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Touring Video Engineer Jobs (NOW HIRING)

Coordinate with touring video, lighting, sound, and comms departments to maintain UFC-owned assets ... Lead a team of engineers to keep the Meta Apex Broadcast Operations Center technically ready for ...

Collaborate closely with Transmission, Video Engineering, Production teams, and cross-functional ... Minimum Qualifications 7+ years of proven experience supporting large-scale productions, touring ...

V1 Technician

Pittsburgh, PA · On-site

$20 - $24/hr

Help plan and engineer configurations of Video LED walls (mobile + modular), playback, projection ... touring, corporate, theatre, and concerts). * Proficiency in the following Video systems:

V1 Technician

Pittsburgh, PA · On-site

$20 - $24/hr

Help plan and engineer configurations of Video LED walls (mobile + modular), playback, projection ... touring, corporate, theatre, and concerts). * Proficiency in the following Video systems:

TECHNICIAN (PT)

Dearborn, MI · On-site

$21.62/hr

Live Audio mixing duties, theatrical lighting control, live video system control and/or theatrical ... Touring bands, orchestra, choir, corporate, musical theatre, etc. * Ability to troubleshoot and ...

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Touring Video Engineer information

See salary details

$30.5K

$88.3K

$139.5K

How much do touring video engineer jobs pay per year?

As of Sep 3, 2026, the average yearly pay for touring video engineer in the United States is $88,303.00, according to ZipRecruiter salary data. Most workers in this role earn between $65,000.00 and $108,500.00 per year, depending on experience, location, and employer.

What does a touring video engineer do?

A Touring Video Engineer is responsible for setting up, operating, and maintaining video equipment for live events, concerts, or tours. They ensure that visual displays, projections, and live video feeds run smoothly throughout the performance. This includes troubleshooting technical issues, coordinating with other production teams, and adapting to different venues. Their expertise ensures audiences experience high-quality visuals that enhance the overall show.

What are the key skills and qualifications needed to thrive as a touring video engineer?

To thrive as a Touring Video Engineer, you need expertise in video system setup, troubleshooting, and live event production, often supported by experience with professional video equipment and a relevant technical background. Familiarity with video switchers, media servers (such as Resolume or Watchout), projection mapping, and signal distribution systems is typically required. Strong problem-solving, communication, and adaptability are essential soft skills for managing on-the-road challenges and collaborating with diverse teams. These skills ensure seamless video delivery and high production standards in the fast-paced, variable environments of touring events.

What are some common challenges faced by touring video engineers while on the road, and how can they be managed?

Touring Video Engineers often face challenges such as adapting to different venues with varying technical setups, managing tight schedules, and troubleshooting equipment in real-time. Flexibility and strong problem-solving skills are essential, as each location may have unique requirements or unexpected issues. Building good communication with other crew members and local venue staff helps ensure smooth setup and operation. Staying organized and maintaining equipment between shows is also crucial to prevent technical problems during performances.

What is the difference between Touring Video Engineer vs Live Video Technician?

AspectTouring Video EngineerLive Video Technician
CredentialsTechnical certifications, audiovisual trainingTechnical certifications, audiovisual training
Work EnvironmentOn tour, traveling with bands or eventsEvent venues, live production sites
Industry UsageMusic tours, concerts, festivalsConcerts, live broadcasts, events
Job FocusDesigning, operating, and maintaining video systems during toursSetting up, troubleshooting, and operating live video equipment

The main difference between a Touring Video Engineer and a Live Video Technician lies in scope and responsibilities. Touring Video Engineers typically oversee the entire video system setup, design, and operation during tours, often traveling extensively. Live Video Technicians focus on the hands-on operation and troubleshooting of live video equipment at specific events. Both roles require similar skills and certifications but differ in their level of responsibility and work environment.

How much does a touring video engineer make?

A touring video engineer's salary typically ranges from $50,000 to $120,000 annually, depending on experience, the scale of tours, and the complexity of equipment handled. Experienced engineers working with large productions or high-profile artists tend to earn higher wages and may receive per diem and travel accommodations.
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Cities with the most Touring Video Engineer job openings:

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What job categories do people searching Touring Video Engineer jobs look for?

The top searched job categories for Touring Video Engineer jobs are:

Infographic showing various Touring Video Engineer job openings in the United States as of August 2026, with employment types broken down into 93% Full Time, 3% Part Time, and 4% Contract. Highlights an 86% Physical, 5% Hybrid, and 9% Remote job distribution, with an average salary of $88,303 per year, or $42.5 per hour.

