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Remote Digital Matte Painter Jobs (NOW HIRING)

The Walt Disney Company

Sr. VFX Artist

Glendale, CA · Remote

$120K - $186K/yr

... Digital Entertainment, a division of Disney Experiences, is embarking on a mission to create the ... This is a remote role. What You Will Do: * Collaborate with artists, designers, and engineers to ...

Michelman

Account Manager - Coatings

Cincinnati, OH · Remote

Able to perform job duties at remote locations such as industrial sites, chemical facilities ... as well as digital printing press primers that are used in the production of consumer and ...

Michelman

Account Manager - Coatings

Cincinnati, OH · On-site +1

Able to perform job duties at remote locations such as industrial sites, chemical facilities ... as well as digital printing press primers that are used in the production of consumer and ...

Ripple Effect

Future Rippler

Rockville, MD · On-site +1

... Digital Transformation, and Technical & Scientific Support solutions with a focus on science ... Flexible schedules and remote work arrangements ----- Ripple Effect is proud to be an equal ...

Storyland Studios

Be Seen First

Landscape Architect

Corona, CA · Remote

$72K - $120K/yr

... remote positions will be considered as well. WHAT YOU'LL DO Shape What Could Be As our Landscape ... You'll assist in developing concepts, plans, and specifications --from pencil to 3D digital models.

Sherwin-Williams

Senior IT Audit Manager

Cleveland, OH · On-site +1

$91K - $119K/yr

This position is not hybrid/remote and will be located at our Global Headquarters in Cleveland, OH ... Our paints, coatings and innovative solutions make the places and spaces in our world brighter and ...

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Remote Digital Matte Painter information

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How much do remote digital matte painter jobs pay per hour?

As of Sep 5, 2026, the average hourly pay for remote digital matte painter in the United States is $21.82, according to ZipRecruiter salary data. Most workers in this role earn between $17.55 and $24.04 per hour, depending on experience, location, and employer.

What is a remote digital matte painter?

A Remote Digital Matte Painter is a visual effects artist who creates realistic background environments for movies, TV shows, video games, or advertisements while working from a location outside the main studio. They use digital painting and compositing techniques to produce detailed landscapes, cityscapes, or other scenes that may be impossible or expensive to film in real life. This role requires proficiency with graphics software like Adobe Photoshop and often involves collaborating with other artists, directors, and production teams online. Remote Digital Matte Painters play a crucial role in bringing imaginative worlds to life in visual storytelling.

How does a remote digital matte painter typically collaborate with other members of the visual effects team?

As a remote digital matte painter, you will regularly collaborate with visual effects supervisors, compositors, and other artists through virtual meetings and shared project management tools. Clear communication is essential, as you’ll need to interpret creative briefs, receive feedback, and provide updates on your progress. File sharing platforms and version control systems are commonly used to ensure assets are accessible and integrated smoothly into the production pipeline. Building strong digital communication skills and being proactive in seeking clarification can help overcome the challenges of remote teamwork.

What are the key skills and qualifications needed to thrive as a remote digital matte painter?

A Remote Digital Matte Painter should have strong artistic skills, a solid understanding of color theory, perspective, and composition, typically supported by a portfolio demonstrating proficiency in photo-realistic environments. Expertise in digital painting and compositing software such as Adobe Photoshop, Nuke, and Maya is commonly required. Attention to detail, creativity, and effective time management are crucial soft skills for excelling in this remote and collaborative role. These abilities enable the artist to deliver high-quality, seamless visuals that meet demanding production timelines in film, TV, or game development.

What is the difference between Remote Digital Matte Painter vs Remote Concept Artist?

AspectRemote Digital Matte PainterRemote Concept Artist
CredentialsProficiency in Photoshop, 3D software, strong artistic skillsStrong drawing, illustration, and visual storytelling skills
Work EnvironmentVFX, film, gaming studios, remote collaborationFilm, animation, gaming projects, remote work
Industry UsageUsed for creating realistic backgrounds and environmentsUsed for designing initial concepts and visual ideas

Remote Digital Matte Painters focus on creating realistic backgrounds for films, games, and VFX, often working with 3D and photo manipulation. Remote Concept Artists develop initial visual ideas and designs, emphasizing creativity and storytelling. While both roles require strong artistic skills and often work remotely within similar industries, their primary focus and deliverables differ significantly.

