, media companies, broadcastingFilm, video game, advertising, and multimedia production
CredentialsAudio editing experience, sometimes certifications in audio productionSound design experience, often with a background in audio engineering or music

While both Audio Editors and Sound Designers work with audio, Audio Editors focus on refining and assembling existing recordings, whereas Sound Designers create new sound effects and audio elements to enhance media projects. The roles often overlap but serve different stages of the audio production process.

More about Audio Editor jobs

What are the most commonly searched types of Audio Editor jobs in Oregon?

The most popular types of Audio Editor jobs in Oregon are:

What are popular job titles related to Audio Editor jobs in Oregon?

For Audio Editor jobs in Oregon, the most frequently searched job titles are:

What job categories do people searching Audio Editor jobs in Oregon look for?

The top searched job categories for Audio Editor jobs in Oregon are:

What cities in Oregon are hiring for Audio Editor jobs?

Cities in Oregon with the most Audio Editor job openings:

Audio Editor jobs near you
Infographic showing various Audio Editor job openings in Oregon as of August 2026, with employment types broken down into 71% Full Time, 21% Part Time, 4% Temporary, and 4% Contract. Highlights an 89% In-person, and 11% Remote job distribution, with an average salary of $76,184 per year, or $36.6 per hour.

Audio Describer

Oregon Shakespeare Festival

Ashland, OR

$23.69/hr

Part-time

Posted 23 days ago

Job description

OSF is Hiring Audio Describer
Department: P&C/Access| Reports to: Volunteer and Access Manager
Status: Part-Time, Non-Exempt
Expected Start Date: August 17, 2026
Expected End Date: October 27,2026
Pay Rate: $23.69 hourly (with signing of Union contract, this may increase)
Location: Ashland, OR

This position is represented by IATSE Local 154.

Principal Duties and Responsibilities (Essential Functions**):

    Prepares pre-show narrative and audio description scripts by

    • Attending show introductions, technical and dress rehearsals, and previews as needed.
    • Writing a 10–15-minute pre-show narration that includes costume and set design descriptions, cast lists, background information, and other information as applicable.
    • Notating a full script with legible audio description information.
    • Rehearsing during preview performances.
    • Continually updating AD scripts to match any script changes made during the run of each show, such as blocking, dialogue, timing.
    • Rehearsing audio description with Volunteer and Access Manager or peer.

    Provides audio describing during live performances by

    • Speaking and enunciating clearly.
    • Trouble shooting technical glitches.
    • Setting up and striking equipment prior to and after each performance.

    Prepares to provide audio description for all productions

    • Watches production during dress rehearsals or preview performances.
    • Rehearses all audio description scripts during the first two weeks of a production’s run.

    Ensures a positive patron experience by

    • Assisting patron as needed to provide delivery the device and guidance for usage.
    • Checking-in with patrons during intermission and after the performance.
    • Retrieving the delivery device at the end of the performance.
    • Interacting in a professional manner.

    Advocates for improvements by

    • Documenting patron feedback.
    • Documenting and trouble-shooting technical issues.

    Embraces the Festival’s commitment to Inclusion, Diversity, Equity and Accessibility by

    • Behaving in a manner that enhances relationships among all company members, particularly those belonging to groups of diverse backgrounds, including but not limited to race, ethnicity, gender, nationality, sexual orientation, religion, language, ability, age and socioeconomic status
    • Interrupting behaviors that hinder our diversity and inclusion efforts

    Other Duties and Responsibilities:

    • Communicates with House staff regarding patron and device needs.
    • Attend meetings as scheduled.
    • Assist in training new Audio Describers as needed or assigned

    Minimum Qualifications & Skills:

    • High school diploma or equivalent required; college experience or degree preferred.
    • Strong writing and grammatical skills required.
    • Strong attention to detail.
    • Strong customer service experience, including speaking with the public.
    • Strong communication skills.
    • Must be able to work independently.
    • Strong problem solving skills.

    Other Skills, Ability and/or Knowledge:

    • Self-directed, able to handle multiple tasks simultaneously, problem solver.
    • Knowledge of Word and Excel as needed.
    • Excellent reading, spelling, vocabulary and editing skills.
    • Ability to learn audio description equipment.
    • Ability to work with colleagues across the organization.

    Physical Ability:

    • Must be able to access all levels of the theaters using stairs.
    • Must have the ability to see, hear, and speak clearly.
    • Must be able to sit for extended period of time.
    • Specific abilities include auditory and visual concentration.

    Hours Requirements:

    • Ability to work flexible shifts Tuesday – Sunday, including days/evenings/weekends as scheduled.
    • Maintain an open schedule with irregular work hours.

    Preferred Qualifications & Skills:

    • Bachelor’s degree preferred.
    • Background in theatre.
    • Bilingual.
    • Prior training and/or experience in theatre audio description.
    • Understanding of appropriate communication when interacting with people who are Blind or Low Vision