Full-time

Posted 24 days ago


Job description

Who We Are:
UFC® is the world's premier mixed martial arts organization (MMA), with more than 700 million fans and approximately 300 million social media followers. The organization produces more than 40 live events annually in some of the most prestigious arenas around the world while broadcasting to over 950 million households across more than 170 countries. UFC's athlete roster features the world's best MMA athletes representing more than 80 countries. The organization's digital offerings include UFC FIGHT PASS®, one of the world's leading streaming services for combat sports. UFC is part of TKO Group Holdings (NYSE: TKO) and is headquartered in Las Vegas, Nevada. For more information, visit UFC.com and follow UFC at Facebook.com/UFC and @UFC on X, Snapchat, Instagram, and TikTok: @UFC.TKO Group Holdings, Inc. (NYSE: TKO) is a premium sports and entertainment company. TKO owns iconic properties including UFC, the world's premier mixed martial arts organization; WWE, the global leader in sports entertainment; and PBR, the world's premier bull riding organization. Together, these properties reach 1 billion households across 210 countries and territories and organize more than 500 live events year-round, attracting more than three million fans. TKO also services and partners with major sports rights holders through IMG, an industry-leading global sports marketing agency; and On Location, a global leader in premium experiential hospitality.
The Role
The Technical Producer oversees the technical execution of UFC live events across domestic and international markets, including local-language productions and on-air initiatives. This role owns the technical side of broadcasts, in-venue productions, and worldwide transmissions, while coordinating event logistics and quality control across sub-contracted operations. The Technical Producer also supports live and pre-recorded productions at Meta Apex, UFC's state-of-the-art production and broadcast facility in Las Vegas.
What You'll Do
Live Event & Broadcast Production
  • Oversee creative development and logistics for event-week promotional initiatives, live events, and on-air/live-streaming elements.
  • Provide creative vision and critique to improve production quality and fan experience across broadcasts.
  • Partner with Technical Ops to maintain on-air quality control and drive continuous improvement across future productions.
  • Supervise unilateral broadcasts and transmissions, ensuring sponsored assets execute successfully.
  • Coordinate with touring video, lighting, sound, and comms departments to maintain UFC-owned assets, including repairs and annual system maintenance.
  • Work with post-production teams to ensure timely, high-quality delivery of event records.

Cross-Functional & Vendor Coordination
  • Partner with Sponsorship, Marketing, Operations, Regulatory, and domestic/international TV partners on production needs.
  • Identify and secure resources with vendors for production requirements.
  • Work with Operations to coordinate transport of production equipment and facilities for domestic and international events, ensuring efficient load-in, setup, and execution.
  • Maintain a crew evaluation database to inform scheduling, rate negotiations, and performance reviews.

International & Licensee Management
  • Ensure international licensees receive broadcast and technical documentation on time and to the right contacts.
  • Maintain relationships with existing licensees and lead onboarding correspondence for new partners and distribution channels.
  • Coordinate with distribution and content partners to ensure accurate live transmission delivery and file-based deliverables.
  • Liaise with transmission vendor project managers and engineers, keeping them current on event scope, dates, and licensee deliverables to deliver timely transmission plans and budgets.
  • Support international partners' onsite production initiatives and their technical needs during broadcasts.

Meta Apex Facility Operations
  • Schedule control room and studio crews with Production Managers for internal and external productions.
  • Lead a team of engineers to keep the Meta Apex Broadcast Operations Center technically ready for sports, entertainment, and corporate productions.
  • Scope technical and production needs with prospective third-party clients, developing solutions and estimates for formal proposals.
  • Oversee technical operations for third-party events and internal live/studio productions at Meta Apex.
  • Support internal production needs for corporate initiatives such as town halls, press conferences, and company events.

Industry Awareness
  • Stay current on industry trends and emerging technologies to identify opportunities for production enhancements and operational efficiencies.

What You Have
  • Bachelor's degree; coursework in television production or digital media a plus.
  • 4+ years of broadcast remote operations and studio production experience (network level preferred), plus 2+ years of project management experience.
  • Experience with financial forecasting and budget preparation/management.
  • Working knowledge of production equipment, including video switchers, audio consoles, graphics platforms, replay servers, camera systems, signal transport, and video transmission solutions.
  • Proven ability to manage multiple priorities in a fast-paced, deadline-driven, team environment.
  • Strong troubleshooting, problem-resolution, and attention-to-detail skills.
  • Excellent interpersonal, communication, and conflict-resolution skills, with experience coordinating across departments, vendors, and broadcast partners.
  • Ability to think creatively and stay composed under pressure.

TKO EEO Statement:
TKO is an Equal Opportunity Employer and complies with all applicable federal, state, and local laws regarding non-discrimination in employment. TKO makes employment decisions based on merit and qualifications, without considering an employee's or applicant's race, color, religion, sex, sexual orientation, gender identity or expression, national origin, age, disability, marital status, veteran status, or any other basis prohibited under federal, state or local laws governing non-discrimination in employment in every location in which the Company has facilities. TKO also provides reasonable accommodations for qualified individuals with disabilities in accordance with the Americans with Disabilities Act (ADA) and applicable state or local laws. For information about Privacy and Information Security for TKO employment candidates, please review our Privacy Policy. For information regarding Terms of Use for this and other TKO websites, please review our Terms of Use.