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Remote Digital Matte Painter jobs near you
Infographic showing various Remote Digital Matte Painter job openings in the United States as of August 2026, with employment types broken down into 1% Internship, 82% Full Time, 12% Part Time, 1% Temporary, and 4% Contract. Highlights an 87% Physical, 3% Hybrid, and 10% Remote job distribution, with an average salary of $45,394 per year, or $21.8 per hour.

Photo at 24 Seven West New York, New Jersey

24 Seven Talent

West New York, NJ • On-site, Remote

Contractor

Posted 2 days ago

New

Job description

Photo Producer

Creative Post-Production • Retouching, CGI & Gen AI

Position Title: Photo Producer

Department: Creative Post-Production

Reports To: Sr. Manager, Creative Post-Production

Location: New York, NY HYBRID Mon/Fri remote Tues-Thurs onsite.

Employment Type: Contract

Position Summary: The Photo Producer partners with the Sr. Manager of Creative Post-Production to drive retouching projects from handoff through final release. This role owns day-to-day workflow, quality control, review coordination, and delivery across multiple brands and vendors simultaneously - ensuring every asset meets our creative, technical, and color standards before it reaches clients and the AEM Brand Portal. The ideal candidate is highly organized, technically fluent, and comfortable operating across traditional retouching as well as emerging CGI and Gen AI production pipelines.

Key Responsibilities:

1. Manage Retouching Project Workflow (w/ Sr. Manager):

  • Review rounds and final retouched images from external vendors for accuracy, consistency, and adherence to project guidelines.
  • Review creative/client feedback before sending to vendors to ensure clarity and accuracy of references.
  • Track project timelines, budgets, and specific data points for multiple projects simultaneously.
  • Organize and maintain digital files, ensuring proper version control and archiving.

2. Coordinate Reviews (w/ Sr. Manager, Creative & Marketing):

  • Ensure delivery of prints to creative teams.
  • Schedule and run point on print reviews with stakeholders.
  • Perform live adjustments during print reviews for feedback clarity.

3. Release Final Files to Clients (w/ Sr. Manager & Vendors):

  • Ensure final images are prepared and formatted correctly for delivery based on distribution channel.
  • Process final files for upload to the AEM Brand Portal, adhering to our asset management upload process.
  • Record final file numbers after release.

CGI & Gen AI Pipeline (Preferred): As our content supply chain expands beyond traditional capture, experience producing across CGI and Gen AI workflows is a strong advantage. Familiarity with the following is preferred:

  • Digital twin & CGI production - coordinating digital twin, packshot, and still-life work with CGI vendors, and reviewing renders across the phased pipeline (digital twins? composition/style frames ? finishing).
  • Gen AI asset generation - understanding how AI-generated backgrounds, textures, and creative variations are produced and integrated, while ensuring final creative and technical decisions remain in post-production.
  • Asset re-use & governance - helping build assets once and leverage them across stills and video deliverables to avoid duplication.
  • Pipeline tooling - working knowledge of CGI/3D and Gen AI tools (e.g., Substance Painter, Cinema 4D/Blender, USD asset packaging, and AI image/texture generators) to communicate effectively with vendors and QC deliverables.
  • Color-managed rendering - awareness of scene-referred, wide-gamut workflows and output targets so CGI/Gen AI assets match photographic content.

Technical Skills & Color Management:

  • Fluent in retouching QC: layer/group conventions, compositing, grain matching, extensions, etc.
  • Strong color management across print and digital - comfortable working to defined output profiles (e.g., GRACoL2013 CMYK and Adobe RGB 1998) and evaluating match prints in layout.
  • Print production literacy: DPI/resolution for sizing, match print standards, and packaging/print-ready delivery.
  • Proficient with Adobe Creative Cloud (Photoshop), Dropbox-based handoffs, and DAM upload workflows (AEM Brand Portal).
  • Organized in file structure, naming conventions, version control, and archiving across concurrent projects.

Qualifications:

  • 3+ years in post-production, retouching production, or creative project management (beauty, fashion, or CPG a plus).
  • Proven ability to manage multiple projects, timelines, and budgets simultaneously with meticulous attention to detail.
  • Excellent communication skills for coordinating across creative, marketing, external vendors, and stakeholders.
  • Experience running live print reviews and translating stakeholder feedback into clear, actionable vendor notes.
  • Comfortable operating in evolving, technically complex workflows and adopting new tools quickly.

Apply